For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
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| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert K. Elder
Confidently directed and tightly constructed, Carnage announces the presence of a fresh, powerful directorial mind with each frame.- Chicago Tribune
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Horror movies don't have to make sense in the real world, but when you have to help their internal logic along this much, it's pretty much a cue for heckling -- or checking your watch.- Chicago Tribune
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Reviewed by
Michael Wilmington
A smart, sprightly little movie with beguiling actors and few inhibitions. Though there's nothing startlingly new here, there's a freshness and vigor to the acting, and the crisscrossing love affairs hold your interest.- Chicago Tribune
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Loren King
Meadows clearly has a flair for working with actors and for depicting the rough-and-tumble of ordinary provincial lives. If he could go just a bit deeper, the truly great Midlands movie just might surface.- Chicago Tribune
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Reviewed by
Robert K. Elder
Plagued by continuity problems, ham-fisted storytelling and a problematic voiceover by Da Brat, Civil Brand feels less like a prison movie than a prison sentence.- Chicago Tribune
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Allison Benedikt
At first look, it's a stark and thin story of misguided youth. But give it a week. The girls stay with you, the small moments echo, and you realize that, though this movie doesn't lend itself to a punchy summary, it lends itself to the screen.- Chicago Tribune
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Michael Wilmington
Be forewarned: Dog Days, like many of Seidel's films, will drive some moviegoers to rage and walkouts with its unrelentingly depressing tone. But it also a remarkable, deeply disturbing work by a brilliant filmmaker.- Chicago Tribune
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If the filmmakers wanted to talk so much, they should have just gotten together for a long, anecdote-filled, wine-soaked Spanish dinner party and amused themselves.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Allison Benedikt
Rogowski's transition from youth-culture poster boy to murderer demands deeper analysis.- Chicago Tribune
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Reviewed by
Allison Benedikt
The actors had little to work with in this passe social satire, but sharper performances might have saved Marci from total humorless ruin.- Chicago Tribune
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Robert K. Elder
Starts out slowly, unfolding a family history through the poetic use of black-and-white photographs -- blending the figures of Rana's ancestors into the frame as if they still watched the family.- Chicago Tribune
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Reviewed by
Robert K. Elder
A magic-meets-macho cop movie that's more gimmick than actual movie.- Chicago Tribune
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Michael Wilmington
This is a movie that boggles the mind: a bad-taste comedy that makes the average effort by the Farrelly Brothers (mysteriously thanked in the credits) look like a Merchant-Ivory film.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Mark Caro
In Uptown Girls Murphy is like a puppy in traffic; you're confident she'll reach the curb but only because the cars are swerving, not because her moves are so deft.- Chicago Tribune
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Reviewed by
Mark Caro
Such a stylistic inconsistency might be bothersome in another film, but here it's just part of the texture.- Chicago Tribune
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Michael Wilmington
It's a good small film for intelligent audiences who like to watch the movie camera explore other regions and other communities -- something all our movies should do more often.- Chicago Tribune
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Michael Wilmington
A blend of the classical and the trite, the beautiful and tawdry, the genuinely moving and the cornball. Oddly, producer-director-star Costner often can't seem to tell the difference.- Chicago Tribune
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Allison Benedikt
This movie is just not cool or hip or in any way extreme. Sitting through Grind is a real grind.- Chicago Tribune
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Michael Wilmington
The movie overflows with action, slapstick and cliches, but the cliches never impede the action, and the slapstick is so expertly performed, it doesn't annoy you -- much.- Chicago Tribune
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Robert K. Elder
Succeeds as a guilty pleasure, a monster mash that clobbers the recent lackluster sequels plaguing both legacies. If only that were a higher compliment.- Chicago Tribune
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Mark Caro
Somehow lacks lightness and weight. This is a movie that tries to work a bloody suicide attempt and a murder into a comedy of manners, with almost everything registering in the same narrow spectrum of inconsequence.- Chicago Tribune
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Michael Wilmington
Technically clever but emotionally bankrupt...it's an almost laughably opportunistic movie.- Chicago Tribune
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Loren King
As a bonus, "Liquid" also includes eye-popping footage of the top surfers in the world (Taj Burrow, Laird Hamilton, Dave Kalama) -- wave riders who make the impossible look easy.- Chicago Tribune
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Michael Wilmington
Freaky Friday commits a lot of sins; luckily, it has Curtis and a few others to cover them up.- Chicago Tribune
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Reviewed by
Michael Wilmington
A fierce, brilliant film that breaks (and then mends) your heart.- Chicago Tribune
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Michael Wilmington
A movie best suited for a lazy afternoon or a languorous night, particularly if you're a Francophile. Charming, glamorous, emotionally suggestive but slight, it's full of beautiful and colorful people.- Chicago Tribune
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Mark Caro
A surprisingly insightful, non-judgmental meditation on a troubled marriage-with-kids.- Chicago Tribune
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Michael Wilmington
The crass sentimentality of American Wedding increasingly fits Norman Mailer's definition: "the emotional promiscuity of the basically unemotional." The jokes are unemotional, uncouth and mostly unfunny.- Chicago Tribune
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