The fifth full-length release for the Florida metal band is its first with new new bassist Eric Hernandez of Wrong.

The third full-length album for the metal quartet from Miami was produced by the band's guitarist, Kurt Ballou.

The 15th full-length studio release for the singer-songwriter features themes of nature and its death and re-birth cycles.

Tori Amos' latest full-length release is described as "a metaphorical story about the fight for Democracy over Tyranny."

The second release under the Deutsche Grammophon label from Tori Amos contains 14 [15 on the deluxe editions] of her songs reworked with the Metropole Orchestra conducted by Jules Buckley.

The singer-songwriter returns with her first album of original material in three years, a conceptual work centering on the title character, with its 19 songs divided into six thematic "gardens." Damien Rice guests on one track.

The latest release for the singer-songwriter is her first independent album after ending her contract with Epic Records.

The singer-songwriter takes inspiration from classical music to create a "21st century song cycle" for her 12th album, released on the world-renowned German classical label, Deutsche Grammophon.

The latest album for the singer-songwriter is 12 tracks (14 on the deluxe edition or 15 with the iTunes bonus track) of traditional and original holiday songs.

The suddenly prolific Amos returns with 18 new tracks, begging the question: Y Kant Tori Capitalize Her Song Titles? The album, her first for Epic, is structured as a cross-country journey through the U.S.

The singer-songwriter-pianist's ninth studio album is political, confrontational, and lengthy (at over 20 tracks)--and also falls under the dreaded "concept album" category, as its songs come from the viewpoints of five different characters.

Yes, it is a covers album, but with a bit of a twist: all the songs were originally written and performed by men, and Amos has reinterpreted them from a woman's standpoint. This eclectic collection (12 tracks in all) includes versions of Depeche Mode's "Enjoy The Silence," Eminem's "97' Bonnie and Clyde," 10cc's "I'm Not In Love," Neil Young's "Heart Of Gold," Slayer's "Raining Blood," and the Boomtown Rats' "I Don't Like Mondays."

The 14th studio release for the singer-songwriter is said to be a return to her piano-centric alternative pop/rock sound.

The first full-length studio release for the singer-songwriter in four years was written during the pandemic lockdown in Cornwall, England.

The fourth full-length release for Luke Wyatt project's was recorded in Berlin.

This is the second full-length release for Brooklyn producer Luke Wyatt as Torn Hawk.

The debut full-length release for Berlin-based Australian electronic producer Lewie Day features a guest appearance from Sui Zhen.

Chaz Bundick is the one-man project behind Toro Y Moi. He mixes the best musical elements from across the globe, including electronic, psychedelic-rock, and R&B on his first full length record.

The fourth full-length release from Chaz Bundick features contributions from Julian Lynch and Unknown Mortal Orchestra's Ruban Nielson.

The fifth full-length solo release for Chaz Bear (he officially changed his name from Chaz Bundick) was created when he had an identity crisis and started listening to music including Daft Punk, Frank Ocean, and Oneohtrix Point Never.

With upbeat, experimental pop songs and psychedelic synthesizer sounds, this duo defines their music under the genre of chillwave.

The third full-length release for Chaz Bundick was inspired by his recent move from South Carolina to Berkeley, California.

The latest full-length release for Chaz Bundick as Toro y Moi features guest appearances from ABRA and Wet.

The latest full-length release from Toro y Moi features guest appearances Duckwrth, Death Cab for Cutie's Benjamin Gibbard, Glaive, Elijah Kessler, Brockhampton's Kevin Abstract, Lev, Kenny Mason, Porches, and Don Toliver.

The release features a collection of singles from the CDs Toro y Moi sold while on tour.

The latest five-track EP from Chaz Bundick sees the musician return to a more electro-pop sound.

The seventh full-length studio release for Chaz Bear as Toro y Moi features guest appearances from Salami Rose Joe Louis, The Mattson 2, and Sofie.

The debut album for Nashville's Mackenzie Scott was recorded live to tape over five days.

