Boston Globe's Scores

For 7,948 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7948 movie reviews
  1. Involvingly acted, surehandedly crafted.
  2. Suffice it to say that Chris Smith's Home Movie is the most bananas episode of ''Cribs'' ever. The film is Smith's ballad of the wacky homeowner.
  3. The performances are disarming and Mumford is the kind of comedy that grows on you if you give it a chance.
  4. Figgis's film doesn't match its reach.
  5. Full of elegance but hampered by lack of depth.
  6. The Crimson Rivers could teach many an American thriller a thing or two about sophisticated creepiness.
  7. Mindless glitz-o-ramas don't get any snazzier.
    • Boston Globe
  8. MacDowell offers an engaging portrait of a complex woman who has survived life's slings and arrows. It makes Crush an affecting take on modern women.
  9. No porno flick posing as art. Nor is it science fiction, though it does contain a few scenes with B-movie overtones. This is a deep and meaningful film, ultimately far more poignant than it is titillating.
    • 68 Metascore
    • 75 Reviewed by
      Ty Burr
    There isn't much to The Housekeeper, really, but it plumbs depths of male unease that louder and less wise movies strain to reach.
  10. The film is faithful to its absurdities, sometimes hilariously so.
  11. An amazing and incendiary movie that dives straight into the rough waters of contradiction.
  12. A zestful genre outing, and then some, right up its final overkill.
  13. The best that can be said of the men in Coline Serreau's Chaos is that some of them are pimps.
  14. The magic of their perfectly shaded performances is that you always have to wonder ... Is she really that bad?
  15. (Washington's is) an astonishing performance, partly because it's so devoid of histrionics, and it has Oscar nomination written all over it.
    • Boston Globe
  16. Part Marxist social drama and part Michael Moore corporation-needling, with fed-up residents trying to outsmart the big, bad naive company to keep their lights on for free.
  17. Structural shortcomings and all -- gives a neglected giant of African independence his due.
    • Boston Globe
  18. A comedy of chaos, an ensemble comedy, with characters swirling around one another unaware, in their uniform desperation, of how funny they are.
    • Boston Globe
    • 45 Metascore
    • 75 Reviewed by
      Ty Burr
    It's Lopez who's the proper focus of this dream. So intent has she been on becoming a superstar in the past few years that many people have forgotten that, given decent material, she can act.
  19. Loach makes a working metaphor of the old ant-and-grasshopper story, but the film's images are what echo the loudest.
  20. The movie's narrative can be taxingly ornate, but there's something beautiful about its metaphorical conflation of politics and glamour, the real and the fictional.
    • 53 Metascore
    • 75 Critic Score
    Doesn't try to be anything it's not. It's happy being a funny, shoot-'em-up, run-for-your-life, green-guts monster movie. And as green-guts monster movies go, it's a beaut.
  21. A juicy and gratifying teacher movie (a genre to which I'm partial). The joy in performance shared by Connery and Brown is the big reason.
    • Boston Globe
  22. A solid two-bagger, not a home run.
    • Boston Globe
  23. I can't imagine anyone not feeling entertained by Happy, Texas.
  24. Reminds us that the human dynamic can do a lot that explosions can't, even when the film flirts with formula.
    • 46 Metascore
    • 75 Critic Score
    A rather witty, streetwise comedy/action movie with a lot going for it.
  25. The movie star Julie Christie turned 62 last month, and anyone under the impression that she merely floated through her prime heedless of the age in which she worked should catch her in A Decade Under the Influence.
  26. Many spy capers lose their intended irony and wry black humor, but The Tailor of Panama stays stylishly on target in ways that would put a heat-seeking missile to shame.
    • Boston Globe

Top Trailers