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Critic Reviews
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Series creators/showrunners Todd A. Kessler, Daniel Zelman and Glenn Kessler find their groove in Season 2, incorporating a handful of exciting surprises--both in story and storytelling techniques--at various points throughout the season to keep things fresh, build tension and expose the inner workings of John's brain.
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Chandler's performance has gotten darker and deeper alongside an intimidating turn from (Owen) Teague.... When the plot focuses on John's unraveling, it's a taught work of suspense. [27 May 2016, p.53]
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The final episode contains clues and answers to mysteries that, when the season ends and you think about it, could easily have been introduced in the first or second episode without any diminishment of suspense--indeed, would probably have resulted in a pleasing increase in suspense. As a languid mood piece, Bloodline is one pleasantly decadent binge. And as I said, Chandler and Cardellini are particularly effective.
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Despite even their most reckless actions, the remaining Rayburn family struggles and strives to keep up appearances alongside [Kyle Chandler's John], and Bloodline similarly feels the need to stress the maturity of its characters and the seriousness of their situation. In doing this, the creators fail to fully survey the storm of feral impulses hiding beneath the postcard image of both the Florida Keys and one of its supposedly most celebrated families.
Awards & Rankings
User score distribution:
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Positive: 64 out of 90
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Mixed: 13 out of 90
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Negative: 13 out of 90
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Jul 9, 2016
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Jun 18, 2016
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Jun 7, 2016