Daymare 1998 is true to it’s name in all the worst ways. Uninspired, dreadful to play, and not the least bit scary.

Silent Hill: The Short Message is a boring, contrived, borderline offensive experience.

This boring and bland game isn't the spiritual sequel to Mega Man we were hoping for.

Contra: Rogue Corps is a game that is so bad, I can’t recommend anyone buy it for any price.

If you're looking for a tech demo posing as a dull shooting gallery with brain-dead enemies and repetitive music, then Pixel Gear is the shovelware game for you.

Syberia 3’s ample potential for greatness is squandered by an awkward translation, poor design, and a heaping helping of technical issues.

Bannermen feels half baked and underfunded. It takes ideas from classics, but you’re really better off playing those again.

Generation Zero is a beautiful, broken, and boring jog through 1980s Sweden with a side of stealth and robots.

The mindless destruction is amusing, and it’s all presented in such a gleefully tongue-in-cheek manner that it’s hard not to chuckle at the absurdity of it all. The game is best enjoyed as an arcade-style time waster.

Shiny tries its best with a winning aesthetic and concept, but technical malfunctions and clumsy controls ultimately keep it from being worth most peoples’ time.

PC players craving a bit of horror during the Summer can’t go wrong with Silver Chains, that is, as long as they’re okay with something that ultimately comes as feeling a little familiar.

Unlike its titular hero, Ebenezer and the Invisible World learned naught from the mistakes of the past.

The Good Life is a strange mix of photography-game and life-sim, and while it's not perfect, its flaws are covered by a weirdly charming premise.

It's bringing back some old school PC sensibilities and I can respect that effort, but it doesn't go far enough. The entire experience is short-lived, clocking in at just a few hours, which is only enough time to get marginally invested before the curtains close.

I honestly don’t think Empire of Sin knows what it wants to be. It seems like it wants to be something like Mafia or even Grand Theft Auto, but assumed a game about micromanaging criminal enterprises needed to play like X-Com. It shouldn’t have been this hard to make a mafia game this uninteresting but Romero Games sure found a way. Do yourself a favor and just skip this one.

Star Wars Battlefront Classic Collection is another bare minimum, overpriced remaster hoping nostalgia will encourage fans to turn a blind eye to dated problems.

Captain Blood looks and plays like an early 2000s Hack & Slash, for better AND worse.

With no reason to play it alone, and very little reason to play with friends when better couch co-op games exist, well, there’s pretty much no reason to buy In Space We Brawl when all is said and done.

Homefront: The Revolution is barely optimized enough, designed well enough, QA tested enough or balanced well-enough from a gameplay perspective to even be declared finished.

It plays like a classic twitch platformer of old, with wall climbing and dashing to boot. It hits all the right notes in theory, but it needed more time in the oven to truly take shape.

The Dark Eye: Book of Heroes is a game that in many ways, takes the essence of a good table-top game and directly translates it into a competent, online dungeon-crawling RPG.

The terrible thing is that, on paper, Extinction sounds great.

7 Days To Die is a retail release of an alpha build of an Early Access game, and a downright scummy thing for Telltale to market as a finished product.

Agony is a game I really wanted to love and visually, the game looks rather impressive, even some of the early gameplay moments feel well crafted and fresh, yet, as a whole, Agony just doesn’t hold up against other games of the genre — at best, Agony feels like a lovechild between Red Barrel’s Outlast series and id Software’s 2016 Doom reboot, and at its worst, Agony feels like a game that probably needed a few more months in the crucible before inviting us all to join it down in Hell.

In contrast to its source material, Paranoia: Happiness is Mandatory is a bland RPG that is as slow as it is forgettable.

Party Planet is 30 awful mini-games, 12 of which can only be played solo. It's really bad.

It’s a difficult thing to put a score to. A normal free experience might be valued against the other things you could be spending your time on, but this isn’t something you’ll interact with very often. Give it a try and see if it resonates with you, but don’t expect to fall in love.

I honestly don’t see where all the hate for this game is coming from; Animal Crossing: Amiibo Festival is an enjoyable board game that blends in the elements of Animal Crossing perfectly.