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When it's firing on all cylinders, though, the third season of The Fall is an unusually meditative, self-possessed piece of television, one that actually earns the "psychological thriller" title that too often gets thrown at anything related to a serial killer.
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Mr. Cubitt has set up a parallel between Gibson and Spector and wants to suggest that she, too, isn’t in full control of her sexual impulses. But he hasn’t made the parallel interesting, and it makes Gibson a less believable character, despite Ms. Anderson’s fine performance.
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The show seems to be fixating on the energy and effort that goes into saving a life, just as, in seasons past, it’s shown Paul taking them in similar close-up. But plot-wise, it’s a slog.
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As good as Anderson is throughout, her Stella suffers from a Season 3 lack of development--we learn nothing about her in this new season that we did not know from the previous two (apart from a couple of small autobiographical details dropped in the final hour). And some characters who had been important to the series--I’m thinking particularly of John Lynch’s cop Burns--recede or fall away in disappointing ways.
User score distribution:
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Positive: 21 out of 36
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Mixed: 5 out of 36
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Negative: 10 out of 36
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Nov 2, 2016
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Nov 5, 2016This review contains spoilers, click full review link to view.
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Oct 29, 2016This review contains spoilers, click full review link to view.