I honestly don’t think Empire of Sin knows what it wants to be. It seems like it wants to be something like Mafia or even Grand Theft Auto, but assumed a game about micromanaging criminal enterprises needed to play like X-Com. It shouldn’t have been this hard to make a mafia game this uninteresting but Romero Games sure found a way. Do yourself a favor and just skip this one.

his game isn't quite as painful as the previous game to me, but it doesn't quite do anything new.

The Medium is a poor game that is rife with bugs, bad ideas, and some nice things to look at.

As someone who is a big supporter of ports on the Switch, this game may have me reaching my breaking point with the whole concept. I’m getting tired of publishers using the Switch as a reason to double-dip on games, I’m getting tired of ports that aren’t optimized for the system it’s on, and I’m just getting tired of old games taking precedence over new ones. Why couldn’t we have gotten Star Wars: The Force Unleashed instead?

Homefront: The Revolution is barely optimized enough, designed well enough, QA tested enough or balanced well-enough from a gameplay perspective to even be declared finished.

In concept, Left Alive could have had the potential to bring about the revival of Front Mission and fill the void left by the absence of Metal Gear at the same time, but none of its elements click to become a cohesive whole.

RollerCoaster Tycoon Joyride is a game that fails in delivering anything that remotely resembles what made the series good in the first place, instead, players are left with a hollow husk of a game that feels unfinished and rushed.

STRAFE wants to be a shooter from the 1990s, but has worse mechanics than any of the games it hoped to imitate.

If you liked the original Crackdown and want basically more of that, then you’ve found your game. If you want a modern first party AAA game, look elsewhere.

Tony Hawk Pro Skater 5 fails to recapture the magic of the first four games.

While not wholly deviod of quality, that Marvelous released Rune Factory 5 in it's current state, is pretty shameful.

Unlike its titular hero, Ebenezer and the Invisible World learned naught from the mistakes of the past.

If you were hoping for the new Star Fox or Eve Valkyrie, this isn't it. Instead, its the only game I've ever played that managed to make shooting lasers in space boring.

Silent Hill: The Short Message is a boring, contrived, borderline offensive experience.

The sky was definitely not the limit for Sky Oceans: Wings for Hire.

Nodding Head Games’ Raji: An Ancient Epic tells an interesting story but is simply not functional enough to enjoy.

Mr. Shifty is like Nightcrawler from X-men starred in a boring Hotline Miami ripoff.

Oceanhorn is a passable-at-best adventure that just made me want to go back and play the games it took everything from, because they did it better.

Even for ten dollars, this is a sparse package, and lacks the polish and substance I expect from a finished product.

There are far superior alternatives to this game even within the same publisher’s 2017 catalogue, for crying out loud! The few glimmers of creativity beneath The Caligula Effect‘s vapid surface simply aren’t worth the time or effort they take to uncover.

I would totally play a game that is just the audio processing from this game. Everything else is a tedious glitchy mess.

I might have been able to get past the mind-numbing monotony of this game, if it weren’t so poorly designed for consoles.

Suicide Squad: Kill the Justice League falls significantly short of the truly fun experience I had hoped for. Despite a story with potential, the game is bogged down by monotonous gameplay and intrusive live service elements, detracting from what little fun there is to be found in the game. This game, unfortunately, represents a missed opportunity to build on the legacy of Rocksteady’s previous successes, leaving much to be desired in both execution and innovation.

An unfunny and unfun mess of a game, Dead Rising 4 is a shambling corpse of a once-great franchise. Capcom would be wise to put it out of its misery.

Wanting to bring something new to the Blair Witch lore, the game took a giant swing at a story it had no business trying to tell. Though it has some decent scares and mechanics, strip the “yikes” of a story away and you’re left with a basic linear game full up with bugs.

A bland and repetitive experience, offering almost none of the quality found it the games that inspired it.

I wish I could be more kind to this game, considering it’s an indie title with big ambition, but considering Horizon: Zero Dawn and The Legend of Zelda: Breath of the Wild came out only a few weeks ago, and how similar Troll and I is trying to be to those games, there’s really no excusing it.

While Lords of the Fallen isn’t a terrible game, it’s far too pedestrian to justify the asking price, especially when there are identical games that are free-to-play. If you’re genuinely looking to spend the money on a mobile game just get Mario Run, there’s at least $13 worth of fun in there.