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It's quite a combination of ideas, and what holds them together is the author's distinct, compelling voice, alongside Stewart's utter magnetism.
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Blunt Talk’s overall absurdity at times over-reaches and grabs viewers too hard by the throat. Still, its excesses are offset by enough inspired lunacy to carry the day.
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The show makes admirable attempts to build out the world beyond Blunt, and the effort yields some dividends.... But most of the time, Stewart is on screen, so most of the time, it’s hard to stop watching.
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There is a tenderness that runs through the series and makes the trip worth taking, however improbable the road.
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Stewart and Scarborough make Blunt Talk worth watching, as they’re an offbeat co-dependent pair who clearly have great affection and respect for each other, and watching Stewart embrace Walter’s often loony behavior is a treat.
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It helps a lot that [Blunt] is played by Patrick Stewart, who brings theatrical majesty to a man who quite sincerely believes words can change the world for the better.
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Strange, off-the-wall, and even slightly mad.
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Created by Jonathan Ames (Bored to Death), Blunt Talk’s media satire is by turns sly and stale. Blunt isn’t a convincing anchorman avatar, though he works as a metaphor for pampered celebrity. The show begins to find itself as an inspired comedy about redemption in a post-self-help, post-hot-mess culture in the third episode.
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Pilot episode aside, Ames doesn’t skimp on the inventively outlandish absurdity. But it’s the simmering, slowly bared pathos--the sense that these clownish people are constantly trying and failing to suppress something all-too-human about themselves--that distinguishes it from the cringe-comedy crop.
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Where Stewart is the show's greatest strength, there is very little else to grasp onto. The situations are good for a few awkward giggles, but ultimately Blunt Talk misses the mark on the bigger picture.
User score distribution:
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Positive: 18 out of 35
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Mixed: 8 out of 35
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Negative: 9 out of 35
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Aug 24, 2015
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Aug 27, 2015
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Aug 25, 2015