For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert K. Elder
It makes you sweat, laugh, squirm and self explore like few films -- fictional or documentary -- can.- Chicago Tribune
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Reviewed by
Robert K. Elder
Jason X conjures up more giggles than scares, assuming you make it through the first 15 minutes.- Chicago Tribune
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Reviewed by
Robert K. Elder
Sacrificing content for style, Caruso gives us a lot to look at but little to ponder.- Chicago Tribune
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Reviewed by
Michael Wilmington
The film manages to crack all its codes, and even when it sags a bit, it's never lacking grace and some wit. Not enigmatically at all, it pleases and teases us -- in high style.- Chicago Tribune
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Patrick Z. McGavin
Aims for a sadness and desperation that is crudely announced rather than subtly demonstrated.- Chicago Tribune
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Reviewed by
Michael Wilmington
A dumb movie, but it's also a knowing one: a cheap castle of lewd trivia and corny excitement built on The Rock.- Chicago Tribune
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Mark Caro
The outline of Murder by Numbers may be familiar, but the filmmakers and Bullock do an expert job of filling in the colors.- Chicago Tribune
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Reviewed by
Michael Wilmington
Two suggestions as you watch it: Never take anything for granted, and keep your hand on your wallet as you leave the theater.- Chicago Tribune
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Reviewed by
Michael Wilmington
Lucidity, austerity and quiet compassion are peculiar virtues to ascribe to a movie about a horrific real-life murder case, but those are among the best qualities of Jean-Pierre Denis' Murderous Maids.- Chicago Tribune
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Reviewed by
Patrick Z. McGavin
The film's greatest moments take place in space. There, words are unnecessary, the images transfixing.- Chicago Tribune
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Loren King
Despite its shortcomings, Girls Can't Swim represents an engaging and intimate first feature by a talented director to watch, and it's a worthy entry in the French coming-of-age genre.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
The artifice may be ancient, but the thought and emotions -- and especially Sorvino -- are beautifully, refreshingly modern.- Chicago Tribune
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Reviewed by
Michael Wilmington
Tries for both civilized wit and primitive joy -- and mostly misses both.- Chicago Tribune
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Reviewed by
John Petrakis
There's nothing more uplifting than a documentary that celebrates a man's capacity to dream, and nothing more depressing than one that mocks those dreams. Stephen Earnhart's Mule Skinner Blues walks the razor's edge between these approaches.- Chicago Tribune
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Reviewed by
Michael Wilmington
A thrilling ride but also a thoughtful one, it's a movie that does manage to do more good than bad by the end of the day.- Chicago Tribune
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Michael Wilmington
Most of Frailty is so good -- done in a low-key, realistic mood of genuine creepiness and dread -- that it doesn't need formula shocks.- Chicago Tribune
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Mark Caro
The movie leaves us with the image of rich folks frantically dancing the Charleston because if they stop, they'll have nothing. The point is as untrue as it is simplistic.- Chicago Tribune
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Mark Caro
Lacks the meanness of so many recent gross-out comedies. With the sparkling Diaz leading the way, the lame humor is much more palatable.- Chicago Tribune
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Reviewed by
Robert K. Elder
Captures a breathtaking exotic landscape cluttered only by the smugness of its characters.- Chicago Tribune
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- Critic Score
What began as a sketch movie ended up like a slightly better than average "SNL" flick, though Odenkirk, Cross and a number of famous and semi-famous friends do get some chuckles out of their story of Ronnie Dobbs, compulsive troublemaker. [16 Sep 2003, p.C3]- Chicago Tribune
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Reviewed by
Michael Wilmington
It's still a disappointment: a well-mounted and well-acted suspense movie that, thanks to its illogical script, falls off a cliff midway through.- Chicago Tribune
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Michael Wilmington
There are no surprises in this movie -- not even in the Bollywood parodies, when the hero and heroine finally, subversively kiss. There is talent, though.- Chicago Tribune
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Michael Wilmington
An unabashedly bad movie full of cliches, claptrap, fairly good rock 'n' roll and stomach-turning gross-out gags.- Chicago Tribune
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- Chicago Tribune
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Robert K. Elder
Able to provide insight into a fascinating part of theater history, spanning from Russia to the New York Catskills.- Chicago Tribune
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Reviewed by
Robert K. Elder
Sonnenfeld mishandles the broad part of the comedic formula, preferring repetition to thematic development.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Mark Caro
The Rookie may be pushing buttons, but at least they're the right buttons.- Chicago Tribune
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Reviewed by
Michael Wilmington
You will not forget The Piano Teacher. Nor will you forget Isabelle Huppert, a brave, brilliant actress who here plays her masterpiece.- Chicago Tribune
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