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Critic Reviews
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Clearly what Netflix hopes you'll see a big-bucks, prestige entertainment along the lines of that HBO fantasy epic, but in truth, Marco is far closer to one of those cheesy international syndicated adventures.
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The show is vacant and uninspiring, so much so that I'd rather fill my imaginary home with ball utensils than watch Marco Polo.
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It would have been nice to see someone take the successful “Game of Thrones” formula and expand on or enhance it, but Marco Polo ends up skeletonizing it.... The show’s most egregious flaw, though, is its exploitation of female characters.
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The first hour is a deadly dull slog. Viewers get plopped into the action without much effort to provide context and then there are flashbacks to confuse matters further.
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Making Marco Polo dumb fun would be just as legitimate as making it weighty historical realism. But the show tries to be both (sort of, though producers freely admit to playing with facts and the timeline), lurching between modes without warning.
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The show suffers from a profound lack of momentum and meaning, with plots and subplots that are stiff and predictable.
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Marco Polo might best be utilized as a sedative or sleeping pill. All those dark to pitch black exteriors and interiors seem guaranteed to prompt an onset of heavy eyelids if not a complete conk-out. And if that doesn’t get you, the ponderous pace almost certainly will.
Awards & Rankings
User score distribution:
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Positive: 411 out of 499
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Mixed: 31 out of 499
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Negative: 57 out of 499
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Dec 12, 2014
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Dec 12, 2014
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Dec 14, 2014