Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. People do stupid things all the time. My friend and I sat through Compliance, didn't we? But there is a level of stupidity displayed by the people in this movie that beggars belief. Their behavior is to stupidity as the Death Star is to a doughnut.
  2. Having also starred in "Dude, Where's My Car" and "Just Married," Kutcher is becoming a stoopid-comedy specialist.
  3. The movie crassly repurposes tragedy to excuse its cliches.
  4. Stunningly insipid and pretentious.
  5. They have the chemistry of step-siblings, so a movie that has them make out is, as the one of the few girls in the theater exclaimed, "so gross."
  6. Reagan is the worst kind of hagiography. It’s a wretched 2½-hour bore that’s uncurious about its subject.
  7. Although we're only two weeks into 1989, we've already got a movie so resoundingly awful that it's bound to stand the test of time and emerge as one of the year's worst. [13 Jan 1989, p.48]
    • Boston Globe
  8. In 10 years, this movie could easily take its place among cult classics like “The Room.’’ For now, it’s better left in the bowels of a Turkish cave.
  9. Really, all Six is going for, with the generous application of both hardware supplies to the skin and feces to the camera, is a tired commentary on his shallow talents: They're excremental.
  10. Argylle is a cynical cash grab that has the audacity to use that “new” Beatles song, “Now and Then” (itself a cynical cash grab pieced together with far more skill than this movie) as the basis for its score and the “love theme” for Aidan and Elly.
  11. No one onscreen was actor enough to make us believe we were watching actual people commit or require actual exorcisms.
    • 38 Metascore
    • 0 Critic Score
    With Ted Kotcheff's hackneyed direction and Joe Gayton's cliche-ridden script, this version of "Missing" for the soldier of fortune set is one of the most reprehensible exploitation films of the year.
    • Boston Globe
  12. Plummets into the realm of ludicrous failure.
    • 18 Metascore
    • 0 Reviewed by
      Ty Burr
    An overlong, joyless, and inconsequential affair, full of dead air, and possessing only a few moments of jaw-dropping bad taste. It's a dull disaster.
    • 24 Metascore
    • 0 Critic Score
    There isn't a single glimmer of intelligence in Dirty Work. It's a must-miss movie. [13 Jun 1998, p.C6]
    • Boston Globe
  13. P2
    Amid the dumbness and disgust for paying customers, the movie does manage to cough up something I didn't expect: a performance so terrible you can't quite believe it's happening: Bentley's.
  14. I save the zero star designation for movies that I think have no redeeming value whatsoever or are morally repugnant. “The Drama” meets both criteria.
    • 40 Metascore
    • 0 Critic Score
    Unfortunately, except for one raucous routine, this "Animal House" clone is an overblown, over-publicized, overwrought exploitation flick that's about as funny as the first dirty joke my father told me. [09 Apr 1982]
    • Boston Globe
    • 21 Metascore
    • 0 Reviewed by
      Ty Burr
    A live-action film based on a line of dolls, it's pure marketing chum for tweeners: a proudly shallow, purposefully bland ode to girly-girl narcissism. I could actually feel my brain stem shrivel up as I watched it.
    • 18 Metascore
    • 0 Reviewed by
      Ty Burr
    This is first-degree cultural homicide.
  15. Up in smoke, down in flames, reduced to ashes - choose your disaster metaphor for Bonfire of the Vanities. As filmed by Brian De Palma, it's "Misfire of the Vanities," the most wrongly conceived of the many popular novels brought to the screen this year. [21 Dec 1990, p.49]
    • Boston Globe
  16. There isn't a scene in Cocktail that isn't cheap and dumb, and whether its camp entertainment value compensates for its contempt for women is a question. Cocktail makes beer commercials look deep, makes "Top Gun" look like "Hamlet." [29 Jul 1988, p.21]
    • Boston Globe
    • 17 Metascore
    • 0 Reviewed by
      Ty Burr
    Easily the worst movie of the week, month, year, and Bullock’s entire career. It is to comedy what leprosy once was to the island of Molokai: a plague best contemplated from many miles away.

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