- Network: History , The History Channel
- Series Premiere Date: Jan 18, 2017
Season #: 2, 1
User Score
Generally favorable reviews- based on 54 Ratings
User score distribution:
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Positive: 33 out of 54
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Mixed: 6 out of 54
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Negative: 15 out of 54
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Review this tv show
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SixYour Score0 out of 10User ScoreGenerally favorable reviews- based on 54 Ratings
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Mar 2, 2017The writing for the show is terrible. The Seals outside of battle are depicted as dysfunctional. As for the women in the series they knew what they were getting into when they married a military man. A Seal's life is even more demanding than a normal military man.
The show has some great acting talent to work with to bad the writers aren't up to the task. -
Jan 19, 2017Although the characters show potential, the storyline is so basic it isn't enough to draw us in. It can't survive its own flaws. It's a case where talent is underappreciated and feels too insecure of itself.
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Mar 2, 2017Keep racism out of your shows!! I was all about this show until I saw the token black guy wearing a disgusting Black Lives Matter patch on his uniform (which no real SEAL would be allowed to do).
Awards & Rankings
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The action is well-captured, including a couple of beautiful shots (courtesy of Lesli Linka Glatter, who directed the first two episodes) better than the sequences themselves. But Six’s disinterest in anything fresh, from an outsider’s perspective to a stronger opinion about anything in this world, dooms the series to mediocrity.
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The show tries very hard to give us believable female characters in this context, but I’m afraid the best Six can do is achieve a kind of high-class soap opera. ... When the show travels outside of America, it’s still full of macho dialogue that can be wearisome--“We’re gonna fix this because that’s what we do; we’re gonna bring Rip home!”--but it has a blend of action and moral inquisitiveness that makes the show intriguing.
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The show’s directors are adept at shooting action, and when the men of SEAL Team Six are on missions and in other high-risk situations, their motivations and actions are usually rendered with taut energy and fluid economy. It’s when the narrative returns to the home front, or laboriously stitches together its overarching terrorism plot, that the show feels most predictable.