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It's still frequently, reliably amusing, and the show's new Christmastime setting gives the whole endeavour a slight festive feel – something which will surely be to this season's benefit when it comes time for potential yearly re-watches.
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Their egotistical tussle over whose name should go first on the poster ("But you were first in Good Omens," Tennant complained) was, you just know, close to the truth. It was the best lockdown show I've seen so far.
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The dialogue is playfully theatrical in its use of language – as you might expect, Sheen and Tennant wring every last soupcon of satisfaction from phrases like “meaty timbre” and “bacchanalian embarrassment”. It’s also enjoyably foul-mouthed. ... An eminently watchable portrait of two artists as petulant, egotistical children.
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It’s a light, charming offering.
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Tennant and Sheen have decent chemistry, playing friends who are itchily competitive. Tennant has the better deal, cast as the less pretentious one (he also, if appearances are not deceptive, has the better house). Forty minutes of this would have been excruciating. Even 15 feels too long, but I don’t know if that’s because lockdown has ruined my attention span or if the show is a bit too thespy for its own good.