It may be fast and furious but it’s not the best.

The plot itself makes THUG both the best and worst game with a Tony Hawk label. While having a central story is a refreshing change of pace to the series, but to say that the plot is weak is a huge understatement.

There are hints of greatness here and there. But those hints only remind us of Warrior Within's predecessor, making this new Prince of Persia game's bad design decisions all the more obvious.

The entire single-player campaign just ruins what could have been a truly excellent sequel to what was a flawed but strong new entry into a well-established franchise. Instead, it feels as if Neversoft did not want to improve on what needed work and then prayed that players would not notice.

There are hints of greatness here and there. But those hints only remind us of Warrior Within's predecessor, making this new Prince of Persia game's bad design decisions all the more obvious.

The entire single-player campaign just ruins what could have been a truly excellent sequel to what was a flawed but strong new entry into a well-established franchise. Instead, it feels as if Neversoft did not want to improve on what needed work and then prayed that players would not notice.

There are hints of greatness here and there. But those hints only remind us of Warrior Within's predecessor, making this new Prince of Persia game's bad design decisions all the more obvious.

Not a realistic racer, the details of physics aren’t there, and some of the reactions the car makes are not accurate to say the least. But we don’t think that matters, NFSU2 is a great, loveable game which, taken at face value – a fun-filled racing game – is great fun and enjoyable to play and progress through, if you’re in Career Mode.

The entire single-player campaign just ruins what could have been a truly excellent sequel to what was a flawed but strong new entry into a well-established franchise. Instead, it feels as if Neversoft did not want to improve on what needed work and then prayed that players would not notice.

It seems unfortunate that the game’s strength depends on its weakness to gain lifespan, and while the Chess and Puzzle games are amusing, the core fighting element of the game is where most gamers will be directing their attention.

If you want to compare GUN to GTA, it's fair to say that it doesn't reach the level of enjoyment found in the GTA games mainly because the missions push you forward a little too much and you don't get the chance to explore as much as you might want to do.

The action can and will get repetitive, and playing the game through more than twice has very little appeal.

The puzzles all have a reason for being there that is directly related to the story, which is definitely a major plus.

That said, if you grab a couple of bongo sets, invite some mates round and have a bowl of bananas at the ready, it's great fun. Just be prepared for some very sore hands.

Instead of following the tried-but-not-always-true formulas often found in fantasy RPGs, it manages to save itself by being nothing but irreverent and just a little bit rude.

The main positives going for Destroy All Humans are its enjoyable action sequences, but these are alienated by, what are in nature, dismal fetch and find missions that lack the originality that the game was trying to deliver in the first place.

A mixed bag of tricks. It's a good game with an above average tale to tell, and that just about keeps it afloat above those niggling game play faults.

Instead of following the tried-but-not-always-true formulas often found in fantasy RPGs, it manages to save itself by being nothing but irreverent and just a little bit rude.

The story is great, the mystery is intense, and the protagonists are extremely likable. As a result, we found ourselves liking the game a lot in spite of its occasional shortcomings... all the more noticeable as they are because they interrupt what is otherwise a brilliant game.

The animation is fantastic, but there’s not enough of it. The storyline is serviceable, but doesn’t really offer anything new.

Flat textures are still flat textures, however they are dolled-up -but at least Ubisoft have attempted to make the whole experience an immersion in a politically-charged, adult-oriented, comic book world.

Perhaps the next time around, we will be surprised when we go in expecting to control a killing machine and instead find a deep (and/or deeply disturbed) man in our hands. Perhaps not. Hopefully, it will just be a little more memorable than this.

There is something about the way Kain walks, the way he fights, and the way he looks at things that conveys the elegant grace only contained in the lithe movements of a predator.

It is intended for those of us who found humor in this summer's comedy film, "Dodgeball": if you like crass-but-sarcastic-and-witty humor, you can't go wrong.

Plagued by long load times, non-descript graphics and frustrating level design, and is hampered further by the fact that checkpoints can be few and far between.

As a whole, Call of Duty: Finest Hour feels like it was poorly assembled with shoddy A.I. and lacklustre graphics. Couple that with short, uninteresting missions and main characters that you couldn't care less about, and you have a game that may be worth a day's play but is a title that you wouldn't want to in your own library.

An addictive action RPG that just falls short of the mark due to sheer difficulty, linear game play and the lack of multiplayer options.

Sadly, the graphics and presentation are the only defining features of the title. Once completed, there's very little reason to play through again and the game is not exactly long to begin with.

