Boston Globe's Scores

For 7,948 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7948 movie reviews
  1. There's almost too much there, but the three-hour-plus film permits the kind of detailing that not only brings the storytelling to life, but sometimes persuades us we're breathing to its rhythms.
  2. Risks seeming too earnestly therapeutic for its own good. But what makes My First Mister a successful feature directing debut for Lahti is the emotional veracity it summons.
    • Boston Globe
  3. If Millennium Mambo is the only chance to see Hou Hsaio-hsien's work at a movie theater, you'd better take it.
  4. They're as special as special effects get.
    • Boston Globe
  5. There is no plot in Pen-ek Ratanaruang's exceedingly mellow situation comedy, and that's preferred, frankly.
  6. Bay's movie is also a confident mega-production that feels it doesn't need to lean on its visual frills if it has Smith and Lawrence -- it's a natural-born buddy flick.
    • 76 Metascore
    • 75 Critic Score
    Stunning performances help make The Sleepy Time Gal a thoughtful, moving piece that faces difficult issues with honesty and beauty.
  7. Shadow Magic isn't interested in psychology or character study. It's a series of tableaux and on that level succeeds admirably.
    • Boston Globe
    • 79 Metascore
    • 75 Reviewed by
      Ty Burr
    Where most documentaries offer us facts to hold on to, his (McElwee's) are obsessed with the mystery of things we don't know and never will.
  8. Mercifully, The Station Agent is not about how these misfits heal one another -- they're not that miserable, for one thing. It's about the unlikely ways proximity, need, and coincidence create friendships.
    • 67 Metascore
    • 75 Reviewed by
      Ty Burr
    To appreciate Solaris, the new film by Steven Soderbergh, it helps to downshift your moviegoing metabolism to a level approaching the cryogenically frozen: The movie's that cerebral, that contemplative, that slow.
  9. Filled with affection and verve and will do very nicely until the next shipment of Latin jazz comes along.
    • Boston Globe
  10. If Foley's strategies don't quite regenerate the caged-animal urgency of the play, the tradeoff of some verbal fireworks for piercing closeups isn't all bad. [16 Sep 1992, p.72]
    • Boston Globe
    • 61 Metascore
    • 75 Reviewed by
      Ty Burr
    The closest cinematic approximation to a beach novel that money and skill can buy.
  11. You can't help cheering on Shallow Hal. That and the fact that it's not at all politically correct. It's something better. It's big-hearted, and it's funny.
    • Boston Globe
  12. Cleverly mocks the modern chronicler, raising questions that linger long after the film is finished.
    • Boston Globe
  13. Go
    "Pulp Fiction" wannabes don't get much slicker or edgier than Go.
    • 68 Metascore
    • 75 Reviewed by
      Ty Burr
    This is a film lover's film, and as if to underscore the point, Bon Voyage opens and closes in a movie theater.
  14. There's nothing major here, certainly nothing on the order of my favorite among Allen's retro workouts of the past decade, ''Bullets Over Broadway.'' But it's entertaining all the same.
    • Boston Globe
  15. Angry and tragic, Carandiru is finally, in its own way, uplifting.
  16. Good clean dirty fun.
  17. Wrestling gets in America's face and Blaustein gets in wrestling's face. It's a fascinating tango.
    • Boston Globe
  18. A babe-athon, pure and simple.
    • Boston Globe
  19. Light on its feet and reveling in its deviousness, it stays one step ahead of us .
    • 59 Metascore
    • 75 Reviewed by
      Ty Burr
    ''Bonjour" is especially lucky in having Shlomi Bar-Dayan, the 16-year-old misfit of the title, played by a young actor named Oshri Cohen, who's able to convey the impossibility of ever making sense of the world with a single bruised gaze.
  20. A jokey, junky potboiler.
  21. Wattstax is a disorienting and ironic moviegoing experience. It's a film about the curative powers of rhythm-and-blues music that sets out to frustrate your sense of rhythm in its insistence on the blues.
  22. Corny. But it's corny in a way that a Hollywood movie about a boy who just wants to go home ought to be corny. Plus when it's done with this much care, corny works for me.
  23. Despite its conceptual shortfall, is worth seeing, if only to update yourself on what can emerge from a keyboard these days.
    • 76 Metascore
    • 75 Reviewed by
      Ty Burr
    It's that central dance between teacher and student that makes the movie both hard to watch and worth your attention - a subtle waltz of power in which it's difficult to tell who's leading until too late.

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