The second full-length release for the Brooklyn-based singer-songwriter was co-produced with Rob Ellis.

The fifth full-length studio release for the indie singer-songwriter was co-produced with Rob Ellis and Peter Miles.

The sixth full-length release from Brooklyn-based indie rock artist Torres was produced with Sarah Jaffe.

The fourth full-length release for the Nashville-based singer-songwriter was recorded in Brooklyn and is her first on the Merge label.

The third full-length release for Brooklyn-based Mackenzie Scott as Torres was produced by Rob Ellis.

The Chicago post-rock instrumentalists add vocals (courtesy of Kelly Hogan) into the mix for the first time on this, their fifth LP.

The rock band releases its first album of new material since 2004's "It's All Around You."

The first full-length studio release from Chicago's Tortoise since 2016's The Catastrophist was recorded in Chicago, Los Aneles and Portland, Oregon.

The first studio release from the Chicago post-rock band in over six years features vocals from Yo La Tengo's Georgia Huble on one track.

The first collaboration between singer-songwriter Will Oldham and Chicago instrumental post-rockers Tortoise features 10 covers, including takes on songs by Elton John and Bruce Springsteen.

The fifth mixtape for the rapper-singer features guest appearances from Ashanti, Chris Brown, Jermaine Dupri, Jermaine Dupri, Fabolous, Lil Wayne, Lloyd, Ludacris, Lyce, Mario, Mya, Slim, Snoop Dogg, The-Dream, T-Pain, and Trey Songz.

The second full-length release for the Canadian rapper features guest appearances from 50 Cent, Davo, Fabolous, Paloma Ford, Future, Mansa, NAV and Wiz Khalifa.

The latest mixtape from the Canadian rapper features guest appearances from Lil Tjay and Mansa.

This is the fourth album for the duo of Richard Dorfmeister (of Kruder & Dorfmeister fame) and Rupert Huber. Vocals are handled by a variety of guests, including Chris Eckman (The Walkabouts).

The latest release from the Austrian electronic project of Richard Dorfmeister and Rupert Huber features guest vocalists such as Sarah Callier, Rodney Hunter, and JJ Jones.

This is the second full-length release for the Ohio rock band that includes Cloud Nothings' drummer Jayson Gerycz.

This is the second full-length studio release for the Melbourne, Australia-based post-punk band formed by Dan Stewart and Mikey Young.

The first release in three years for the Australian post-punk band is an eight-track EP written and recorded over the past few years.

This is the debut full-length album for the British electronic producer/artist.

The fourth full-length release for the Los Angeles-based post-hardcore band led by Jeremy Bolm was influenced by the death of Bolm's mother from cancer and produced by Brad Wood.

The third full-length release for the five-piece hardcore band led by Jeremy Bolm was produced by Brad Wood.

The latest full-length release from Los Angeles post-hardcore band Touché Amoré features guest appearances from Julien Baker and Lou Barlow.

The latest full-length studio release for the Los Angeles post-hardcore quintet was produced by Ross Robinson.

Recorded over five days with producer Ed Rose, the second album for the Los Angeles post-hardcore band is its first on the Deathwish label.

Produced by Jay Arner, the debut full-length release for the Vancouver garage rock band led by Jarrett K.

The live recording from 2008 at London's Barbican Centre features Toumani Diabaté with the London Symphony Orchestra as well as Malian musicians such as Kasse Mady Diabaté, Lassana Diabaté, Fanta Mady Kouyaté, Fode Kouyate, and Ganda Tounkara.

The release of unaccompanied kora duets from the father and son duo of Toumani Diabaté and Sidiki Diabaté was produced by Nick Gold, Jerry Boys, and Lucy Duran.

Guitarist Vieux Farka Touré and Israeli keyboard player Idan Raichel team up for this improvised session with Israeli bassist Yossi Fine and Malian percussionist Souleymane Kane on calabash.

This is the debut full-length release for British electronic producer William Phillips, who is better known for co-writing Sam Smith's Grammy-winning "Stay with Me."

