- Network: Netflix
- Series Premiere Date: Feb 1, 2013
Watch Now
Where To Watch
Critic Reviews
- Critic score
- Publication
- By date
-
There's no escaping the awkwardness that surrounds permeates this sixth and final season -- an inevitable byproduct of having to shuffle the deck, creatively speaking, after discarding one of its aces.
-
The shift in focus from Frank to Claire Underwood finds House of Cards somewhat reinvigorated through its first five new episodes. It's a change that comes far too late for the show to escape many of its worst narrative instincts, or a surplus of flat recurring characters, but for the first time in years House of Cards has something new and frequently interesting to say.
-
While the sixth and final season of House of Cards is as mixed a bag as the thrilling but uneven Netflix drama has yet produced, the good news is that Robin Wright is up to the task of anchoring the show.
-
Five of the eight final episodes over-emphasize [Frank's] importance and fail to create arcs worthy of Wright’s talents or Claire’s individuality. Worse yet, they weaken the show’s conscious effort to highlight the discrimination facing female politicians.
-
The performances are excellent, maybe better than ever before. But Cards has always been a show whose plot contortions could confuse and whose incremental intrigue could bore, and those problems are worse now that everyone seems to be whispering. There are interesting ideas at play, though. ... Unfortunately, it isn’t until more than halfway through the eight-episode season that Claire’s big plan becomes clear.
-
House of Cards never quite maintains momentum, again; the first five episodes sent to critics are sometimes promising, sometimes plodding.
-
The series still suffers from the same issues it has in past seasons. For a show with as many dastardly, dark, thrilling subplots--more than can even really be kept track of--it’s ever-confusing that it can seem to move so slowly. Robin Wright is characteristically hypnotizing in the lead, regally stalking the Oval Office as she cleans up messes without a hair moving out of place.
-
Robin Wright is many things, but possessed of a light touch she is not. Her grim addresses--to the camera, and to anyone within camera range--are steely and unceasing, with very little variation in tone or emotion. It doesn’t help that the dialogue--for nearly every character, but especially for Claire--is stilted. ... The show has gotten rid of its biggest troublemaker without replacing him with new trouble that would be more entertaining.
Awards & Rankings
User score distribution:
-
Positive: 37 out of 182
-
Mixed: 33 out of 182
-
Negative: 112 out of 182
-
Nov 4, 2018
-
Nov 3, 2018
-
Nov 5, 2018