SYNDUALITY Echo of Ada has some neat ideas that separate it from other extraction shooters on the market, but it can’t fully shake off its repetitive nature and half-baked concepts. The fun loop of exploring a dangerous world, gathering resources and trying to survive the numerous threats trying to take you down goes a long way initially but eventually loses steam as monotonous grindy objectives rear their ugly head on maps without much variety. For now, SYNDUALITY Echo of Ada doesn’t quite live up to its ambitions; but with its decent foundations and a bit of time to add, improve and tweak its interesting universe, it could grow into something special down the track.

Strayed Lights definitely ended up surprising me, with an entertaining gameplay loop that finds the perfect sweet spot between “too easy” and “nail-bitingly hard”. Surely a Souls-like veteran might find it a little basic, but if you find yourself struggling with other games in the genre, Strayed Lights could be a great entry point. The art is also gorgeous with vibrant colours and lively animations, so there is plenty to look forward to with each new area and even though the story isn’t super deep, it’s still easy to get invested and want to meet more characters and help them on their journeys. If you are looking for an action-adventure game that provides a light, yet satisfying challenge, Strayed Lights might be perfect for you.

Atomic Heart is a compelling and exciting sci-fi action RPG, with a unique and well-developed setting. Although it has its imperfections, from its slow pace to occasionally annoying combat, the exciting mysteries at the heart of, well, Atomic Heart, made it worth powering through. For action-RPG fans with a taste for alternate history settings, Atomic Heart is definitely worth diving into, and I am excited to see what developer Mundfish has to offer in the future.

The GEX Trilogy won’t convert new fans, but for those raised on tail-whips and TV parodies, it’s a nostalgia-packed return. A solid, if safe, remaster that could’ve done more but still lets Gex channel surf once more with style.

Ultimately, Rue Valley is a frustrating experience, with too many loose ends and unresolved arcs at the end of the game. It’s unable to make the most of its excellent setup, faltering in the mid and late game stages as you’re forced between slow montages and extremely specific puzzle sequences. It’s a game with great writing and some truly fantastic ways of exploring depression and mental health, but it mechanically falls flat.

If you’re a Nintendo apologist, like so many of us are, Super Rush is a game you’ll likely pick up to add to that ever-growing catalogue even if it is a swing and a miss. Please Nintendo, let the next game be a Strikers sequel and let it be good.

Relooted turns a fantastic premise into a fun heist game. Putting its weaknesses in writing and plot aside, repatriating African artifacts is fun, swift and captures the emotional spikes and troughs of the heist genre nicely. Relooted also never loses sight of why these artifacts should be repatriated, treating them not as empty collectibles but instead as a way to help players understand their cultural significance and why they should be returned.

The Until Dawn remake is a fantastic horror game for anyone who missed it the first time. Influencing the story through butterfly effects and seeing the consequences is horrific. The game’s improved graphics really drive home the horror even if you know what is coming. But for veterans, some aspects of the game became worse with time. There’s not enough to bring you back if you already played the original, but it’s a good choice to recommend to newcomers.

The Cub is a fascinating romp through post-apocalyptic Earth. Balancing dark themes with delightful levity, the game finds a way to showcase both the best and worst of humanity with biting wit, vivid visuals, and impeccably implemented audio. It’s all let down somewhat by gameplay sequences that can’t maintain the same quality as the game’s other elements. However, even with that rather big caveat, The Cub still manages to present a lovely package worth opening.

I enjoyed my time with Undisputed. It features a wealth of licensed boxers but also allows you to create your own and take on a career. The Career mode is detailed enough to be exciting but could have used a few tweaks such as letting us hit the gym to practise our moves before the scheduled matches. Without that ability, this title does feel a little empty. Especially given that it has been in Early Access on PC for a while now. That said though, the presentation, overall, is excellent; the characters look great, and battle arenas cover everything from gyms to full-on television with commentators calling the shots as we fight in the ring. Undisputed is an admirable piece of work, but just needed a little more than in-ring action to make it the king of the hill.

Ammunition-fueled ATV trips, Mech piloting sequences and taking down squid-operated choppers levels of insane action can’t save Serious Sam: Siberian Mayhem. No matter how varied the environments or silky smooth the gunplay and weapons may be this time around, it’s clear the franchise is in need of more of a shakeup. Blowing through waves and waves of extraterrestrial threats doesn’t take long to blur together and once more feels like going through the motions. It’s frustrating too; creating a game with the help of loyal fan modders is arguably as true as the franchise can get. Still, it struggles to impress. Maybe it’s high time the Serious Sam series take notes from its most recent setting: traipsing away on ice for a little while.

