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Critic Reviews
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The lavishly produced, and reportedly mega-expensive, Marco Polo can be a feast for the eyes, even when the overripe dialogue ("Treachery grows well in the fertile soil of contempt I tilled") and uneven performances feel dramatically undernourished.
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Shot primarily in Kazakhstan and Malaysia, the series is richly atmospheric, lavishly produced, and artfully rendered. But you may find that the whole is less than the sum of its parts. It doesn't work nearly as well as drama as it does as sheer spectacle.
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Good-looking--also lethargic, languid, listless and a little bit lifeless--at least in the early going.
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Marco Polo doesn’t stack up to the political maneuverings and bloody battles within the Seven Kingdoms, and so often resembles George R.R. Martin fan-fiction, it seems wiser to revisit the superior show.
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Every so often the production does wake up, with a sudden brawl or assassination attempt--these scenes at least have energy and sometimes emotion--before settling back into a state of mildly agitated, interwoven intrigue.
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Creatively, it’s just a middling mess--something so average that a basic cable channel could have duplicated it without all the foreign travel for about $84 million less.
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There is a lot of violence in it, and a whole lot of nudity, and there are superb performances, all of which are undermined by ponderously self-important writing and direction.
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While Marco Polo possesses scope, scale and an inordinate amount of exposed skin, the series exhibits only a sporadic pulse. That leaves a property that can be fun taken strictly on its own terms, but deficient in the binge-worthy qualities upon which Netflix’s distribution system has relied.
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A dull period drama without characters to care about or a narrative in which to invest.
Awards & Rankings
User score distribution:
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Positive: 411 out of 499
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Mixed: 31 out of 499
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Negative: 57 out of 499
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Dec 12, 2014
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Dec 12, 2014
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Dec 14, 2014