Simplified contextual controls and overall polish make WWE '13 fast, dynamic and fluent. The number of graphical glitches during fights was considerably reduced and the fighting system is still deep enough to keep things interesting. [1/2013, p.68]

It's been ages since I wasted 5 hours so pointlessly. I felt like a victim of an exceptionally malicious prank. [1/2013, p.67]

Pid's world is charming, graphics and music create a wonderful atmosphere and the puzzles are clever. But on the other hand the game punishes you for every mistake and could infuriate a Tibetan monk. [1/2013, p.66]

Worth checking out, especially if you're interested not only in racing with your kid on split screen, but also in tackling the powerful but not very friendly editor. [1/2013, p.65]

A creative way to use the F1 license – F1 Race Stars is Codemasters' variation on Super Mario Kart. Unfortunately the outcome is merely okay. [CD-Action 1/2013, p.64]

A memorable game with a superb, deep story that forces you to make tough decisions and live with them. [CD-Action 1/2013, p.62]

Boss battles are tedious and companion's AI is disastrous (which might explain why the puzzles are so basic and repetitive – that dumb rabbit probably wouldn't handle anything more elaborate). And it's not really a game for kids because on occasion it's rather difficult (partly due to abysmal jumping mechanics). Each time I put the controller aside after playing this painfully generic game, I was tired and bored. And I hated my job a little. [1/2013, p.60]

Playstation's most hardcore fans will appreciate the number of familiar characters but I doubt anyone will be really thrilled with All-Stars Battle Royale. [CD-Action 1/2013, p.59]

The feeling of potencythat grips you when you storm through the map alongside hundreds of your allies is one of a kind. Neither Call of Duty nor Battlefield can provide you with this impression of taking part in something grand. [1/2013, p.56]

The Enhanced Edition enchanted me the same way the original Baldur's Gate did almost 15 years ago. I'm very grateful to Overhaul Games for bringing this feeling back. [1/2013, p.54]

Although it's hard not to appreciate the story (the line between the good and the evil was never this thin in any previous Assassin's Creed) numerous technical issues prevent you from forgetting it's just a game. In addition controls are not very intuitive and low resolution textures occur far too often. Still it's definitely worth playing. [1/2013, p.52]

Primordia's intentionally outdated looks prove that the story (including atmosphere and puzzles) is still the most important element of a point'n'click adventure game. [1/2013, p.48]

Gameplay mechanics are very basic but the most important thing is that they are solid and don't get in the way of enjoying Family Guy's distinctive humour – and the game is full of it. [1/2013, p.47]

One of the most original and addictive platformers I've ever played. [CD-Action 1/2013, p.46]

The best, the most interesting and the most elaborate entry to the series. Engine's limitations are more visible than ever before but it doesn't change the fact that Traveller's Tales once again managed to deliver an enjoyable game chock-full of content. [CD-Action 1/2013, p.44]

It offers a very good story and vast freedom of action and lets you dispose of enemies in various, often sophisticated ways. But there's more – tropical islands with their intriguing mysteries, superb acting, crafting, additional challenges and broad possibilities of character development. This game is everything Far Cry 2 was supposed to be. [CD-Action 1/2013, p.38]

Cool graphics are the biggest strength of this modest platformer, because its gameplay is repetitive and essentially primitive. [CD-Action 13/2012, p.79]

Double Dragon Neon can be very frustrating, because it's unforgiving, fighting mechanics are a bit clumsy and the main character is sluggish. That's how you played games back in the day. Fortunately you don't have to anymore. [CD-Action 13/2012, p.79]

The idea behind Lucius was promising, but it's obvious that it's Shiver Games' first project – all of its elements are botched to some extent. [CD-Action 13/2012, p.78]

Reheating this antique was a risky venture, but the outcome is surprisingly good. If you turn a blind eye to its obvious archaism, what remains is pure fun. [CD-Action 13/2012, p.77]

Huge pixels, old school top-down perspective, 8-bit animation and choice of colours convincingly recreate the mood of 1989 – the year Hotline Miami's story takes place in. Fortunately there's also plenty of excellent, unconventional and engaging fun for mature gamers. [CD-Action 13/2012, p.76]

Tryst is a bad joke, a clickfest designed probably with eSports in mind, but so abysmal that no one will bother with it. [CD-Action 13/2012, p.75]

BFG Edition of Doom 3 might be interesting only for its nostalgic values (Doom and Doom 2 are included), because it's way behind contemporary shooters. [CD-Action 13/2012, p.74]

'An ambitious story' turned out to be a compilation of clichés realized in a trivial way and dragged down by laughable combat, linearity and overall poor quality. [CD-Action 13/2012, p.73]

In terms of gameplay RCR is rather simple, but it's a wonderful voyage to the land of classic games – all main missions are inspired by at least one oldie and there are plenty of references to both retro gaming and popular culture of the 1980s. [CD-Action 13/2012, p.72]

It's not an appropriate tribute to one of the greatest icons of popular culture. It's a little abomination conceived out of love for money. [CD-Action 13/2012, p.68]

More of an artistic experiment than a real game. Its visuals are beautiful and it offers various gameplay mechanics but none of them is particularly engaging. [CD-Action 13/2012, p.67]

As far as I remember it's the most sluggish hack'n'slash I've played in last five years. [CD-Action 13/2012, p.66]