• Network: Netflix
  • Series Premiere Date: Apr 13, 2018
Season #: 3, 2, 1
User Score
6.0

Mixed or average reviews- based on 345 Ratings

User score distribution:
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User Reviews

  1. Apr 13, 2018
    1
    The CGI is very well done but not unique. However, the most prized feature is the terrible acting particularly from the lead Max Jenkins and a Mina Sundwall. The script is absolutely trash to the point that it belongs on a CW tv series, It could have been written by a 5 year old. Overall, nothing worth seeing here. Skip
  2. Apr 13, 2018
    2
    A cringeworthy presentation of a white-bread family that has nothing in particular to do with being in space. Family-friendly in the most bland and anodyne way, lacking pathos or drama (except of the most tediously obvious kind: putting people in danger), and with no educational value or intellectual foundation, there's no good reason for this dreary show to exist.
  3. Apr 15, 2018
    3
    Spoilers (sort of):

    Oh no! Everyone is in danger! Whew, we're saved. Oh no, character #1 is in danger AND character #2 are in danger AT THE SAME TIME. Also, character #3 is badly hurt. Everyone is saved! Additional plot line characters are in danger! Whew, they're saved. BUT WAIT. A weather event is putting EVERYONE IN DANGER! Sigh. The sets are damn impressive. But when you add
    Spoilers (sort of):

    Oh no! Everyone is in danger! Whew, we're saved. Oh no, character #1 is in danger AND character #2 are in danger AT THE SAME TIME. Also, character #3 is badly hurt. Everyone is saved! Additional plot line characters are in danger! Whew, they're saved. BUT WAIT. A weather event is putting EVERYONE IN DANGER!

    Sigh.

    The sets are damn impressive. But when you add up the odd casting choices, poorly developed dramatic arcs, and painful lack of cast chemistry, the real object in danger is my attention span.
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  4. Apr 13, 2018
    2
    For the young kids only. Adults looking for cerebral and sharp sci fi will quickly begin to cringe at this sentimental and cheeeeesy soapy where the only character that elicits any interest is the robot.
  5. Apr 14, 2018
    2
    There are moments where you just start laughing, and your eyebrows disappear into your hairline, and you just want to ask the people who served this trash, "You thought this was acceptable?" This is truly awful television and perhaps the worst writing on any modern program.

    I don't think children would like this - any kid who's seen an episode of Spongebob has experienced a better
    There are moments where you just start laughing, and your eyebrows disappear into your hairline, and you just want to ask the people who served this trash, "You thought this was acceptable?" This is truly awful television and perhaps the worst writing on any modern program.

    I don't think children would like this - any kid who's seen an episode of Spongebob has experienced a better product in every category. The characters are cringe inducing almost without exception but you better believe the cringe is baked into the show by the hideous writing.

    Particularly obnoxious are the family relationships. This show finds nothing wrong with the entire vapid brood turning on the father because he (horrors) was an active duty Marine. OF COURSE these squealing jerks hate the man who enlisted and served his country. That is 100% cool and represents the cornerstone of the familial contract in the stupid embarrassing reboot. You will despise these vile children and his faithless wife.

