The Wheel of Time

After so many years of waiting, there’s certainly a lot for fans to chew on with this adaptation. The Wheel of Time is a very strong start to a much-awaited series and created by someone who has a clear understanding of how adaptations can soar when complementing their source material rather than just copying it.

Wheel of Time succeeds in retaining the earnestness and hope that characterize the novels, and which Game of Thrones lacked. But it also offers viewers something new. ... Wheel of Time is more soft touches and sweeping landscapes.

Pike’s performance is layered and staid, grounding the show alongside other veteran TV actors, which helps the younger set of mostly unknown candidates for the Chosen One.

It instead serves up a vast tableaux of plucky heroes and heroines, homicidal wizards and curly-haired ogres. Game of Thrones buffs may very well be devastated by the lack of nudity/ incest/ Kit Harington looking sad. For everyone else this fantasy saga has the potential to cast a spell entirely of its own devising.

The Wheel of Time has enough potential to ride past these initial frustrations thanks to a high budget and deep commitment from the actors to faithfully bring the magic of this story to life.

While Martin’s gritty, skeptical, and brutal look at the genre appealed to an HBO audience, I’m not sure Jordan’s romantic, mystical, and hopeful version will be as ubiquitously embraced. The Wheel of Time can’t be the next Game of Thrones. It’s just not in the source material’s DNA. But Prime Video’s series has the chance to be the first true Wheel of Time, and that excites this all-too-earnest nerd to bits.

Faithful, intelligent adaptation, and an overstuffed one too.

It’s absolutely fine. It’s got brio, it’s got style and it’s got enough portentous voiceover book-ending events to make everything feel high stakes.

A slow start paves the way for a satisfyingly ambitious fantasy that fans of the genre can really get stuck into. For the uninitiated, though, it might all sound like a load of trollocs.

Despite the weak characterization, I still found The Wheel of Time rather watchable. It definitely isn't lacking in incidents. The writers keep the plot wheel turning as characters are chased from one location to the next, action is adequately sequenced, and magic is performed (albeit rendered goofily).

“Wheel of Time” is very self-serious, which makes it easy to mock, particularly if you’re apt to make comparisons to other fantasy franchises: One screechy villain has Voldemort’s nose; an Army of horned beasts are this show’s version of Orcs. It’s all slathered on thick with an over-reliance on special effects-heavy battle scenes.

While the lavish first season is eventful, it's burdened with clunky exposition, a deficit of whimsy and wonder, and thinly developed characters. [22 Nov - 5 Dec 2021, p.9]

The good news for fantasy-hungry viewers is that this lush and ambitious series quickly approaches “Thrones,” and even Peter Jackson’s Tolkien films, in grandeur and polish. It’s in the verve of life and depth of character that “Wheel” is a few revolutions behind.

The good news for fantasy-hungry viewers is that this lush and ambitious series quickly approaches “Thrones,” and even Peter Jackson’s Tolkien films, in grandeur and polish. It’s in the verve of life and depth of character that “Wheel” is a few revolutions behind.

The result is a show that may well please Jordan’s core fandom from the first but which makes for a frustrating watch for viewers who care less about whether “The Wheel of Time” outdoes “Game of Thrones” for spectacle than about whether the show they’re watching is coherent and well-crafted on its own terms. ... There is potential here: The sixth episode, of six provided to critics, is the strongest of the show’s early run.

Fantasy die-hards may be too frustrated by the adaptation’s clumsy follow-through (if they loved the books, whatever they imagined has to be more convincing than this), while casual viewers may find deeper satisfaction in other shows. But if you can channel just the right spell to find its wavelength, “The Wheel of Time” has its charms.

For such a potentially rich series, The Wheel of Time is curiously flat. Little time is spent on character development or exploring the politics, social hierarchy and cultural touchstones of its world. Instead, there are many beautiful, but unnecessary, sweeping shots of scenery and overdramatic, overextended fight scenes.

What emerges thus feels like another fantasy-based soap opera, populated by fantastic creatures and stiff dialogue filled with ominous warnings like "The dark one is coming for your friends."

It’s definitely like watching somebody else film their visit to a Wheel of Time theme park on an iPhone. It’s not the real thing, and you’re not really there, and, in and of itself, it’s almost shockingly devoid of artistry or narrative momentum. But its adjacency to a thing that lots of people love is likely to prove sufficient for many of them.

It's hard to get lost in this world when it feels so emotionally distant, so scattered, and so packed with thin plotlines.

Wheel of Time is arriving in this long gap between the end of Game of Thrones and the premiere of several other shows like it, which may bring in some fantasy fans starved for any morsel of magic and wonder. But the whole thing is empty, if expensive, calories.

It’s an epic with little sense of grandeur, populated by characters with missions but no personality. ... There’s just too much portent, exposition and bad writing where engaging characters should be. Despite her most dedicated efforts, Pike’s no match for marijuana-friendly but limply grandiose lines.