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Critic Reviews
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This is the sort of unrelenting frightfest that finds menace in objects as ordinary as a Hummel figurine. Before long, you may cringe whenever anyone goes to open a closet or pantry door. [6-19 Jun 2016, p.19]
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The show is beautifully shot and well-directed, and the premiere’s opening scene with Jacob is truly jolting. But the series suffers from the context surrounding it: The netherworld is all over TV, in A&E’s just-canceled Damien, on Fox’s Lucifer, and the fall-TV remake of The Exorcist. As a result, Outcast feels overly familiar, something it shakes only in a subplot involving Kyle’s sister, played very well by Wrenn Schmidt (Boardwalk Empire), who has a haunted past of her own.
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Despite good performances, there are plenty of ways that the dialogue and pacing of Outcast still feel too much like a comic book. The four episodes provided to critics don’t indicate just how complex the overall plot is or how expertly the story will treat matters of faith.
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The hour is stylishly directed by Adam Wingard (V/H/S). But there just isn’t much here that we--or at least I--haven’t seen before.
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Outcast tries to maintain a sense of tension from episode to episode (only the first four have been made available to critics) but too many sags in the storytelling allow doubt to creep in.
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Only three episodes were available for viewing. Outcast is, at best, serviceable for a late Friday night horror tale, but I’m not anxious to hang around.
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Kyle gives Outcast dimension, but Anderson makes it vital. Unfortunately, the crowded script slows them down. Too often, Outcast, like it’s demons, depends on the terrifying seductions of possession to hold our attention.
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midst Kirkman's banality-of-evil fixation is the potential for very real banality, and after four episodes sent to critics, Outcast has already fallen frequent victim to the wheel-spinning and superficial characters that have often bogged down lesser moments of The Walking Dead and nearly every moment of Fear the Walking Dead. Directed with some flair by Adam Wingard (The Guest), the Outcast pilot has some promise, but subsequent episodes fail to maintain that momentum.
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The problem for this series, besides making Kyle someone we care enough about to keep watching, will be finding original ways to cast out demons. By the end of the premiere, we’ve already had an “Exorcist” scene, and as the show goes along, Anderson does the cross-and-scripture thing we’ve seen a zillion times.
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With all this time spent checking off genre boxes, there’s scant space for the narrative to breathe beyond them.
Awards & Rankings
User score distribution:
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Positive: 87 out of 112
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Mixed: 16 out of 112
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Negative: 9 out of 112
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Jun 5, 2016
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Sep 27, 2016
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Jul 19, 2016