Even ten years after its premiere, this interactive thriller from David Cage is still great. Sometimes you can sense the age when it comes to visuals, but if you haven’t played this yet, you are in for a treat.

Intense SciFi tactics in the tradition of FTL with a surprisingly good story.

This park builder is too big for Switch. It is not completely unplayable, but fun is scarce.

Quotation forthcoming.

The return to his creative roots mutates to a “best-of-Mikami”-showcase, sacrificing fresh ideas on the way, resulting in decent survival horror that can’t compete with the likes of Silent Hill, Outlast or Alien Isolation.

At first Full Metal Furies is just another coop-action. But the more you play, the more you discover - and sometimes the only solution is grind. But nonetheless this is a surprisingly captivating action romp.

Rive is as tough as it gets. But while the mixture of platforming and twinstick-action is very challenging and can push you over the edge, it has its heart in the right place.

The fighting system is solid, the online mode is lag free, the character design is as good as the story is bad. But overall the fighting ladies (and gents) of Tecmo's once proud beat-em-up franchise are just not as entertaining anymore…

This side of Sanctuary it doesn’t get much better than this. Victor Vran blurs the lines between hack & slash and action adventure, delivering a very unique experience. Unfortunately it suffers from a generic art design and the preset character development.

If you can look beyond the narrative shortcomings you’ll get a solid adventure set in a captivating fairy tale world.

A beautiful fox adventure with an important message, playful but not rich enough.

This is an extraordinary gaming experience. Somewhere between shooter, stealth, sleuth, sci-fi technology and psychological horror The Farm 51 relinquishes conventions. Imagine a party where The Matrix, Inception and Total Recall celebrate with Layers of Fear, Metal Gear Solid and Alan Wake. Sounds weird? Yes. And then some.

This is an interesting arena brawler with lots of action and Sony celebrity cast. It can get quite chaotic though.

The presentation is almost as boring as the battles, which are too easy most of the time – with the exception of bosses, of course. If it wouldn’t be for the interesting story, this could have been a disaster.

Pretty visuals and a heart-warming story make this mix of exploration, graffiti- and ghost-puzzles a decent as well as relaxing experience – although one with weaknesses in terms of battle system as well as some technical issues.

This is an interesting pilot for a season of contract killings. You’ll get a lot of creative freedom when it comes to fulfilling your contracts while the online-missions keep you motivated until the next episode arrives.

Not a Hero is the pixelart counterpart to a lot of Jason Statham movies: The two-dimensional action is brutal, over-the-top and redundant – but tremendous fun.

If you are interested in the dancing adventure of the Persona crews, get the collection. Not only is it cheaper, it is also the only chance for you to play the still superior Persona 4 Dancing on PS4.

Who would have though that Optimus Prime one day would be the protégé of the umbra witch Bayonetta. The fight system is tight, but not complex at all. And visuals with the distinctive 80s cartoon look are spot on. Platinum delivers the best Transformers game in a while.

Ghost of a Tale has its share of problems and can be superficial at times. But mostly Lionel Gallat brings a charming little hero to life with a coherent direction and a setting in which every element serves one purpose only: to infuse this little adventure with a big soul.

If you like your races rough and tough and are not afraid to put scratches and dents onto the paint, this one is definitely for you. But be aware that this showdown is some sort of recycling machine where DiRt 3 players will recognize Gymkhana and the majority of the locations.

That this highly complex simulation appears on consoles, is remarkable. But with its unoptimized and overloaded pad controls the challenge to make progress and eventually get into space is even higher then on PC.

This is a trip down memory lane into the era of classic 3D platform action – even the sometimes clunky scenery is reminiscent of PS2 games. You’ll find charming characters, loads of jumping, fighting, the occasional stealth element and a lot to collect – what you won’t find, though, are fresh ideas.

Old-school 2D action fireworks: short, crisp, iconic. The technical implementation of the retro exotic is exemplary - we'd love to see more of it for modern consoles.

Despite additions like crossplay and a 60fps performance mode this is merely a halfhearted remaster of a once very good arcade racer. Having said that, the still terrific autolog system keeps you motivated, while the pursuits are still highly enjoyable.

Electronic Arts is on the right path. In terms of presentation there is still a lot to do to challenge NBA 2K, but the more arcady playstyle and the not heavily featured “in-your-face” integration of micro-transactions makes this a decent challenger for the NBA crown..

My Time at Portia enhanced the Harvest-Moon-concept with a new found focus on exploration and construction. Nice!

Platform adventure suitable for children, with the creative use of speech as a gaming element. A very simple, yet charming interactive fairy tale.