Atelier Ryza: Ever Darkness & the Secret Hideout is a solid by-the-books Atelier title. It does everything pretty well, and its only real flaws are a somewhat lackluster story and an overall low difficulty level. If you like the Atelier titles, then you'll like this one, and if you're interested in getting into the franchise, this is a solid starting point. There's no lack of Atelier games to play, but Ryza is one of the more enjoyable ones available. Besides, who doesn't like crafting a bomb so powerful that it blows up a dragon?

In my opinion, Disco Elysium is the game of the year for 2019. It shows how you can make creative, engaging, and well-written games entirely using writing and player choice without falling into the simple "visual novel" style. It's biting, clever, and witty, and it deserves to take its place among Planescape and Fallout: New Vegas. It's a must-play for any fans of RPGs and a genuine modern classic that will hopefully set the stage for many things to come.

Your enjoyment of Deemo Reborn is going to depend on how you choose to play it and what sections you're focusing on. Pure rhythm game fans will lament the expanded focus on the adventure game, while adventure game fans will find the puzzles to be too easy. Those playing in VR will be fine with both the adventure and rhythm sections, even with a lack of tactile feedback, while controller fans will feel comfortable with the adventure game but loathe the rhythm game. The game remains decent enough to recommend to rhythm-loving VR players who want something more than Beat Saber, but there are enough caveats to make this a cautious recommendation.

Combined with the flaky presentation, there's no reason to give Red Siren a look unless you've absolutely raided the library of all other shooting games, have some spare Gold Points to burn, and have absolutely nothing else to do.

If you're looking at Sayonara Wild Hearts as a game, then it'll remind you of a very forgiving arcade game. There are some extra modes designed to challenge those who are chasing high scores, and the zodiac wheel is good for those who want to earn some Trophies for solving brain teasers, but the game's forgiving nature and short length mean that it is easy to reach the game's ending. Instead, the game wants you to look at it as a catchy pop album that you'll want to return to, time and again. With the gameplay, graphical presentation, and music coming together so well, that's exactly what you'll be doing.

Freedom Finger is awesome, especially if you're a shoot-'em-up fan. Even if you're the type to skip over cut scenes or aren't moved by the graphical style, the shooting mechanics are enough to sway you, since it plays around with the formula enough to feel different from everything else. Mix it in with a truly electric soundtrack, and you have a pleasant surprise of a game, and its only weakness is that it was released this year, which has had some really outstanding indie titles.

Untitled Goose Game is a gem that hits all the right marks. There's some real appeal in using an otherwise innocuous animal sowing chaos in a sleepy village, and it helps that the results aren't violent at all. The game's short length keeps the experience from wearing thin, but there's enough here to keep you busy. With a pleasant presentation, Untitled Goose Game is a title where you'll both cherish the initial experience and enjoy showing it off to friends to see their reactions.

BurgerTime Party is a title that feels overstuffed. The mechanics are still good if you aren't thinking about the oddity of making burgers by walking over the ingredients, but this only works well when playing solo. Going multiplayer, as the game's title would suggest, makes the experience less enjoyable due to the aforementioned odd design choices. The base co-op experience is enough to prevent the other modes from being looked at, given their diminished overall appeal. It is a game best played in short bursts because tedium sets in when you're playing for longer. This can only be recommended to those who want nothing more than a short arcade-like burst of enjoyment before moving on to meatier fare.

Overall, there is a lot to do here, but between the amazing and fun moments, the collection interjects a myriad of frustrating, irrelevant, or tedious content. Given what's included, the $40 price tag is fair, and you'll have at least 30-40 hours of gameplay to enjoy.

If you're into challenging action platformer games, Blasphemous is as good as the next. It isn't perfect or revolutionary, but it doesn't have to be. Its lore and visual direction are disturbingly beautiful and craft an interesting and distinct world. Great boss fights and an enjoyable and challenging combat system ensures that fans of the genre will have enough to sink their teeth into and enjoy.

Stranger Things 3: The Game is a throwback to a time when the only audience the game is suited for are non-discerning fans of the series. Even then, there's not much here unless they're completely fine reliving the events of the season in a loose way. The gameplay is serviceable, but there's not much here to draw in people who just want a solid title or something to enhance their experience of the show. It isn't that bad if you can get it for cheap, but it isn't something to actively seek out, either.

Super Monkey Ball: Banana Blitz HD is exactly what one wants from an arcade game. It's simultaneously pithy and filled with content, fun and challenging, and energetic and thoughtful. Like the little monkey you control, Banana Blitz HD has mastered the art of balance, and it shows.

Your enjoyment of Narcos: Rise of the Cartels is going to be heavily based on whether you can accept its strategy game conceit. If you're good with the idea of only being able to control one unit at a time per turn, then you might be fine so long as you're also willing to accept the inherent lack of strategy that goes along with the very limited objective set. If you want your strategy games to be a little more traditional, where every unit can do something on a turn, then you'll hate this game to the point that even the counteract mechanic can't make things interesting. In short, Narcos is a hard sell for fans of the series, let alone strategy game fans, unless you can find it for a very deep discount.

Overall, Trine 4 is a delightful game that's sure to satisfy anyone looking for a fun, light-hearted physics-based puzzle game. With roughly 10 hours of content, it's an easy recommendation if only to experience the game world's rich art design and clever puzzles. The puzzles aren't as complex as those found in Portal 2 or The Witness, but the variety of approaches is rewarding in its own way. For that reason alone, it's easy to recommend Trine 4, a game in a genre that rarely receives entries with this level of heart and soul in the art design department.

