Boston Globe's Scores

For 7,948 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7948 movie reviews
    • 35 Metascore
    • 75 Critic Score
    The Japanese animation is beautiful, and the script adaptation for the English-speaking audience is well-paced, clever, and absorbing enough to keep parents from squirming.
  1. It's a charmer.
    • Boston Globe
  2. It's the kind of movie you can settle into, secure in the expectation that you can steal from it more than a little vintage Allen fun.
    • 46 Metascore
    • 75 Critic Score
    A small film, but its ease and grace are virtues that can't be overrated.
  3. The movie is like an extra-strength episode of MTV's ''Diary,'' which is like ''A&E Biography'' in the first person. Only ''Resurrection'' has a subject who's been dead for six years.
  4. A sleek little poison pill of a movie.
    • Boston Globe
    • 60 Metascore
    • 75 Reviewed by
      Ty Burr
    When Spartan is good, it's surprisingly gripping and fresh, and when it's bad, it's just another overcooked Hollywood paranoid thriller.
  5. The closer you get to sorting out the truth, the less likely you are to believe it, let alone comprehend it. The latter half of this movie is as outlandish as a Mexican soap opera.
    • 82 Metascore
    • 75 Reviewed by
      Ty Burr
    Smartly filmed (aside from a few distracting editing fripperies), but it's so dazzled by its subject and saddened by his martyrdom that it never moves past the heroic politics of dissent.
  6. I'd take a chance on it anyway, even if it stumbles and loses its way.
    • Boston Globe
  7. If there's one image that sums up the filmmaking style of Takashi Miike, it's the close-up of a bubbling hot pot on the family dinner table.
  8. This intimate, warmly made family portrait always feels true. The performances are particularly good.
  9. Even if some of the references are inscrutable, a lot of 8 Women is a riot. Here and there Ozon finds the key to a level of farce that would have amused Bunuel himself.
    • 72 Metascore
    • 75 Reviewed by
      Ty Burr
    In the end, Seabiscuit gets right the things that matter.
  10. Kate Hudson and Matthew McConaughey don't simply star in this movie; they tag-team it out of the Freddie Prinze Jr. --Julia Stiles puppy-love ghetto.
    • 52 Metascore
    • 75 Critic Score
    A charming and funny look at the independent filmmaking business and the thin line between a masterpiece and a $9 nap.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    The joy is in the details, and they are unrelentingly comic.
  11. Norton is unapologetic and unflappable in his part. Slimy and vaguely nerdy, he's become the thinking man's thug, even if this character's Armani-wear is better tailored than his psychology.
  12. Isn't always on the money, but when it is, it really is.
    • Boston Globe
  13. Whaley's self-effacing but strongly etched and wrenchingly effective film.
  14. Give it a chance and you'll probably share the cast's collective impulse to dive in and embrace it.
  15. Puts the fun back into going to Arnold Schwarzenegger movies. He said he'd be back, and he is.
    • Boston Globe
  16. Made of a serene dynamite that's all but unknown to American film audiences.
  17. A tidy soap opera. But it's a discreet, warmly made one, too. In a show of restraint, the intrigue never rises above mildly juicy.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    Love hurts in Secretary -- but not too much. It's not impossible to imagine adventurous young couples seeing this movie and rushing home to try out the handcuffs and paddles.
    • 80 Metascore
    • 75 Critic Score
    Sometimes it gets into arcane talk of equipment that makes more sense for a Berklee College of Music engineering class than for a mass-market movie -- but as a probing look at a really nice-guy genius in the studio world, it succeeds admirably.
  18. The mother-child dynamic here is the fraught stuff of any worthy melodrama.
  19. Engrossing, smartly made documentary.
  20. Apologies to Conrad Rooks, but the only reason his 1972 film, Siddhartha, is getting a 30th-anniversary rerelease is the appeal of seeing Sven Nykvist's amazing cinematography restored to its full splendor.
  21. It's a snazzy, smartly made, and even hip little scarefest. As a jump-start to Halloween, it's all you could hope for.
    • Boston Globe

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