For all its faults, Sega GT Online is a good arcade racer -whilst the likes of TOCA and Project Gotham go for simulation, Sega GT gives you an old-fashioned (and some would say out-dated) arcade feel.

An addictive action RPG that just falls short of the mark due to sheer difficulty, linear game play and the lack of multiplayer options.

Our final issue with the game is that, there is no variety in what you are doing each level changes your location, immersing you into another lush environment, but the aim is always the same; whatever Helghan party you come across – kill them and move on.

Great fun, but could have been better.

There is an element of comedy in Scaler and it is very welcome -it does lack the wittiness of, say, Paper Mario: The Thousand Year Door, but it does make the game that much more enjoyable.

And although the rigid gameplay is frustrating at times, taking on a mystery in the shoes of Mr. Holmes and Dr. Watson has a certain appeal that is hard not to deny.

Blinx 2: Masters of Time and Space had the makings of a good game, but poor storyline, painful acting, and lobotomy-level difficulty turned it into a sub-par platformer.

Probably the worst Star Fox game released to date – but that doesn't necessarily make it an irredeemably bad game. It is still a shame, however, to see that Star Fox: Assault has been in development for about three years and this is the result.

Direct correlation to the movie, plus a few added extras, will give you the feeling that you are a part of the action, and using the dual controls to the fullest, this game won't leave you feeling terminated.

The graphics are purty, the control is decent, the voice acting isn't half bad, and the story's even pretty good. And two player co-op, come on! What more do you people want?

The graphics are purty, the control is decent, the voice acting isn't half bad, and the story's even pretty good. And two player co-op, come on! What more do you people want?

A flawed attempt at mimicking the movie. The presentation is spot on and the characterization is fantastic.

The essence of a good FPS is there it just doesn’t have that old Unreal or Half-life polish. Don’t get us wrong, it has its enjoyable moments, but it’s more than a little lacking in polish.

The biggest problem with Musashi Samurai Legend is the same problem that’s plagued a lot of Square-Enix’s recent titles: it just isn’t nearly as fun as it feels like it should be.

If instead you only have a passing interest in all things water-based, it may be better to visit the rental store for a quick blast before parting with your twenty notes – definitely try it online though.

This is by no means a real fighting game, it lacks combos, character depth and added storyline features and cut scenes, which could have potentially created a stunner, but overall, it's a fun –but limited- game.

If you are looking for a game to pick up, play and enjoy then Van Helsing is certainly not for you -this game will test even the most hardcore Helsing fans’ patience.

The graphics are purty, the control is decent, the voice acting isn't half bad, and the story's even pretty good. And two player co-op, come on! What more do you people want?

All in all, a much better effect could be achieved by saving forty dollars, renting Dragonheart and playing through the Adventures of Link -same premise, only with game play that is actually entertaining.

It is worth noting that Headhunter: Redemption is tough - whether that is down to problems with the game’s mechanics and controls or a deliberate design choice is up to you, but this game took endless hours to get through with many restarts and countless yells of fury.

Low-level players have very little guidance if they can’t form relationships with other people or clans. They will be lost and confused.

The concept behind Boiling Point is a good one but it is perhaps a little too ambitious, leaving many parts of the game a little dry and particularly bug-ridden.

Good as a tool for reliving the movie but not for experiencing it in the first place.

Little credibility of the series actually materialises and what results is a routine and monotonous strategy game.

It’s just too bad that the tongue-in-cheek events are few and far between; more of them might have made Playboy: The Mansion feel a lot more fun and a lot less sleazy and dull.

It is worth noting that Headhunter: Redemption is tough – whether that is down to problems with the game's mechanics and controls or a deliberate design choice is up to you, but this game took endless hours to get through with many restarts and countless yells of fury.

The best strength of ShellShock: Vietnam ’67 was supposed to be its realism. Unfortunately, realism is the one thing it doesn’t have.

The best strength of ShellShock: Vietnam ’67 was supposed to be its realism. Unfortunately, realism is the one thing it doesn’t have.

This hard work, however, is denigrated by the repetition of character models throughout the entire game.

A solid -yet flawed- 'Nam game and clearly a lot of time has been spent researching and analysing the period -but at the expense of graphics and AI.

The meat (ahem) of the game is quite fun. It's the fist fights, the repetition, and camera problems that plague it enough to keep it from being more then average.

Although the gameplay is confusing and disorientating, the game as a whole is a nice package. It has great presenation with a simple, straightfoward interface, and the overall atmosphere gives off a nice world domination feeling.