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Critic Reviews
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The bumpy flight scene is indeed terrifying (firsthand advice: don’t watch on a plane). But once on the ground, rote themes of redemption and faith dilute an otherwise intriguing supernatural occurrence. ... [Recurring themes] point toward a potentially addictive series if “Manifest” allows its gripping supernatural narrative to rise above its characters’ less interesting personal dramas.
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Self-important much? There’s an awful lot of big emotion on this show, which is my polite way of saying that it’s pretty soapy. ... But there’s a “Lost”-like mystery afoot that drew me in, as the passengers begin to experience similar after-effects.
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Manifest moves fast, but it plays like a ticket to nowhere.
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Seems like it should be a movie instead of a serialized weekly series.
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It's always difficult with such concepts -- and perhaps this one more than most -- to see whether the producers can sustain enough interest to keep the show airborne.
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The first hour didn’t grab me hard enough that I want to stick around to find out.
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Manifest has a frustrating lack of propulsion, a central dullness whose force field is so strong it bends all the interesting parts toward itself.
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All I can speculate based on the pilot is that either none of the characters on that airplane are interesting or else the pilot made a huge mistake in terms of which characters to lead with. The Stones are, simply, dull. They're very pretty, mind you. And they're very earnest.
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What if Lost, except generic and forgettable? That essentially describes Manifest. ... The execution doesn’t seem to be there. The problem with Manifest isn’t that it’s trying too blatantly hard to be a pseudo-Lost reboot. It’s that even after that turbulence hits, it doesn’t capture how it feels for these characters’ worlds to be shaken.
Awards & Rankings
User score distribution:
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Positive: 38 out of 62
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Mixed: 13 out of 62
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Negative: 11 out of 62
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Oct 5, 2018
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Sep 26, 2018
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Apr 11, 2019