For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
There's a shallowness about The Good Girl that can't always be excused as an accurate portrayal of a shallow milieu -- in the end, just like Justine, it's not as good as it could have been.- Chicago Tribune
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Reviewed by
Michael Wilmington
A children's movie done with genuinely youthful spirit and an easy self-kidding mastery of its own high-tech gadgetry.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a weird little movie that's amusing enough while you watch it, offering fine acting moments and pungent insights into modern L.A.'s show-biz and media subcultures. But it doesn't leave you with much.- Chicago Tribune
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Reviewed by
Michael Wilmington
While Last Kiss may strike some as a calculated crowd-pleaser, it's cleverly calculated, perceptive and often quite funny -- and a bit darker than it may first appear.- Chicago Tribune
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Reviewed by
Michael Wilmington
Signs -- though Shyamalan's most visually beautiful work -- seems thinner, barely more than a sketch for a movie, with characters trapped in formulas. Beautifully trapped perhaps -- but paralyzed nonetheless.- Chicago Tribune
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A disjointed film that, but for brief flashes of comedic verve, should skip theatrical release and go straight to video.- Chicago Tribune
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Reviewed by
Robert K. Elder
He's endearing and affable when finding humor and even introspective life lessons after arrests, drug use and a near-death experience.- Chicago Tribune
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Reviewed by
Michael Wilmington
It is a movie about the gradual erosion of life's seeming certainties, and it's also about the destructive immorality that may lie beneath the most exquisitely composed veneer. As we watch "Chocolat," this great director and his great actress, Huppert, convince us: Evil is.- Chicago Tribune
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Michael Wilmington
If Hollywood is really a dream factory, then it's the movie moguls and movie stars who live that dream to the hilt. In the late 1970s few lived quite as large as Robert Evans.- Chicago Tribune
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Reviewed by
Michael Wilmington
Unfortunately, the humans only have scripts to support them. So for every bear triumph, Country Bears also features cliched jokes, corny sentiment, ludicrous shtick and the most flabbergasting set of star cameos since Martha Stewart and Michael Jackson wandered into "Men in Black II."- Chicago Tribune
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Michael Wilmington
It's a shapeless, derivative-but-funny show with another loony parody plot about super-villain Dr. Evil.- Chicago Tribune
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Reviewed by
Michael Wilmington
Just as Zhao uses his comic gifts to create an affecting human, so Dong's performance as Wu is a triumph of honesty and tact.- Chicago Tribune
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Reviewed by
Patrick Z. McGavin
Wong Kar-wai made a much more dynamic film, "Happy Together," five years ago. Lan Yu suffers by comparison.- Chicago Tribune
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Reviewed by
Robert K. Elder
This is a rare gem tripped over while making a run-of-the-mill rockumentary about a band's new album.- Chicago Tribune
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A warm, witty, consistently funny family movie with a sweet message about loving yourself, be you a mouse or whatever.- Chicago Tribune
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Reviewed by
Michael Wilmington
Bigelow gives this film edge, tension and something you aren't expecting: a woman's touch for teasing out the buried emotion beneath those stoic surfaces.- Chicago Tribune
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Loren King
But as likable as it is, Tadpole is hardly a maturing woman's revenge movie, but another male fantasy -- that of the sexually nurturing mother figure. If only all coming-of-age sexual experiences could be as healthy and wholesome.- Chicago Tribune
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Reviewed by
Michael Wilmington
Starts like a house afire and then suffers an imagination burnout.- Chicago Tribune
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Reviewed by
Michael Wilmington
The movie is a journey into a land of wonders beneath the surface of consciousness -- but it's also a sexual ride of unabated heat. You may be confused by Sex and Lucia, but you won't be unmoved.- Chicago Tribune
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It's a decent, fast-moving and visually powerful summer action romp for the teenage demographic-the dragons are deliciously evil critters, with a nice retro identity.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a genteel film with a gun in its pocket, but it's also a film with a universal chord of feeling that keeps welling up from the dark surfaces and violent byways of the plot-and a final confession that both warms the heart and chills the blood.- Chicago Tribune
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You would be better off investing in the worthy EMI recording that serves as the soundtrack, or the home video of the 1992 Malfitano-Domingo production.- Chicago Tribune
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Michael Wilmington
Trashy and glorious, the restored Metropolis is a pop epic for the ages.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Loren King
Like its parade of predecessors, this Halloween is a gory slash-fest. It can't escape its past, and it doesn't want to.- Chicago Tribune
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Reviewed by
Loren King
Despite its many charms, the title of the film -- both complaint and boast -- makes clear whose point of view this is. Gainsbourg is delightful, intelligent and sexy, but this isn't her film.- Chicago Tribune
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Reviewed by
Robert K. Elder
Oscillates between pragmatist genius and B-movie mediocrity.- Chicago Tribune
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The only the bum steer in Me Without You comes in the person of Daniel, played by Kyle MacLachlan of "Twin Peaks" fame. It's hard to tell whether MacLachlan was dealt a bum hand in an otherwise fine screenplay or acted on auto-pilot.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
A business-as-usual blockbuster blueprint that rarely surprises you.- Chicago Tribune
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