- Network: Lifetime , A&E , History , Lifetime/A&E/History
- Series Premiere Date: Dec 8, 2013
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Critic Reviews
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It's a testament to Hirsch, who keeps Bonnie and Clyde grounded--plus a solid script, for the most part--that allows this movie to defy the odds. That doesn't make it great or even necessary, but wow, it could have been a lot worse.
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This much more conventional biopic is a grittier, drabber journey from crime-spree joyride to high-stakes manhunt as their crimes and the ensuing fallout escalate in grim intensity.
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There are, to be sure, many memorable moments along the way to Monday's second half, but this is one of those padded two-parters that easily could have been trimmed to three hours and aired one night instead of two. And most of the padding is in Sunday's first half.
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Bonnie & Clyde? More like Hokum and Bunk.
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Neither [Hirsch and Granger] offer any insight into what drove the couple, what they actually hoped to achieve, and what kept them going when it became clear that things were not going to end well. And History might have a little soul-searching to do; dramatic license should not mean Make a Huge Number of Important Plot Points Up.
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Holliday Grainger and Emile Hirsch are pretty great as Bonnie and Clyde, despite a just-servicable script to explain how Clyde won Bonnie’s anxiety-ridden, artistic heart.
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Those seeking entertainment would be better off watching the movie, which will give them a rousing American story in half the time.
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The miniseries itself never quite reaches dramatic liftoff. Could be the know-how-it-ends curse of biopics at work. Or perhaps it's because it is so difficult to spare time and emotion for a couple of punks.
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The movie settles for a rather dutiful tick-tock of episodes and shootouts, counting down toward the inevitable with plenty of on-air script indicating the time and place before each event.
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Bonnie & Clyde is thoroughly inoffensive and resolutely middle-of-the-road, a big slab of a story about a doomed love affair between two nice, good-looking kids who had some really bad luck.
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The script is workmanlike rather than inspired or in any way profound.
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Numerous scenes reiterate what we knew, and side touches like Bonnie’s recurring ballerina fantasies don’t need the time they’re given.
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It's probably not a good sign that by Monday's installment I was nearly as eager to see the Barrow Gang's spree end as Hurt's character was, even knowing it was bound to be far from pretty.
Awards & Rankings
User score distribution:
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Positive: 9 out of 17
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Mixed: 2 out of 17
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Negative: 6 out of 17
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Dec 9, 2013
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Feb 3, 2014