For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
Magnificently sensuous and macabre.- Chicago Tribune
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Reviewed by
Michael Wilmington
A likable little movie without much to offer but cute tots, recycled gags and a talented cast amiably wasting their time and ours.- Chicago Tribune
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Reviewed by
Mark Caro
LaBute never loses sight of what shape he wishes this crafty story to take. In the end, his aim is true.- Chicago Tribune
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Reviewed by
Mark Caro
The frustrating part is that Only the Strong Survive includes at least as many mundane moments as soul-stirring ones -- and the film isn't much more than a collection of moments.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
The movie -- simple, pure and powerful -- makes us feel the intensity of both life in transit and life lived, if only for a moment, in another's skin.- Chicago Tribune
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Reviewed by
Loren King
Lesnick seems to be saying that lesbian characters on screen can also meet cute significant others, spar in a lite Woody Allen fashion, and have a happy, sappy Hollywood ending. But a sitcom is still a sitcom -- gay, Greek or otherwise.- Chicago Tribune
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Robert K. Elder
Call it a weepy for the gay community:The Trip is an oddly marketed, oddly titled romance. Yes, there is a trip, but it takes place during the last 15 minutes of the film and seems almost tangential.- Chicago Tribune
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Reviewed by
Michael Wilmington
A promising film rather than a fully realized one.- Chicago Tribune
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Reviewed by
Michael Wilmington
This movie lets the characters and tropes borrowed from the original Stan Lee comic live and breathe.- Chicago Tribune
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Allison Benedikt
By filling in what the story lacks in originality with easy attractions like pretty faces, set to fluffy music, the filmmakers lose the outsider edge the Lizzie McGuire franchise was built on.- Chicago Tribune
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Reviewed by
Mark Caro
Captures the complex dynamic of a mentoring relationship like few movies before it.- Chicago Tribune
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Robert K. Elder
Kwietniowski turns up the tension so incrementally, we don't realize the scope of Mahowny's moral wreck until it is too late.- Chicago Tribune
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Reviewed by
Mark Caro
Boasts all of the drama and suspense of any reality TV show, but it actually stars smart people. And they're kids.- Chicago Tribune
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Michael Wilmington
A slick, bloody thriller, but it's also, to its credit, a genuine whodunit.- Chicago Tribune
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Reviewed by
Mark Caro
You find yourself tricked and having enjoyed the experience after all.- Chicago Tribune
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Reviewed by
Mark Caro
Never quite transcends its movie-of-the-week trappings. But either you're glad to have spent time with these three generations or you aren't. Bottom line: I was.- Chicago Tribune
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Allison Benedikt
The shame is that Pitre, shooting entirely in his home state, wasn't more engaged himself. His intimate connection to the people, place and story, which certainly inspired him to write the film in the first place, is wasted.- Chicago Tribune
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Mark Caro
This clear-eyed, low-budget drama is populated by troubled teens whose stories aren’t packaged in neat little bows. Their histories are sad, their feelings raw, their futures uncertain.- Chicago Tribune
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Michael Wilmington
In some ways it's not a film that surprises us much. But it's a notable directorial debut anyway -- smartly written, very well cast and skillfully done.- Chicago Tribune
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Michael Wilmington
A humane and fantastic work, and it touches us precisely because Konchalovsky shows the reality of both the soldiers and the madhouse inmates. His movie is just what he intended: a nightmare that speaks the truth.- Chicago Tribune
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Mark Caro
This movie thrusts you so close to these intoxicated idiots that you practically have to wipe off secondhand tequila, sweat and spit stains afterward.- Chicago Tribune
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Robert K. Elder
As wide and deep as the directors fish for anecdotes, it's surprising that there isn't more focus, more context.- Chicago Tribune
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Reviewed by
Patrick Z. McGavin
The movie is rich with detail, characters and a specific historical context, even if its narrative is incoherent. But its cheap, gauzy veneer and primitive special effects are fun on their own terms.- Chicago Tribune
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Reviewed by
Michael Wilmington
What's remarkable as we watch Lilya's plunge (and the brief, false rays of light that illuminate it) is how real Moodysson makes her plight, how intensely he makes us empathize with Lilya.- Chicago Tribune
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Mark Caro
With the movie's attentions spread so thin, almost everything begins to seem peripheral - even if almost every loose end is tied together, no matter how unlikely the connection.- Chicago Tribune
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Reviewed by
Michael Wilmington
This French documentary gives us unprecedented intimacy and sweep.- Chicago Tribune
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Loren King
Doesn't aim for more than padding a plot around Kennedy so he can do his Brad "B-Rad" Gluckman character full-force. And the joke soon wears thin.- Chicago Tribune
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Reviewed by
Allison Benedikt
It's a shame that these actors, stars already in the Latino community, with most also having played small parts in Hollywood's more white-bread movies, got such a poorly written script for their American coming-out party.- Chicago Tribune
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Reviewed by
Mark Caro
The tweaking here feels affectionate, yet you soon suspect that these subjects make for awfully easy pickings.- Chicago Tribune
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