    You definitely have something more enjoyable to do with your time than watch this slobbery garbage, like root canal or vomiting.
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  6. Apr 14, 2018
    3
    Juvenile in every respect. This CGI-fest is replete with lazy writing, for a 6-14 year old crowd, which Netflix conveniently forgets to warn anyone of. In episode one we get to see an amazingly futuristic ship strapped to something as basic as the I.S.S., with an intelligent computer that is proclaimed as being completely trustworthy, yet cannot detect major flaming debris approachingJuvenile in every respect. This CGI-fest is replete with lazy writing, for a 6-14 year old crowd, which Netflix conveniently forgets to warn anyone of. In episode one we get to see an amazingly futuristic ship strapped to something as basic as the I.S.S., with an intelligent computer that is proclaimed as being completely trustworthy, yet cannot detect major flaming debris approaching from the rear, or take evasive maneuvers. Many law of physics, from friction to impact stress, as well as biology/ecology are ignored for the sake of a cartoonish tale, where panoramic shots trump immersion. Cap it all off with a metric tonne of convenience (per episode), and you have a good understand of this show. Even binge-watching with heavy use of skip will not help much if you are an adult. This should have been an animated series on Saturday mornings. Expand
  7. May 8, 2018
    0
    This show could have had so much potential, but it's a loser from the very start. First and foremost, the family dynamics are stupid -- the children are portrayed as more intelligent and wise than the parents. Once you get past that (if you can), the storylines are totally formulaic and predictable. I'm a fan of the original series (even though it's campy), and have always felt thatThis show could have had so much potential, but it's a loser from the very start. First and foremost, the family dynamics are stupid -- the children are portrayed as more intelligent and wise than the parents. Once you get past that (if you can), the storylines are totally formulaic and predictable. I'm a fan of the original series (even though it's campy), and have always felt that Lost in Space could become much more. THIS series isn't the answer. It's a disaster. Expand
  8. May 2, 2018
    0
    The first chapter was really the worst SF experience I had in years. A chain of dump decisions, clumsyness and improbabilities lasting for 1 hour making it an exersice of patience. Playing cards with the family in an emergency situation. A pond of water frezing within seconds after sundown, while everyone is just watching without special protection. Fires starting randomly in some kind ofThe first chapter was really the worst SF experience I had in years. A chain of dump decisions, clumsyness and improbabilities lasting for 1 hour making it an exersice of patience. Playing cards with the family in an emergency situation. A pond of water frezing within seconds after sundown, while everyone is just watching without special protection. Fires starting randomly in some kind of jungle - just near the cold and icy landscape? All in a sugarsweet 'we are family' atmosphere. So nothing good? Yes, the icy environment and the animations are fine. Expand
  9. Apr 19, 2018
    5
    This review contains spoilers, click expand to view. "Wow, it's like a Goldilocks planet!" and with that one statement this entire series gives you all the explanation they want to give -and think you need- to suspend reality for 10hours that WOW, THESE GUYS ARE ON ANOTHER PLANET ENTIRELY!!!! Yeah OK, Star Trek did a lot of the same BS ..but hey it was half a century ago & SPFX sucked (altho THEY did ALOT to change that) and they were truly on shoestring budget. Netflix has money to burn and THIS is being promo'd as one of their tentpole new series. I like the C21 (21st century) re-imagining (altho gotta admit never really watched original) and they do have a lot of cool sets..BUT for me still with so much time being spent outdoors I just can't wrap my head around the fact that they found -completely by accident- an almost perfect example of earth (gravity, air comp, single sun, earth-like vegetation, etc. etc.) and also once you found this perfect planet..WTF do you wanna leave? Expand
  10. Sep 29, 2018
    2
    This review contains spoilers, click expand to view. Lost in space is so overrated it almost blows me away. This show is boring garbage. The family dinamic is terrible, some of the characters are useless and serve nothing but make the lenght of the episodes longer. But my biggest complaints with this show are the lazy script and the flashbacks. They're absolutely terrible!!! The sloppy dialogue makes every character interaction awkward and the flashbacks are even worse.
    Spoiler: Doctor Smith ( the villain of this show which is a terrible and cliched proffile of a psychopath ) and another guy are trapped on this plannet and a dangerous storm is getting closer to them and they have a flaregun. At the same time the main characters are driving a rover back to their ship. Then they see a flare. They go into that flare's direction and then only doctor smith comes. It's clear that she tricked that other guy and stole his flaregun but no we are shown a flashback to see how she stole his gun..................Why? Who thought this was a good idea? Anyway I was bored to death by lost in space and I am givinh it a 2/10 for decent CGI and a few decent characters. Oh and did I mention that the acting is terrible?
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  11. May 28, 2018
    0
    This review contains spoilers, click expand to view. Playing card games cards sitting around round-table while descending from space? Are you serious?
    Deep frozen water, which freezes in seconds AFTER few hours of disturbance from space ship, shards of ice, and of course diving people.
    It's not a sci-fi movie, it some kind of melodrama.
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  12. Apr 30, 2018
    3
    This review contains spoilers, click expand to view. Having watched the original series as a kid, the movie as an adult, I was still open to the idea of revisiting this show, for the the movie didn't really have time to flesh out the characters or story line. What I also was willing to look past was a reliance on CGI for flash for that is just how it is today, and the very young ages of the children (and their related skills), because the actors really made the children be a strong component to the story line without dropping it into a kids show.

    All that given, I still had to rank this as a moderate to poor series of shows. The first few episodes were decent. The interaction of the family, dealing with crisis, and even Will's first encounter with Robot was enough to keep me engaged. While there were some "ya gotta be kidding me" moments (water does not freeze that way, how can it be raining and the water freezing at the same time, why the Robot understands people, but can only say 'Danger' and someones name). Where it started to go south was the introduction of Dr. Smith.

