Chicago Tribune's Scores

For 7,599 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7599 movie reviews
  1. Magnificently sensuous and macabre.
  2. A likable little movie without much to offer but cute tots, recycled gags and a talented cast amiably wasting their time and ours.
  3. LaBute never loses sight of what shape he wishes this crafty story to take. In the end, his aim is true.
  4. The frustrating part is that Only the Strong Survive includes at least as many mundane moments as soul-stirring ones -- and the film isn't much more than a collection of moments.
  5. An irritation, more fizzle than sizzle.
  6. The movie -- simple, pure and powerful -- makes us feel the intensity of both life in transit and life lived, if only for a moment, in another's skin.
  7. Lesnick seems to be saying that lesbian characters on screen can also meet cute significant others, spar in a lite Woody Allen fashion, and have a happy, sappy Hollywood ending. But a sitcom is still a sitcom -- gay, Greek or otherwise.
  8. Call it a weepy for the gay community:The Trip is an oddly marketed, oddly titled romance. Yes, there is a trip, but it takes place during the last 15 minutes of the film and seems almost tangential.
  9. A promising film rather than a fully realized one.
  10. This movie lets the characters and tropes borrowed from the original Stan Lee comic live and breathe.
  11. By filling in what the story lacks in originality with easy attractions like pretty faces, set to fluffy music, the filmmakers lose the outsider edge the Lizzie McGuire franchise was built on.
  12. Captures the complex dynamic of a mentoring relationship like few movies before it.
  13. Kwietniowski turns up the tension so incrementally, we don't realize the scope of Mahowny's moral wreck until it is too late.
  14. Boasts all of the drama and suspense of any reality TV show, but it actually stars smart people. And they're kids.
  15. A slick, bloody thriller, but it's also, to its credit, a genuine whodunit.
  16. You find yourself tricked and having enjoyed the experience after all.
  17. Never quite transcends its movie-of-the-week trappings. But either you're glad to have spent time with these three generations or you aren't. Bottom line: I was.
  18. The shame is that Pitre, shooting entirely in his home state, wasn't more engaged himself. His intimate connection to the people, place and story, which certainly inspired him to write the film in the first place, is wasted.
  19. This clear-eyed, low-budget drama is populated by troubled teens whose stories aren’t packaged in neat little bows. Their histories are sad, their feelings raw, their futures uncertain.
  20. In some ways it's not a film that surprises us much. But it's a notable directorial debut anyway -- smartly written, very well cast and skillfully done.
  21. A humane and fantastic work, and it touches us precisely because Konchalovsky shows the reality of both the soldiers and the madhouse inmates. His movie is just what he intended: a nightmare that speaks the truth.
  22. This movie thrusts you so close to these intoxicated idiots that you practically have to wipe off secondhand tequila, sweat and spit stains afterward.
  23. As wide and deep as the directors fish for anecdotes, it's surprising that there isn't more focus, more context.
  24. The movie is rich with detail, characters and a specific historical context, even if its narrative is incoherent. But its cheap, gauzy veneer and primitive special effects are fun on their own terms.
  25. What's remarkable as we watch Lilya's plunge (and the brief, false rays of light that illuminate it) is how real Moodysson makes her plight, how intensely he makes us empathize with Lilya.
  26. With the movie's attentions spread so thin, almost everything begins to seem peripheral - even if almost every loose end is tied together, no matter how unlikely the connection.
  27. This French documentary gives us unprecedented intimacy and sweep.
  28. Doesn't aim for more than padding a plot around Kennedy so he can do his Brad "B-Rad" Gluckman character full-force. And the joke soon wears thin.
  29. It's a shame that these actors, stars already in the Latino community, with most also having played small parts in Hollywood's more white-bread movies, got such a poorly written script for their American coming-out party.
  30. The tweaking here feels affectionate, yet you soon suspect that these subjects make for awfully easy pickings.

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