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Critic Reviews
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Even when the show is disappointing, it somehow remains likable. It could be better; it isn't bad. As the story of an indomitable person coming back to a changed world, it has some of the attitude, and the sunniness, of "Unbreakable Kimmy Schmidt." Lines may fall flat, but there is enough chemistry among the players — the stars, the guests and the regulars, notably including Allen Maldonado ("black-ish") as Tray's intensely cheerful young cousin Bobby--to keep The Last O.G decent, indecent company.
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As far as it goes, The Last O.G. is a mildly enjoyable half-hour. Its first six episodes are packed too heavily with plot and too easily move past the real attraction, which is watching Tray wander around Brooklyn in a state of cultural bewilderment.
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There seem to be two different shows competing for space in the six episodes provided for review. One is a laid-back, affecting comedy about second chances; the other is a clunky mishmash of broad gags. You can see this in the pilot. It’s rough, but it contains the makings of better things.
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Showcasing Morgan in a leading role might be the most promotable aspect of this series. And while fans will surely be cheered to see him looking so fully recuperated, his character as presented is, alas, the weakest link in The Last O.G.
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One moment, it seems eager to address the culture shock of a fish returned to changed waters; the next, it shies away from trafficking in the clichés that a critique of twenty-first-century Kings County may necessitate. Plots with the potential to flower into journeys instead wither into mere capers; intriguing possibilities open doors that are simply left ajar.
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Watching O.G. involves waiting for something more. Even six episodes in, the series feels as shallow as the hipster coffee joint where Tray finally gets a job.
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The Last O.G. struggles to reconcile its inherent tragedy with slightly crass comedy. In any given scene, it’s a toss-up as to which side will win out. ... Still, when the show is good, it’s so good.
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It's an interesting comedy, and one prepared to take a few big swings. It just isn't especially funny or consistent, and this isn't a "Oh, we're going for arty over humorous" FX or Amazon-style comedy. It wants to be broad and riotous without real success, only to find its value someplace more somber.
User score distribution:
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Positive: 7 out of 14
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Mixed: 4 out of 14
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Negative: 3 out of 14
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Apr 3, 2018
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Dec 17, 2018