    Yes, the original show had a Dr Smith so I guess if you are going to re-boot you need to have that character in play, but where the original Dr. Smith was superficially conniving character with undertones of guilt for his actions and moments of doing good, this current reincarnation of Dr. Smith was confusing and as the shows continued, such a drag on the plot line that I started to skip scenes she was in and tried to just figure out her impact. It was not that she was a bad person, she was an evil person and that character made no sense for that level of evil cannot exist for very long. Her behavior was sociopathic with each decision to do harm getting progressively worse. The writers then make the Robinson's, supposedly very smart and aware people, completely unaware of Dr. Smith's manipulations.

    I even skipped one whole episode simply because it featured the bad Doctor and how she fixes Robot and gets control. I didn't care any more and frankly, Will ordering the Robot off the cliff was not even believable other than to set up Dr Smith's later act.. In one scene she some how figured out how to turn off a perimeter fence to allow a nasty creature into destroy a communication device. Why? No real reason other than to create chaos, but that no one asks the question, how did that happen, who may have done it...nope, the bad Doctor once again gets away with her bad actions.

    But okay, she seems to gain the upper hand against Maureen and the family. she secures her seat on the Jupiter by force, then loses the Robot, is now discovered by the family to be behind all that bad things that happened, and they do what? They lock her in a room...on the ship...Why?

    The actor played her role well in creating a monster and in the world of the Robinson's, there could be no room for such a human for at some point she once again can become a danger to the children and the families survival. I would have been very happy to see John, or Maureen "accidently" space Dr. Smith and let the show writers find a more fitting antagonist. They seemed to have no issue dumping Don West (who i thought was more Doctor like than the Doctor) and I think he would have been the better character to keep.

    I am certainly not waiting on the next episodes to come out, and when they do, if the character of Dr. Smith remains in the same vein, I won't continue to watch the show for that one character ruined it for me.
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  13. Apr 30, 2018
    3
    Why does every attempt to resurrect this show end up being so... dour? The reason why the original 60s Lost In Space was even watchable and worth it because it was ludicrously over the top and campy. That was really its only charm. And that charm was real, even if it isn’t exactly “cool”. So why not try having an iteration that fully embraces that? Because this one like the equally bad 90sWhy does every attempt to resurrect this show end up being so... dour? The reason why the original 60s Lost In Space was even watchable and worth it because it was ludicrously over the top and campy. That was really its only charm. And that charm was real, even if it isn’t exactly “cool”. So why not try having an iteration that fully embraces that? Because this one like the equally bad 90s reboot took out all the fun and humor and made it all grimdark, serious, and angsty. And like the 90s version, that would've worked if the acting, pacing, characters, and etc were any good, but like the 90s one, it isn't. What's worse is that despite the dark and serious tone, its PG-rated and setup as family friendly, which means nothing truly dark, serious, or suspenseful really happens to the any of the characters as it doesn't take any risks to achieve any serious emotional drama and impact other than predictably putting people in danger on purpose by doing dumb things (especially the Hollywood typical annoying kids) for the most predictable, faux, suspense.

    Someone needs to tell these sci-fi film producers that it's okay to relax and be goofy sometimes. There’s a place for that as the Marvel films have shown. Lost In Space was a perfect spot where that could have happened - just have a bit of camp and silliness in it, make it done with a bit of a wink to the audience and you could mix in some more deep stuff. Ash Vs The Evil Dead and Deadpool gets that right.
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  14. May 7, 2018
    3
    Parker Posey.. Who think she is a good actress?
    Dr. Smith was an annoying villain, and I would've enjoyed the show much more without her.
    She can't act, she is like reading script and her facial impressions make me cringe.
    It would be easily 7/10 show without Dr. Smith role.
  15. Apr 18, 2018
    6
    The storyline pulls you in, but the main character family is very basic, they have token minority actors with a primarily white cast. The character of June is very annoying and the storyline could do without. Victor could have just been the antagonist of the group and the story would have been more believable. I think i will watch season two, but only if the writing gets better.
  16. Apr 23, 2018
    5
    Besides lousy plot lines and scripts, I have issue with the characters. John Robinson is a wuss. Shown as a special ops, he cannot think for himself or do anything an expedition needs. HE need not be there at all. Parker Posey is a really bad actress. Her dialog is terrible as well.
    This show needs new writers as it has the potential to be much more.
  17. Jun 2, 2018
    2
    The original LiS was essentially a comedy. This version attempts to take its subject matter seriously, but fails most of the time. Multiple continuity failures, inept writing, and barely passing glances at "science" make LiS 2018 deliver comedy for the wrong reasons. Most of the characters are not credible, with some praise to the efforts of Molly Parker (Maureen Robinson) and TaylorThe original LiS was essentially a comedy. This version attempts to take its subject matter seriously, but fails most of the time. Multiple continuity failures, inept writing, and barely passing glances at "science" make LiS 2018 deliver comedy for the wrong reasons. Most of the characters are not credible, with some praise to the efforts of Molly Parker (Maureen Robinson) and Taylor Russell (Judy Robinson).

