Eight games in as many years, and Ubisoft has finally perfected the art of making a highly skilled and super badass assassin feel totally, entirely boring.

With competent gameplay and a great concept, if it had had more investment behind it and a bit of a polish, this game could have been excellent. [Issue#111, p.84]

You'd have to be really fanboyish to get some enjoyment out of this. [Issue#31, p.88]

It's horribly dated. [Issue#78, p.98]

Let down by a minimal budget and lack of innovation. [Issue#75, p.102]

It's not quite as good as we thought. [Issue#87, p.87]

Ultimately, to get the most out of Konami's latest, you're going to need to team up with friends. [Issue#63, p.103]

RE6 has something for pretty much everyone. [Issue#90, p.66]

It all boils down to how fussy you are about technical shortcomings, really. [Issue#68, p.84]

Tired, completely lacking in variety and without any substatial replay value to speak of, Rayman Raving Rabbid breaks all three golden rules of the successful party game. [Issue#20, p.88]

Terrifically boring. [Issue#92, p.84]

The gameplay is the only part it gets right. [Issue#122, p.77]

Galaga has varied enemies, a cute double ship trick, as well as tough bonus stages that are nearly impossible to get perfect for (Hello Achievements!). [Issue 9, p.106]

Not anywhere near as good as Streets of Rage 2, which came out 20 years ago. That said, it's fun, and more importantly knows that it's outdated. [Issue#91, p.87]

Laugh-out-loud stuff. [Issue#52, p.104]

There's no sitting on the fence with Final Fantasy XI. It's a game you'll love or hate. Got infinite time? Got infinite patience? Then go for it. Otherwise? Steer clear. [Issue 7, p.94]

A valiant effort, but one that is ultimately let down by a series of technical glitches and a depressingly mute community. It is free to play, though. [Issue#124, p.83]

You'd have to love F.E.A.R. in a way that blinds you to the cynical but no doubt cost-effective repetition on offer here. Not worthy of a full release. [Issue 27, p.94]

The racing itself is decent, if not quite as exciting as you'd hope, and while it ticks all the boxes, the overall production still feels a little threadbare. [Issue#65, p.91]

As a JRPG, The Last Remnant is about as accessible as they come. An amazing battle system is wonderfully combined with an interesting group of characters, an epic storyline and huge amounts of gameplay.

Feels like more of the same. [Issue#79, p.89]

Very obviously inferior to the competition in every way. [Issue#72, p.88]

There are some inventive puzzles, but don't expect anything revolutionary. [Issue#122, p.84]

Mechanically and stylistically it's bloody marvellous, but serious technical issues and overzealous handholding stunt its path to greatness. [Issue#32, p.87]

Fuel scores marks for its awesome, appropriately used open world but loses them for the lamely executed driving mechanics and offensively common load screens.

While Blazing Angels certainly looks the part, the rest of the game doesn't really follow suit. The aircraft are great to control but the game just doesn't feel as epic as it should. [Issue#5, p.100]

Wolfenstein is very deserving of its special place in the history of videogames, but that doesn't mean playing it again today isn't any fun. [Issue#48, p.99]

Ahh, good times. [Issue#39]