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Critic Reviews
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Dr. Beaumont Rosewood [is] a grating piece of work.
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Morris Chestnut is pretty, and so is Miami, but this show wastes them both.
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Rosewood is a snooze and a half. The dialogue is awful, the series largely humorless, and every move that happens in the pilot is something you've seen done better elsewhere.
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The show has a strong, likable cast--Mr. Chestnut, in particular, seems to be having fun--but when cliches pile up faster than clues, it’s time to change the channel.
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At its worst, Rosewood plays like the kind of ridiculous, over-the-top drama with which a sitcom character becomes obsessed. At its best, it offers its audience the chance to feel smarter than its characters.
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Other pilots this fall are worse, but few are more middling.
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Chestnut does make for an attractive lead, but the series leaves him smartly dressed up (medical scrubs, apparently, don’t go with the billboards), with no place to go.
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A derivative procedural with uninteresting, annoying characters and boring plots, it has little to recommend, save for its glorious shots of Miami nightlife.
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Rosewood's pilot is stuffed with hackneyed setups, tedious exposition and character quirks galore.
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A crime-fighting Miami pathologist who likes to smirkily show up the cops with whom he works as unscientific dumbasses--sort of like Neil deGrasse Tyson with a badge, and in just as much need of having his eyeballs slapped out.
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Rosewood is so generic it does a loop-de-loop all the way through inadvertent self-parody, landing back on mere mediocrity again.
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There’s hardly a crack in his veneer or any ironic punch line to his act--we’re just meant to accept him as the coolest man in Miami. As such, he’s just another dull, pretty detective who solves his cases too quickly.
Awards & Rankings
User score distribution:
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Positive: 28 out of 68
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Mixed: 13 out of 68
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Negative: 27 out of 68
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Feb 2, 2016
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Dec 3, 2015
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Sep 24, 2015