For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert K. Elder
An emotionally honest character piece that avoids moralizing or offering soggy excuses.- Chicago Tribune
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Reviewed by
Robert K. Elder
Unlike the intrigue and winding switchback of moral mysteries that defined "L.A. Confidential," Dark Blue travels on flat, predictable terrain.- Chicago Tribune
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Michael Wilmington
Told with such sadness and exaltation, such mastery of image and sound, that watching it makes you feel renewed and hopeful.- Chicago Tribune
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Mark Caro
A small movie about big emotions, with Green capturing the rush of love and sting of heartbreak with great vividness.- Chicago Tribune
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Michael Wilmington
Casual moviegoers may enjoy it, too, if they follow a simple rule: Stop looking for the way out and let yourself get lost.- Chicago Tribune
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Michael Wilmington
Another masterpiece from one of the world's more neglected great directors, a master artist who here reveals the soul of another.- Chicago Tribune
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Allison Benedikt
At its core, a movie for children. There is no hidden adult story line, not much sexual innuendo and very little dry humor.- Chicago Tribune
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Michael Wilmington
Slick, expensive and filled with good-looking actors flexing muscles, but once it grabs our attention it doesn't really reward it...this movie doesn't have fear -- or sheer wonder and marvel -- enough.- Chicago Tribune
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Michael Wilmington
Though I wouldn't call He Loves Me a total success, it's smart, intriguing and quite ambitious, a first film by a talented young filmmaker that displays superstar Tautou's gifts in an eerie new light.- Chicago Tribune
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John Petrakis
Moskowitz may soon find himself in the same boat as many of the artists he is analyzing, because Stone Reader is going to be one tough act to follow.- Chicago Tribune
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Mark Caro
Chan and Wilson's easy camaraderie remains eminently watchable, but the rough edges from last time out are missed.- Chicago Tribune
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Michael Wilmington
I can't think of much that might happen on a date evening that could be more annoying than this movie.- Chicago Tribune
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Loren King
A welcome respite from verbal nastiness and sexual cynicism. It's nice to see characters who enjoy falling in love, even if it's to a schmaltzy light-soul score.- Chicago Tribune
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Robert K. Elder
McKee, like Amenabar, knows how to position his film against type -- which ultimately makes May a refreshing, macabre tale.- Chicago Tribune
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Mark Caro
You can interpret Lost in La Mancha as a sort of triumph of the creative spirit. Gilliam's darkest gallows humor always comes with a smile.- Chicago Tribune
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- Critic Score
Unintentional comedy that will bore even the 15-year-olds at which it is undoubtedly aimed.- Chicago Tribune
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Reviewed by
Michael Wilmington
It suddenly morphs into one more overly slick, empty show.- Chicago Tribune
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Loren King
Despite some imaginative fatalities, is less a movie than a slick video game.- Chicago Tribune
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Robert K. Elder
Hits more laughs than it misses and its characters are likable, empathetic people.- Chicago Tribune
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Michael Wilmington
The movie, in the end, is devastating because of the banality it reveals, and because its terseness and plainness cut a mass killer down to size.- Chicago Tribune
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Patrick Z. McGavin
Costa-Gavras' powerful, awkward Amen is a dramatically uneven historical thriller.- Chicago Tribune
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John Petrakis
A lamebrained attempt at horror that is just a derivative pastiche of ideas lifted from other bad films.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
Lawrence and Zahn generate enough comic tension and mayhem to jump-start this mass of action-comedy cliches into a fairly amusing show.- Chicago Tribune
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Michael Wilmington
About the Israeli-Palestinian conflict, but it treats war as a cosmic joke and its participants as hapless but recognizably human clowns.- Chicago Tribune
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Mark Caro
A visual and aural feast that combines elements of classic gangster melodramas, crime epics such as "The Godfather" and playful non-linear narratives such as "Amores Perros," City of God explores a deadly culture while feeling more alive than anything that's hit the big screen in years.- Chicago Tribune
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Loren King
The film's crude humor and violence -- cartoonish, but still violent -- should offend parents of younger kids. Yet its ultra-broad, pratfall-filled comedy will satisfy only the most indiscriminate teens.- Chicago Tribune
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Michael Wilmington
A stark, minimalist near-masterpiece about the creation of a murderer in modern Iran.- Chicago Tribune
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Michael Wilmington
Watching Le Cercle Rouge, we're caught up in a world that, however improbable some of its twists and turns seem, strikes us as a perfect, imaginative creation.- Chicago Tribune
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Michael Wilmington
It's a movie imbued with a fierce intimacy -- a tone and style similar to cinema verite documentary -- but it's not a banal realism, even if the characters and settings in contemporary working-class Liege initially seem mundane.- Chicago Tribune
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