    An additional thought: With the sudden expulsion of the Robinson's little Jupiter into an entirely new realm, please find a way to make Dr. Smith more interesting and less a pain to watch, or please kill her off as soon as possible! This series has great potential with much more skilled writing and significantly better creative thinking. If Season 2 is merely a continuation of the Season 1 disaster, the show will be gone in a couple more episodes.

    Absolutely no effort has been spent to make the "alien planet" not look like Vancouver in the Summer. A little creativity by the set designers (if there are any) and the show runners to make the show minimally interesting would be deeply appreciated.

    Because of my fondness for the original, I will struggle through the entire season with minimal hopes that much better writing, significantly better directing, and passable acting will make the effort minimally entertaining.

    Again, please either make this mess a clear comedic effort, or fire the writers and directors before the series is cancelled.
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  18. Apr 23, 2018
    6
    Being a fan of the original, I expected a bit more from the 2018 version. It is too much teen oriented for me and lacks humor. Characters are well developed, CGI is good but Dr Smith is sometimes too dark. The robot has evolved very well from it's original concept. I have high hopes for season 2.
  19. May 13, 2018
    4
    Kind of **** with some stupid romance and character who have less depth than a call of duty scenario
  20. May 26, 2018
    1
    NETFLIX seems to have too much subscribers. They created this series to solve the problem. I don't have any other explanation. I am sorry but except some CGI, nearly everything else is annoying to watch!
  21. Apr 15, 2018
    6
    So much crying and then flashbacks of crying. Why does the director/editor need us to see them crying so often? Some odd dialog choices as well. I get there is family tension, but show us that, don't use weird dialog to tell us that. "She'll be ok. She's always ok. Annoying." "Do they [my kids] miss me?" "..... I don't know." The robot saying "Danger Will Robinson" is also out of nowhereSo much crying and then flashbacks of crying. Why does the director/editor need us to see them crying so often? Some odd dialog choices as well. I get there is family tension, but show us that, don't use weird dialog to tell us that. "She'll be ok. She's always ok. Annoying." "Do they [my kids] miss me?" "..... I don't know." The robot saying "Danger Will Robinson" is also out of nowhere as nothing about it's language capabilities had been established at that point. The show is watchable and the visuals are nice. Expand
  22. Apr 16, 2018
    5
    Underwhelmed, was hoping for so much more. It has potential, but the writers don't seem to know what direction they want to go. Some of the characters are horribly written. First thing I've seen Parker Posey in, that I want to fast forward every time she's on screen!
  23. Apr 16, 2018
    5
    Not horrible. Not good. The overall plotline is a bit on the predictable side and the characters are a bit too cliché, and not in a fun way. If you're super bored, it's nominally entertaining.
  24. Apr 28, 2018
    2
    Promising concept, great acting, and high production values are destroyed by horrendous writing. Gaping plot wholes fill every episode. The villain is protected by invulnerable plot armor such that her every whim is guaranteed; one just cringes and grimaces through the whole episode to find out what series of ridiculous coincidences she is gifted. Most of the drama relies on the writers'Promising concept, great acting, and high production values are destroyed by horrendous writing. Gaping plot wholes fill every episode. The villain is protected by invulnerable plot armor such that her every whim is guaranteed; one just cringes and grimaces through the whole episode to find out what series of ridiculous coincidences she is gifted. Most of the drama relies on the writers' crutch (no, wheelchair) of people keeping secrets, for no reason, that are vital knowledge for the others. Expand
  25. Apr 16, 2018
    7
    I am a huge fan of the original LOS. Firstly, I must say that I am disappointed that there are only 10 episodes after having waited for so long for a remake.
    -THE ROBOT- for all real fans of the show the Robot was the favourite non human character and was an essential part of the story. Even the cheap looking robot shell looked amazing growing up and the voice is iconic. To change this so
    I am a huge fan of the original LOS. Firstly, I must say that I am disappointed that there are only 10 episodes after having waited for so long for a remake.
    -THE ROBOT- for all real fans of the show the Robot was the favourite non human character and was an essential part of the story. Even the cheap looking robot shell looked amazing growing up and the voice is iconic. To change this so much is a let-down. Yes the new Robot looks great, but it is not THE ROBOT.
    Dr. Smith - new actor/actress needed - there is non of the humour or even villain-like character of the original Dr. Smith.
    Space scenes needed for some of the episodes. They are not always on a Canadian looking planet.
    The ending music is great - using part of the original theme - just hyped up a little.
    There must be a second season, but what made the original LOS so awesome was not the paper cutouts, it was the spirit and the acting and the fun that the actors clearly had in making it..
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  26. Apr 13, 2018
    6
    This show is a real mixed bag for me, The visuals are superb and the feel of being on another planet is there and it works great however the one thing that brings the score down is the acting, Wow is it bad, Its as if Netflix just took some average people off the street handed them a script with a week practice and told them to go act. All the actors dont act like they are even trying toThis show is a real mixed bag for me, The visuals are superb and the feel of being on another planet is there and it works great however the one thing that brings the score down is the acting, Wow is it bad, Its as if Netflix just took some average people off the street handed them a script with a week practice and told them to go act. All the actors dont act like they are even trying to convey any emotions at all and look very stale in what they are trying to say or show. The shows pace is slow and somewhat boring, I know its a series and it needs to pace out the story over different episodes but a lot of the time the camera is just panning over the horizon or looking at something insignificant to the story. I dont mind seeing some of the planets landscape from time to time to show me a distant upcoming storm but the shows pace is just too slow to hold most peoples attention. The best thing the show has so far going for it is the really badass robot, which ill admit is the best actor on the show even though it doesnt speak (well except when it says "danger will robertson). Overall I guess its good for big scifi fans only. I myself kind of enjoyed it but like I said the awkward acting made it hard to watch. Expand
  27. Apr 22, 2018
    4
    Oh lord, why would you let this happened?, it should be a syfy-ish series, but it is a soup opera in space, maybe a teen series at best, i really didn't like it, and i didn't watch much of the old one, but i don't understand why the writers/directors/producers want to make everything so dramatic...

