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Critic Reviews
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Suspense-building requires walking a line, though. If you spend too long getting to the point, the bubble you’ve inflated starts to lose air. That’s close to happening a couple of times, which is too bad, because when we get to the reveals, we’d like to still really care.
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The series doesn’t waste much time, plunging ahead with unremarkable dialogue but effective plotting, and establishing quickly that no one is safe and you should take little for granted.
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All the creepy set pieces and engaging performances are no match for the increasingly absurd exposition.
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It's not fun enough while waiting for the explanation in the fifth and final episode I saw (there are 10 episodes altogether), and the explanation doesn't do a good enough job of justifying everything that's happened before.
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The main characters are not that interesting as people, but acceptably valid because of their situation of being stuck in a small town. Some of the secondary characters may not be drawn in too much detail but are more interesting.
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It’s a 10-episode thriller based on a series of novels by Blake Crouch that feels plodding. A small town can be sleepy, but the mystery that binds its residents shouldn’t also be soporific.
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Wayward Pines has moments where it’s a happy hot mess, but it’s mostly a muddy puddle of confusion, and it has executive producer M. Night Shyamalan’s fantastical fingerprints all over it.
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When answers are provided--at length--the preposterous illogic is stupefying, not stimulating. [4-17 May 2015, p.12]
Awards & Rankings
User score distribution:
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Positive: 175 out of 246
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Mixed: 44 out of 246
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Negative: 27 out of 246
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May 15, 2015
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May 20, 2015
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May 15, 2015