Despite my problems with some of the storytelling, I enjoyed Root Film a lot. The beautiful anime-style art and relatable characters are more than enough to make up for my temporary frustrations, and I was happy to just be along for the ride. As an avid mystery game fan, I’ll guzzle down as many of these as publishers translate, so the fact that it wasn’t a perfect 10/10 doesn’t bother me, as long as the ending is satisfying – which for Root Film, it is. It gets my recommendation.

Immortals of Aveum boldly attempts to deliver an epic cinematic experience about a war involving magic, and it succeeds in its ambition. Fast-paced combat that places the game firmly in the shooter genre combine with satisfying platforming and puzzle-solving to make for an adventure that stays focused on its linear story while offering extra secrets for those who want to explore beyond its core narrative. There’s some repetition here and there that can be frustrating, but when you’re blasting colourful magic spells across battlefields of enemies like a violent fireworks display, it’s hard not to be impressed. Visually stunning with an excellently committed cast, Immortals of Aveum is a satisfying adventure and an impressive debut from a studio clearly not afraid to defy expectations.

The Dark Pictures Anthology: The Devil in Me is the best game in the series yet. Featuring a solid cast and dynamics to boot, I was well engaged in wanting to ensure everyone made it out of the horrific Murder Castle alive and was genuinely devastated when some didn’t. More opportunities are provided to explore and pick apart the environment than ever, often unearthing genuinely intriguing readables. Technical shortcomings once again rear their head a bit, showing stiff character animations from time to time and varied visual fidelity in some character models. Some of the equipment you’ll use to poke about the hell you’ve found yourself in is inconsequential but when they work they really work. At the end of the day, these flaws are forgivable. With obstructive shifting walls and deadly traps waiting around every corner so that you’re never really sure when you’re safe or not, The Devil in Me is a very alluring setting for horror fans.

Enotria: The Last Song is a compelling little soulslike which has enough of its own identity to be worth a recommendation, even if not all of its elements individually work as well. The emphasis on the game’s melee combat leaves its magic system a little clunky, and despite an impressive amount of flexibility in the game’s RPG mechanics, the ability to swap between different loadouts mid-combat wasn’t all that useful. Despite these minor drawbacks, the challenging boss fights, gorgeous art direction and fun exploration make this a worthwhile addition to any soulslike fan’s library.

TRON: Catalyst proves that there are still plenty of stories to be told on the Grid, even if it never fully realises this potential itself. Its narrative is well-written and engaging, it faithfully captures the aesthetic of the films and has perfectly function combat and exploration, but its repetitiveness and inability to fully take advantage of the possibilities of TRON’s ‘discfu’ leaves it feeling like version 0.8 rather than 1.0 when it comes to taking advantage of the possibilities of this series.

Affogato takes the much-loved Persona formula and runs with it, adding its own twists to the story and gameplay to be unique. The time management and character relationships are familiar gameplay elements, but the story and combat truly stand out. The story is relatable and not afraid to touch on serious topics, while combat hits the right balance of challenge and strategy. While there are some minor flaws, they don’t pop up frequently and don’t have a large impact on the experience overall. Just as cafes can turn familiar cups of coffee into unique creations, Affogato takes standard JRPG elements to make an amazing game you won’t soon forget.

Orcs Must Die! Deathtrap takes a now-established idea and gives it new life via a roguelike progression system. Whilst the foundation of the idea is still solid and provides many an hour of fun, the implementation is needlessly grindy and imperfectly scaled. Deathtrap is not the evolution of the series we wanted it to be. It’s still a good amount of fun but falls short of its ultimate potential.

Survive the Fall is a microcosm of the post-apocalypse genre in its most consistent form. All manner of wild and disparate societal annihilations lead invariably to the same familiar people and places. Where the genre offers the potential for the truly unique, absurd and unusual, Survive the Fall is predictable in its competent mechanics and portrayal, but fails to present itself as a stand-out in any field. It is what it is, and that is exactly fine.

