Watch Now
Where To Watch
Critic Reviews
- Critic score
- Publication
- By date
-
While the series is initially disjointed, by episode three I had gained some insight into what MacFarlane was striving for with The Orville.
-
It mostly plays like an unproduced early 1990s “Star Trek” spinoff, complete with holodecks, replicators, alien crew members and missions of the week. It’s also pretty dull.
-
It’s got top-notch special effects and terrific makeup (for its space-alien characters). But it just doesn’t quite gel. At least not yet, anyway.
-
The show's smirky tone, embodied in MacFarlane's smug frat-boy demeanor as the captain, never quite gels with the universal humanism the episode is aiming for. [18 Sep - 1 Oct 2017, p.27]
-
The humor is more throwaway and often falls flat while a lot of the drama can become stiffly serious. It’s not that the series is badly made. The action and effects are decent. The cast is fine, though the characters are still mostly unformed. ... Viewers may find the tone of series perplexing.
-
The Orville needs considerable work to accomplish whatever it wants to be--assuming that MacFarlane and company even have that answer. For now it’s boldly but very unsteadily going forth, with its jokes working here and there while the action and “messages” bump along at best.
-
The outcome is an ersatz facsimile of the original “Trek” and a couple of spinoffs. Their heart and overall spirit are present, along with some decent special effects. The dumb jokes and ham-fisted setup lines just tend to diminish them.
-
The retro-futuristic effects in The Orville work well, and the show looks like it cost Fox a fair amount of money. Whether viewers will respond to sincerity and professionalism, but limited mirth and very few thrills, when they've been promised Seth MacFarlane hilarity remains to be seen.
-
What results is a show that isn’t so much daring in its flexibility as it is exhausting in its lack of cohesion. The pilot trudges through scene after scene of setup, and subsequent episodes don’t get much peppier.
-
The Orville seems to be less about comedy or science-fiction than about Ed Mercer’s middle-age angst, expressed primarily through his peevish anger toward his ex-wife.
-
While The Orville clearly demonstrates its fondness for a show that promised to boldly go where others hadn't, it feels like MacFarlane and his crew are taking a sizable step backwards.
Awards & Rankings
User score distribution:
-
Positive: 877 out of 1016
-
Mixed: 46 out of 1016
-
Negative: 93 out of 1016
-
Sep 11, 2017
-
Sep 10, 2017
-
Sep 11, 2017