    Edit: Just finished watching the whole season, and oh was it bad, the family seems to be
    Oh lord, why would you let this happened?, it should be a syfy-ish series, but it is a soup opera in space, maybe a teen series at best, i really didn't like it, and i didn't watch much of the old one, but i don't understand why the writers/directors/producers want to make everything so dramatic...

    Edit: Just finished watching the whole season, and oh was it bad, the family seems to be responsable for almost all the bad things that happen, so, they are worst than useless, i think the previous remake was better, on that there was at least some action.
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  28. Apr 16, 2018
    6
    I enjoyed the first 6 episodes but by the end wanted to punch Will Robinson. Those last few episodes were bad, other than the dad and the guy with the chicken, I honestly didn't care about them by the end.
    Netflix get to the point in future, adding in additional things going wrong to pad the story out doesn't work if they are so infuriatingly dumb that you give up caring about the characters.
  29. Apr 23, 2018
    2
    This review contains spoilers, click expand to view. My biggest problem with this show and other sci-fi shows is that they conveniently fit the story to suit their own facts. The space ship initially sinks into the ice (then freezes over like an ice cube), and we're told that it's registering -60 degrees outside. But conveniently their faces are not covered over and show no signs of frost, freezing or as would happen in reality, fall to bits. I've given this two episodes and when you sit watching something whilst thinking 'I'm really not sure about this...', Then it's time to switch off and watch something else. Expand
  30. Nov 21, 2018
    2
    Danger, Netflix viewers!!!

    For the exception of the soundtrack and cgi effects, this is close to being the dumbest and least imaginative adaptation of a television series yet rebooted to the binge screen. The Robinson clan should have gone into therapy, not space. The dialogue is terrible, and the show is too freaking liberal. The Marine ops dad continues to kowtow to his feminist ex
    Danger, Netflix viewers!!!

