If you missed The Escapists, then I would highly recommend getting it on the Nintendo Switch. It’s an enjoyable game with a very interesting premise. For added prison break fun, The Escapists 2 is also available and would be great given the versatile nature of the Switch and multiplayer.

Open Roads is a heartfelt and captivating journey made more interesting by its mother-daughter leads.

While Rubble Without A Case is still a good time, it lacks the variety and excellent pacing of King’s Quest’s first chapter.

Nothing about it feels genuine, nor is any of it engaging enough to sustain more than a few hours of interest.

While a little unpolished, Vikings – Wolves of Midgard is over-the-top fun.

Danganronpa Another Episode Ultra Despair Girls is still a profound story with improved mechanics on PS4, but its standing in the series’ narrative has shifted for the worst since it originally launched.

Atari Flashback Classics offers a vast look back into the history of an important time in games, but may offer little of interest to those without nostalgic feelings for it.

White Night is a beautiful mix of noir and old-school survival horror and adventure.

In the end, Train Fever has been designed to serve a very, VERY specific need; people that love to tinker with the infrastructure of public transportation.

Corpse Party 2: Dead Patient is a return to the sound, language, and character connections that made the original so compelling and disturbing.

A Quiet Place: The Road Ahead while intriguing on paper, is too inconsistent when it comes to pacing, difficulty and world building to really make an impact.

Nights of Azure overcomes its tropes and the occasional bit of fan service with a heaping helping of content, stylistic panache, and one of the most memorable gaming narratives in recent memory.

Assassin’s Creed Chronicles: China isn’t terrible in any particular way. It is, from top to bottom, entirely middle of the road standard at best and its main attraction is the cheap selling price for a few hours of side-scrolling action.

How We Soar has a lot of potential, but it’s left unrealized in what ultimately amounts to a very unfulfilling game.

Double Dragon Gaiden: Rise of the Dragons revives a fundamental beat-em-up dynasty, with variable paths and multipliers making it a worthy multiplayer investment.

Gravel is aptly named: rough, mildly broken, and dull.

I like Turok; but I like it as an N64 game where I can make excuses for its shortcomings based on its platform—in a vacuum where I can’t compare it to other, truly great shooters.

White Day: A Labyrinth Named School offers some chilling ghostly encounters, provides seemingly endless terrors and new ways to be frightened.

The Lego Ninjago Movie Video Game continues the trend of bad games based on movies.

Marvel’s Avengers at launch is a solid-foundation for Crystal Dynamics to build upon and develop into a fantastic live-service title that joins the ranks of Warframe and Destiny 2.

As a reviewer, I was bored, as a gamer I was confused, and as a fan, I was disappointed. Ubisoft’s indifference for a long-running and beloved series is a problem, and I hope they realize that.

Skyshine’s Bedlam is definitely rough around the edges, and could certainly do with a few balance fixes (and a more rewarding ending), but as a package, I still found it to have a charm that its faults couldn’t quite spoil—if only just.

Thankfully, the flaws here were minor. Batman: The Telltale Series ended on a high note.

Calling The Longest Five Minutes a deconstruction of 8- and 16-bit RPG tropes is only half-true, as it turns around and reconstructs those same tropes by journey's end. Still, it's a brisk and amusing adventure that knows how to play to its strengths.

Diablo Immortal blends classic gameplay with the free-to-play formula, and almost delivers a complete knockout mobile experience.

Even without the IP, Dex manages to be the absolute best Ghost in the Shell game we’ve ever gotten.

Nickelodeon All-Star Brawl often feels hollow and commercial; however, at its core, it remains fun and engaging enough to warrant its $40 price tag.

Not awful but far from good, Fate/Extella: The Umbral Star is a title that lets down fans and keeps away newcomers with a pithy story, mediocre gameplay, and a generic art direction that betrays the franchise’s roots.