User Score
Mixed or average reviews- based on 36 Ratings
User score distribution:
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Positive: 21 out of 36
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Mixed: 5 out of 36
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Negative: 10 out of 36
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Nov 5, 2016This review contains spoilers, click expand to view.
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Feb 18, 2017
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Dec 12, 2016
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Nov 12, 2016The opposite of season 1. Kind of like 'Lost' where you get the idea nothing had been thought through and no seeming logic to how it ends. Suffice it ends with you thinking 'eh what was the point of that?'
One dramatic scene that actually seemed to be shock value and the rest of the series nothing happens apart from some pointless waffle. -
Oct 29, 2016This review contains spoilers, click expand to view.
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Jan 27, 2017'The Fall' is a show that only survives for its charismatic leading actors because the story is not original nor smart. It also feels like it tries to be too clever for its own good and instead of ending with a bang, it only ends up being mediocre.
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Nov 2, 2016
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Dec 13, 2016The first 30 minutes of the first episode are intense and engaging, then the pace slows dramatically. Not recommended for those looking for action and speed, the show is dialogue-heavy with action-light episodes very psychological with few high tension scenes. Unexpected ending. "That’s Disney, this is the real story."
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The show seems to be fixating on the energy and effort that goes into saving a life, just as, in seasons past, it’s shown Paul taking them in similar close-up. But plot-wise, it’s a slog.
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When it's firing on all cylinders, though, the third season of The Fall is an unusually meditative, self-possessed piece of television, one that actually earns the "psychological thriller" title that too often gets thrown at anything related to a serial killer.
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As good as Anderson is throughout, her Stella suffers from a Season 3 lack of development--we learn nothing about her in this new season that we did not know from the previous two (apart from a couple of small autobiographical details dropped in the final hour). And some characters who had been important to the series--I’m thinking particularly of John Lynch’s cop Burns--recede or fall away in disappointing ways.