Boston Globe's Scores

For 7,947 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7947 movie reviews
  1. One Missed Call was originally a so-so Takashi Miike freak-out. Now it's a worse-worse American eyesore.
  2. Over Her Dead Body is to romantic comedy what Spam is to meat. But at least with Spam, you get cool packaging.
  3. When Jamie Lee Curtis ran from a killer in 1980's "Prom Night," she was 22 and had a unique gift for belting out fear. She was the Beverly Sills of slasher flicks. That "Prom Night" was dumb, but it wasn't insulting in the way this remake is.
  4. A horror film with a moral. No matter how nasty a gang of murderers is, the moviemaker calling the shots is ultimately worse.
  5. The grime, filth, slop, vomit, and crotch-nibbling pigs double all too easily as a recipe for this movie's failure. It hasn't been made so much as excreted.
    • 15 Metascore
    • 12 Critic Score
    The filmmakers are idiots.
  6. Bangkok Dangerous is bad without lifting a finger toward interesting. The trouble with it is that the people who've made it don't appear to understand life enough to allow any of it into their movie. This is an airless affair.
    • 53 Metascore
    • 12 Critic Score
    Like "Blair Witch," Quarantine uses the conceit of a movie-within-a-movie to give documentary immediacy to its assorted grotesqueries.
  7. Oh, Jigsaw. Here we go again. You kill. I doze off. Someone at the studio goes "ka-ching!"
  8. The Unborn joins a growing glut of Holocaust- and Nazi-themed material -- "Valkyrie," "Defiance" - that are long on posturing, suppositions, and righteousness, yet short on moral complexity. Nazism and its crimes have lately inspired theme parks more than actual movies. Too many rides on that roller coaster and I feel sick.
  9. Looks like something stubbed out in an ashtray.
  10. Another helping of egregious slicing and slashing.
  11. The writers don’t write, the director doesn’t really direct, and the actors don’t exactly act. They wait for the movie’s contraptions to impale them.
  12. The movie crassly repurposes tragedy to excuse its cliches.
  13. At some point, I just tired of looking at all the nicely composed shots unworthy of the stock they're printed on. Lives are at stake here, and I don't mean Julia's and her annoying pals'. I mean the lives of you and me, the only pronouns that really matter here.
  14. Banderas slums through this dollar-bin action flick wearing the same look of wiped-out exasperation that Danny Glover's Sergeant Murtaugh sports in each installment of ''Lethal Weapon.'' And like Murtaugh, Banderas might be too old for this, too.
    • 37 Metascore
    • 12 Critic Score
    The major problem with this alleged comic thriller is it is neither funny nor thrilling. Neither the heavies nor the good guys are believable.
  15. Having also starred in "Dude, Where's My Car" and "Just Married," Kutcher is becoming a stoopid-comedy specialist.
  16. A stupendous bore.
  17. Cosmic slop.
    • Boston Globe
  18. The only chills to be found are courtesy of your theater's central air, and the suspense will come from the wait to see which disappointed kid in a hockey mask will be the first to slash the screen.
    • 27 Metascore
    • 12 Reviewed by
      Ty Burr
    Who on earth is this embarrassment -- easily the worst film of the year to date -- aimed at?
  19. Clueless and sad.
  20. Godsend makes swill of religion, science, family, and morality. It has the sensitivity of a cactus, the ingenuity of a square wheel, and the integrity of a CEO.
    • 31 Metascore
    • 12 Reviewed by
      Ty Burr
    A weirdly airless disaster, a turkey so insistently DOA that the dialogue serves as its own epitaph.
  21. Most atrocious movies build into their badness, as lacks of talent, ideas, self-confidence, or a total hatred of an audience, are revealed. This one gets it out of the way up front and never looks back.
  22. This prequel has something to appall everybody.
  23. There's no real journalism here, just the sort of appalling revisionism that can turn a bloodbath into a beach party.
  24. Yes, I've seen Dumb and Dumberer, so you don't have to. As good deeds go, this is about as significant as getting a cat out of a tree, but believe me, you're better off at home, alphabetizing your old comic books, talking to your parents, or watching paint dry.
  25. Man on Fire is ponderous and bloated, dragging the Bible and Giannini into its swirling cesspool. Scott can't give the movie any real emotional weight. And Washington gives his first lifeless performance.

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