Scars Above sets out as a standard sci-fi action game and experiments to great success. The story intelligently weaves in some horror elements to keep you hooked with a level of narrative consistency and cohesion that keeps things simple yet enjoyable. Combat is fun and forces you to think on your feet, leaving you properly immersed in the gameplay. With only one save file and a lack of voice and mouth synchronization, the game certainly isn’t beyond criticism. Although despite the shortcomings, Scars Above is a great example of a game that isn’t afraid to push boundaries, and succeeds in delivering a fun experience that doesn’t overstay its welcome.

A Juggler’s Tale isn’t a long game, it will only take you a few hours to complete. However, its length is refreshing in a time where we are surrounded by massive open-world games that can leave us exhausted just by looking at their playtime. Abby is a joy to play as, and though she doesn’t say a word and is sometimes taunted by the narrator, her story resonates through the way she survives and thrives in a world that wants to keep her grounded and tied up. The way that you can literally feel the weight in her strings adds a layer of empathy for the protagonist and makes you realise how strong-willed she really is. Though she is small in stature and doesn’t look like she’d be strong, this puppet’s tale will make you realise that strength comes in all sizes, even in the shape of a little marionette whose only real talent is juggling.

Sonokuni is a blisteringly stylish, Hotline Miami-inspired action game that fuses razor-sharp gameplay with a culturally rich narrative and a hypnotic Japanese rap soundtrack. While a few technical hiccups and quality-of-life gripes slow it down, the game’s bold artistic choices and challenging combat offer a short but unforgettable experience.

If you need a hit of nostalgia from a sci-fi shooter, then jump in the cockpit for this one. It packs the challenge but may feel a little too stuck in the arcades of old. This release is a testament to the power of a loyal fanbase. As far as side-scrollers go, it’s definitely on the money. For many, a space-themed game like this might feel like something new and exciting for the genre. Difficulty does require some fine-tuning and there are some levels that will kill you more than the actual enemies if you’re not careful. Returning players will likely see this game as a solid tribute to a franchise they hold dear but it’s worth jumping in even if you are completely new to the side-scroller world of R-Type.

Cris Tales isn’t going to blow anyone away, and probably won’t gain a huge following, but I still enjoyed most of my time with the game. There are enough positive points to balance out some of the glaring and more egregious issues present in the game. I particularly loved the art style, voice acting, and implementation of the time travel mechanics across combat, quests, and puzzles. Unfortunately, the constant presence of loading screens and the scripting issues make Cris Tales a flawed experience.

KINGDOM of the DEAD is a pretty damned good horror FPS with enough compelling ideas to stand on its own. The monochrome, hand-drawn visuals really sell the game’s Lovecraftian-noir tone, without interfering with gameplay. Plus, its varied additional mission objectives make its difficulty settings feel more multi-layered. Still, with its short play-time, minimal plot, and lack of unlockable content, it won’t be engaging for everyone. However, for those looking for some retro FPS fun, KINGDOM of the DEAD is a unique enough experience to be worth the recommendation.

Outcast – A New Beginning presents an exciting adventure into the planet of Adelpha. While the innovative combat and environmental interactions are fun, the game is too similar to other open-world RPGs to truly stand out. Exploring Adelpha in its entirety is also challenging because several bugs hamper your progress, sometimes even crashing your game. The game may not break the barrier into greatness, but you can still easily have a good time if you look past the flaws.

Destiny 2: Lightfall falls short of expectations, leaving players with unanswered questions and minimal impact on the Light and Dark saga. The introduction of Neomuna and Cloud Striders has little purpose to the overarching plot. However, the powerful Strand toolset is a delightful addition, though it raises concerns about balance with weaker elements. While quality of life improvements are positive, the removal of certain content makes the game challenging for new players. Overall, Lightfall feels rushed, as if it was a flustered effort to fill a gap before the final hurrah.

Star Ocean: The Divine Force will likely win back fans unimpressed with Star Ocean: Integrity and Faithlessness. With its fun cast and expansive narrative, I found the game easy to get invested in, despite the predictably tropey JRPG melodrama. The mobility upgrades and combat overhauls make it the most fun Star Ocean game I have played yet. It’s a shame that the awkward character models, ridiculously small text size and sluggish level up mechanics may prove a roadblock for some. If you’re not already a Star Ocean or JRPG fan, Star Ocean: The Divine Force might not be that easy to get into. However, if you are willing to overlook some of its shortcomings, and want a fantasy action-RPG with a sci-fi twist, it is worth checking out.