The third full-length release for the Swedish pop artist is considered a companion piece to her 2016 album, Lady Wood.

This is the debut full-length release for the Swedish indie pop artist.

The second full-length release for the Swedish pop artist features guest appearances from Joe Janiak and Wiz Khalifa.

The fifth full-length studio release for Swedish dance-pop artist Tove Lo features guest appearances from Channel Tres, First Aid Kit and SG Lewis.

The fourth full-length release for the Swedish pop artist features guest appearances from ALMA, Doja Cat, Jax Jones, MC Zaac, and Kylie Minogue.

The debut full-length release from pop singer-songwriter Towa Bird features contributions by Alexander 23, Mikky Ekko, Luke Niccoli, Thomas Powers, and Alisa Xayalith.

'C'mon' is the third full-length release for the experimental Chicago-based instrumental quartet.

Asian instrumentation is highlighted on the Chicago minimalist, avant-garde outfit's sixth release.

The fifth release from the Chicago-based outfit continue their foray into "modern classical" composition using acoustic instruments.

The posthumous release of the Texas singer-songwriter features demos recorded in early 1973 at Bill Hedgepeth's home studio.

The debut album for the British indie rock quintet was produced By Dan Carey.

The third full-length release for the British alternative rock band was recorded in 12 days with producer David Wrench.

The fourth full-length release for the British indie rock band was self-produced and self-mixed.

The second full-length release for the Tom Dougall-led rock band was produced by Dan Carey.

The live release captures one of the last performances from the New Zealand alternative rock band led by Chris Knox at The Gluepot in Ponsonby, Auckland in 1980.

The second full-length release for the British indie rock trio was produced by Hookworms' MJ.

The country music star releases his 10th studio album, featuring a duet on the deluxe version with Blake Shelton.

The Louisiana-born country artist's eighth studio album was produced by Frank Rogers.

This is the first album for the Louisiana-born country singer on Toby Keith's Show Dog label after completing his contract with Capitol records.

The second full-length studio release for the solo project of LVL UP's Dave Benton features contributions from Susannah Cutler, Dan Goldberg, Carmen Perry, and his former bandmate Greg Rutkin.

This is the Everything But The Girl singer's first solo release since 1982.

The Everything But The Girl singer's third solo album was produced by Ewan Pearson.

The collection of songs from The Everything But The Girl singer's solo career also features remixes and collaborations with such artist as Massive Attack, Morgan Geist, and Tevo Howard.

The fifth full-length solo release for the Everything But The Girl singer features guest appearances from Bailey Rae and Shura.

The fourth solo release for the Everything But The Girl singer is a Christmas collection with ten cover songs and two original songs. Ben Watt, Leo Taylor, Steve Pearce, and producer Ewan Pearson contribute to the album as guest musicians.

Tracy Bonham’s career trajectory seems to run in reverse; with each record, she gets riskier, coming a long, long way from the bottled-up furious angst of her ‘90s alt-rock staple “Mother Mother.” Masts of Manhatta, her fourth album and first since 2005’s Blink the Brightest, ups the ante from that haunting record by accentuating its elliptical turns, its songs dodging conventional routes in favor of left turns. Bonham is assisted greatly by Beck guitarist Smokey Hormel and his trio, who lend her songs earthiness and art, giving this heft and welcome unpredictability. To an extent, Bonham lays out her album’s thesis on “We Moved Our City to the Country,” a knowing satire of hipsters fleeing the urban jungle for faux authenticity, where she feels the pull of the two extremes as evidenced by how her sawing violin contrasts with the cabaret shuffle of Hormel’s group. Masts of Manhatta walks this line throughout, sometimes getting quite a bit livelier, sometimes indulging in decidedly moody textures, always twisting just slightly from the expected, making for a record that’s quite intriguing upon the first listen and better on repeats, where the songs begin to dig in and all the textures gain resonance. ~ Stephen Thomas Erlewine

On her sixth studio album, the singer-songwriter works with producer John Parish (PJ Harvey) for the first time.