For 1,351 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 16.3 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Radio Unnameable
Lowest review score: 0 The Fourth Kind
Score distribution:
1351 movie reviews
    • 65 Metascore
    • 20 Joe Neumaier
    Laudable as its world-building is, the film drags not just in its interminable middle hour, but also during the redundant monster-on-mechawarrior smackdowns.
    • 41 Metascore
    • 60 Joe Neumaier
    Director Cathryne Czubek’s well-researched, incredibly lively chronicle of the way guns are marketed to, coveted by, and portrayed with women is a vital glimpse into a cultural phenomenon.
    • 20 Metascore
    • 20 Joe Neumaier
    What starts as a creepy, original conceit — mysterious Caesarean-section abductions during hospital stays — devolves quickly into standard talk-to-the-camera, jump-at-the-sounds, found-footage banality.
    • 49 Metascore
    • 40 Joe Neumaier
    All those cliched literary trappings come together in Stuck in Love, but the final product feels more like a footnote than a finished work.
    • 37 Metascore
    • 20 Joe Neumaier
    This smart-looking but empty adventure — with a hero that looks more Tom Ford than John Ford — suffers from a shambling script, shifting tones and a surplus of villains. Clunky and drawn out, “Ranger” shoots blanks, even with the star power of Johnny Depp behind it.
    • 68 Metascore
    • 100 Joe Neumaier
    With his rapid-fire delivery and big heart, Rockwell makes Owen his version of “M*A*S*H”’s Hawkeye Pierce, but the film’s layers of well-observed truths go deeper than that.
    • 56 Metascore
    • 60 Joe Neumaier
    Some may still be surprised at this fun, well-informed chronicle of what was happening in the U.S. as lighted floors, boogie shoes and Saturday night fevers were the rage.
    • 40 Metascore
    • 20 Joe Neumaier
    Even in shabbily put together dramedies, such as this one, there can be a glimmer of light. Here it’s Christine Lahti’s anguished, nuanced turn as a wife and mother excited to begin a new phase with her husband.
    • 52 Metascore
    • 40 Joe Neumaier
    Perhaps afraid that watching a symbol of liberty repeatedly go boom isn’t enough, Emmerich and screenwriter James Vanderbilt add family drama, an attack on Congress, a plane crash and the possible nuking of the Middle East. What isn’t tonally jarring ends up shatteringly inept.
    • 47 Metascore
    • 0 Joe Neumaier
    This poor man’s Norman Bates, though, doesn’t make us wonder what makes him tick; he makes us want to shut our eyes.
    • 74 Metascore
    • 60 Joe Neumaier
    A gripping, personal examination of a seemingly unresolvable conflict.
    • 56 Metascore
    • 60 Joe Neumaier
    A fascinating, alternate-universe look at the dawn of the music-sharing phenom — once a cause of concern in the industry, yet now a footnote to our all-digital music marketplace.
    • 63 Metascore
    • 20 Joe Neumaier
    It is no summer thriller. It’s an anemic actioner that fosters excitement like dead limbs as it lumbers toward a conclusion.
    • 80 Metascore
    • 40 Joe Neumaier
    Fans of Dario Argento and Mario Bava will appreciate the references. Even for newcomers, there are minor chords to enjoy. If only there were less screaming.
    • 25 Metascore
    • 0 Joe Neumaier
    The crowd that likes these things will certainly be psyched. Everyone else, not so much.
    • 66 Metascore
    • 40 Joe Neumaier
    Narratively static and morally banal. That may be par for the course, however, when half the movie is spent watching shallow kids try on other people’s clothes.
    • 55 Metascore
    • 60 Joe Neumaier
    The serious-minded result has many super-cool moments. But when it gets clunky, it’s super-meh.
    • 42 Metascore
    • 20 Joe Neumaier
    Who let an unfunny, irritatingly acted two-hour commercial for Google onto multiplex screens?
    • 53 Metascore
    • 60 Joe Neumaier
    Weixler is a delight, and director Tom Gammill captures the right level of deadpan to pull this off.
    • tbd Metascore
    • 20 Joe Neumaier
    This dark lark is like walking around Times Square looking at the flashy logos and lights and thinking you see the message behind the medium.
    • 62 Metascore
    • 40 Joe Neumaier
    Though much of the film is overcooked and overwrought, it’s well-played, and writer-director Kieran Darcy-Smith keeps us guessing, and watching.
    • 70 Metascore
    • 60 Joe Neumaier
    As a look at how we got from there to here, “Evocateur” is one for the time capsule.
    • 43 Metascore
    • 40 Joe Neumaier
    Gandolfini scoops up another chance to show off the gentleness he left at home during six seasons of “The Sopranos.”
    • 41 Metascore
    • 20 Joe Neumaier
    The movie even makes night-vision-goggle scares more irksome, a rare feat.
    • 68 Metascore
    • 80 Joe Neumaier
    As the cracklingly cool The East shows, they’re the real deal. It’s not easy to make a thriller where brains and guts are so clearly in cahoots.
    • 33 Metascore
    • 0 Joe Neumaier
    Summer 2013 has its first bomb, and sadly, it’s landed right on Will Smith.
    • 52 Metascore
    • 20 Joe Neumaier
    Even young would-be botanists will find this charmless animated adventure as exciting as watching grass grow.
    • 94 Metascore
    • 100 Joe Neumaier
    Delpy and Hawke, who’ve invested this trilogy with the fine shadings of life lived, do extraordinary things with small moments.
    • 30 Metascore
    • 80 Joe Neumaier
    Galifianakis, though, is the key here. Able to smash a scene to smithereens with the simplest of lines, the hirsute comic is as unpredictable as ever, yet takes director Todd Phillips’ bait to up the stakes.
    • 82 Metascore
    • 40 Joe Neumaier
    Aiming for lightness but landing with a thud, Frances Ha is a well-meaning blunder. Director Noah Baumbach’s ode to Brooklyn twentysomething life is a flibbertigibbet fable that, like a self-absorbed flirt you meet at a party, grates on the nerves despite being easy on the eyes.

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