    For the exception of the soundtrack and cgi effects, this is close to being the dumbest and least imaginative adaptation of a television series yet rebooted to the binge screen. The Robinson clan should have gone into therapy, not space. The dialogue is terrible, and the show is too freaking liberal. The Marine ops dad continues to kowtow to his feminist ex making LIS unintentionallly funny. This John Robinson, my friends, is no Guy Williams!!!

    I Cannot believe the crew of the Jupiter 2, as survivors, are on their way to a hostile environment without an arsenal of weapons to defend themselves all because Ms. Robinson did not want any onboard the ship. It’s a foregone conclusion where next season is going. Now the robot will have to do all the fighting and create (xerox) weapons convenient to the plot when needed. Ugh! Deus ex machina!!! About the only thing that's presented with any purposeful consequence is the pandering set-up for the second season.

    A few bright sides to this reboot is that the cgi is great, and hearing the John Williams theme after the Jupiter 2 busts free of its icy grave is a plus for the series. I also enjoyed the change of pace at the start of an episode where a collage of photos commercialize the space program: Past, present, and future. Good stuff.

    But watching Lost In Script for a whole hour is not worth the few minutes that I enjoyed. Yes, the robot is amazing for the exception that no one mentions why it speaks AND understands English.

    The crew is bad, really bad and the children cause half the problems. I think mission control forgot to load the Tang. These Robinson's couldn't colonize my backyard. If LIS continues down its backward, non-cerebral, juvenile path (which appears to be its direction), at least feature more action, less wordplay, and less female chest beating. Too much estrogen and not enough testosterone in this Robinson clan. As for Dr. Smith? I have to say it. "The pain. Oh, the pain..." Get rid of her, please! What a disaster! Also, forego the tired "boy and his robot" relationship, a facsimile and trope which is all too familiar. We've all been down that rabbit hole! The whole 10 episodes were like trying to run a marathon under the water. The writers take the whimsy and surrealism of the old tv show and transform it into this muddy, grimy, and droning diversity riddled space opera that completely over thinks the premise. Embarrassing!

    Anyway, if the writers cannot submit intellectual scripts with a persuasive execution for story & words, then may I suggest sticking to an arty production with imaginative eye candy? Above all, THINK. I'm not suggesting LIS resemble 2001: A Space Odyssey, even though the writers ripped off the movie by using an evil AI for taking over the Jupiter (remember HAL the computer?). But the audience doesn't need to be told everything that is already captured on camera.

    Limit the excessive babble and red faced humor lines, such as, Penny's bad acting when she says through her nasal like voice, "Anybody have a mop? I may have barfed a little bit back here.” (Albeit, a little ironic for how I felt about this binge of episodes). The point is the crew just escaped death. A long scan from the camera onto the crew's silent expressions as they look at one another, the sweat of fear on their faces from the nerve wracking, death defying experience, and the unmentionable sigh of relief that they're still alive from the Jupiter's rough landing should be enough.

    Netflix needs to give me 13 reason why I should watch season 2. If I do watch, the writers can beware of my fickle finger of fate on the fast forward button. Unfortunately, this is one expedition that should have been scrubbed long before the final countdown. Hmm... maybe season 2 will be the season where John Robinson finds his balls. As for Mrs. Robinson, she’d be better off doing Benjamin! LOL. ...

    To Be Continued.
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Metascore
58

Mixed or average reviews - based on 27 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 27
  2. Negative: 2 out of 27
  1. Reviewed by: Troy Patterson
    Apr 13, 2018
    50
    Posey plays the role with a gravity that encourages the show to orbit her, eccentrically, whenever she’s in view. The dynamic exemplifies the awkwardness of this muddled update. Charging in several directions at once, it asks the viewer to imagine efforts to secure a proud future for humankind, but it seems most vital when painting depraved schemes to survive.
  2. Reviewed by: Ben Travers
    Apr 13, 2018
    58
    Oddly enough, it’s the robot who proves most engaging. ... What really makes the robot stand out is its complexity. It’s mysterious, both in its origins, intentions, and inability to over-communicate. The human characters don’t earn the same mystery.
  3. Reviewed by: Emily VanDerWerff
    Apr 13, 2018
    50
    The thrill of exploration, or the examination of family dynamics, never feels like it arises organically from the action, in the way it might have on the show’s most obvious forebear that isn’t its direct predecessor: Lost.