Boston Globe's Scores

For 7,948 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7948 movie reviews
  1. If there's true magic to be found in the proceedings, it's in Garai's dexterous performance.
  2. It's a sunny, funny, fittingly cartoony blend of computer-generated 3-D representations of the flying squirrel and his pal the moose with actors.
    • Boston Globe
  3. Medea works on von Trier's own imagistic terms. There are shots and sequences in this movie that feel unique.
  4. As rich and literary a work as you might expect.
    • 59 Metascore
    • 75 Reviewed by
      Ty Burr
    Run the game, bow to the movies that did it better and before, keep the dialogue on the line between hard-boiled and hokey, and throw one last curveball before the lights come up. It's a con in itself, but the reward's in the playing.
    • 69 Metascore
    • 75 Reviewed by
      Ty Burr
    It's a soapy, simplistic, but surprisingly affecting ambisexual melodrama that plays a little like Pedro Almodovar without the surreal frills.
  5. Has to be appreciated simply for doing its job, for being the only thriller I've seen recently that made me wonder how my knuckles ended up in my mouth.
  6. Busch combines French absurdist theater and American performance art with a drag queen's flamboyant wit.
  7. The last word in good-time mayhem.
    • 78 Metascore
    • 75 Reviewed by
      Ty Burr
    This is the meatiest role Tautou has had post-''Amelie'' and she drops the zombie-pixie act for once, giving us a character who's caught in a daily dance between propriety and abandon, and who can only dance faster as desperation sets in.
  8. What the movie lacks in ambition, originality, and grit, it makes up for in pure feeling.
  9. Manages the right balance of fairy tale and joyous self-discovery. And the Venice locations don't hurt.
    • Boston Globe
  10. Intoxicating fun.
  11. Small, sharply written, incisive comedy examines, with smarts and style and sexiness, the very nature of modern romance - gay, straight, and in between.
  12. These children are indeed the faces of war. It's just harder to recognize them because they're the ones someone cared enough to save.
  13. A powerful and surehandedly crafted depth charge of a movie.
    • Boston Globe
  14. It plays like Scorsese's ``After Hours,'' but for higher stakes.
    • 82 Metascore
    • 75 Reviewed by
      Ty Burr
    If it were any more real - if it were Imax, say -- the audience would be molting.
  15. As generic as its title, but two things enable it to land: the basic likability of Mark Wahlberg as the wannabe protagonist, and the contagious energies in the rock concert sequences.
    • Boston Globe
  16. Too quick to uncritically and unthinkingly accept its subject's rollickingly self-mythologizing take on himself.
    • Boston Globe
  17. Documentary filmmaker Liz Garbus spent three years shooting two teenagers living in a Maryland juvenile detention center. The completed film is called Girlhood and it feels as much a work in progress as its two troubled subjects do.
    • 65 Metascore
    • 75 Reviewed by
      Ty Burr
    If you prefer your domestic clashes sunnier and more strenuously poetic, Respiro may be your respite. If nothing else, it's a reminder of how severely underutilized Valeria Golino is as both actress and cinematic glory.
  18. The film means to provoke a closer look at the faces of good and evil. It questions whether we really live in a world that can be divided neatly into black hats and white hats.
  19. A little Hitchcock and some good Psycho fun at the beach.
    • 54 Metascore
    • 75 Reviewed by
      Ty Burr
    Think low-budget ''Moonstruck'' but think again: A regional dish in the most heartwarming sense.
    • 62 Metascore
    • 75 Reviewed by
      Ty Burr
    The most consistently funny of the ''Austin Powers'' films.
  20. Give your brain the night off, and Myers will make you smile too.
  21. Shattered Glass, with its dumb title, is smart about good vs. evil. Incidentally, the good is Lane, who now works at The Washington Post and was a consultant on this picture.
  22. ''The Silence of the Lambs'' was a classic; Hannibal is only a good movie of its type.
    • Boston Globe
  23. Somewhat sanitized but gorgeous Americana, with another impressive turn by McTeer.
    • Boston Globe

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