At its core, Star Wars Jedi Knight II: Jedi Outcast remains a good title. Get past the shooting, and you're rewarded with a ton of Force powers and lightsaber combat that remains at the top of its field to this day. However, the port job isn't up to snuff, as it lacks some slight auto-aim and lock-on to make the experience more user-friendly for console players, so the opening levels are a real chore to get through even if you can handle the outdated textures and adherence to the old way of doing puzzles. Not only is it recommended to go with the PC release for this title, but it also gives one pause about how the eventual port job of Jedi Academy will turn out.

I suspect that many players will have an uneven time with Planet Zoo. At times, it's pretty straightforward and provides the player with plenty of feedback so they can improve their zoo. Other times, the game has you digging around in areas that are unnecessarily tough to figure out, with tutorials that barely touch on the feature (if at all). The thing with Planet Zoo is that it is so charming and appealing that the fun parts outweigh the frustrating ones. It's not a perfect game in the genre, but it is one of the best ones you can play right now.

Cat Quest II is just as good as the original. The core mechanics remain appealing, while the addition of magic rods and projectile attacks are enough to change things up for those who were afraid of another melee-fest. The elimination of some required grinding makes the game feel more streamlined for those who were anxious to see where the main storyline goes, but the inclusion of local co-op increases the game's fun factor tenfold. This is another job well done and another quality title to add to one's gaming library.

There are some issues within WRC 8, and they're not small, but the game is otherwise so good that it's easy to overlook them. For all the times your engine switches to stealth mode or a fence post sends you into low Earth orbit, there are hundreds of times when you are blissfully guiding your car into a drift around a dusty apex in Argentina, or masterfully twisting through a series of highly technical corners during heavy rain. The vehicle handling is so good — and that is so important for a rally game — that even with its flaws, WRC 8 is likely the high bar that other rally games should aspire to.

While I see the importance of having simple games on the Switch to pass the time on the subway, waiting at the doctor's office, etc., there are many other games that sate this desire. The overwhelming simplicity of Paper Train's design and its lack of follow-through is disappointing, causing the player's experience to grind to a halt out of the gate.

Greedfall is a tough game to judge. It's neither bad nor great. It comes staggeringly close to greatness in a number of areas, but it just lacks the polish or ambition to go further. If you're looking for a nostalgic trip back to the mid-2000s style of WRPGs, then you'll find a lot to like in Greedfall. It's worth a shot if you're a fan of that style of games. In a year that gave us titles like Disco Elysium, it's difficult to be particularly impressed by something that is merely standard.

If you can brush aside the lack of single console multiplayer, Torchlight II remains an addictive action-RPG experience. The combat system isn't needlessly complicated, but it remains engaging due to the ease with which you can access each of your powers and the depth of the skill trees for each class. The loot is plentiful, and the ability to sell or use everything almost immediately means that you aren't going to pass up loot like you would in other titles. Whether you play alone or with friends, Torchlight II on the Switch is absolutely fun, and its low asking price makes it hard to resist even if you're knee-deep in similar titles.

While the art, gameplay and music are fine, it feels like EA made a game so exclusively for children that their parents won't want to play it with them, leaving them to be influenced alone. Even if you can tolerate the tone and have the wherewithal to not spend too much money on DLC, Neighborville is fine. It just won't be your best purchase EVAR.

There's a shimmer of something good in Blacksad: Under the Skin. Even though it is standard detective noir material, the story remains engaging enough that newcomers to the series might be encouraged to seek out the original graphic novels afterward. The core gameplay mechanics work well, since they feel like an upgraded version of the formula established by Telltale Games. Issues like slow movement, pregnant pauses, and finicky hotspot detection deflate any enthusiasm the game may foster. If you can live with this sort of thing, then Blacksad is a good adventure game, but others who mind these issues might want to wait for future patches to address these concerns.

All in all, The Surge 2 is a great game to pick up if you're looking for a more arcade-like take on the Dark Souls formula. It's a fun and engaging game with a solid combat system and enjoyable mechanics, and it's only dragged down by a mediocre story and lackluster environments. With the excellent improvements from The Surge to The Surge 2, the franchise is well on its way to standing tall in the Soulsborne genre. It's well worth playing if you're an aficionado of this genre and don't mind dying a few times.

It isn't extraordinary, but Sniper: Ghost Warrior Contracts is a solid game. The majority of the gunplay is basic, but it pales in comparison to the attention paid to the sniping and the variety of gun mechanics. The enemy AI works fine even if they sometimes act dumb, and the environments make the missions more interesting. The lack of polish in a few parts of the presentation and some interesting quirks bring down the game, but overall, Contracts is worth checking out if you can temper your expectations.

Valfaris is solid. The pacing is great, and with the exception of the back half, the difficulty curve isn't too bad. The juggling of weapons in relation to their balance is well done, and the constant boss fights are a fulfilling challenge once you overcome each foe. Provided you enjoy the Nintendo-hard games of the past, Valfaris is well worth checking out.

Ion Fury is an old-school shooting fan's dream. All of the mechanics are intact, from non-regenerative health to the ability to carry a full arsenal of weapons, and the level design feels intuitive and encourages exploration without needing waypoints. Some of the new mechanics fit in well, but a few, like the need to reload, only increase the difficulty on a tough game. Seeing all of this done on a decades-old engine is enough to convince you of the versatility of those old FPS engines. Unless you hate the old FPS style, Ion Fury is a must-have for your gaming library.

The Ninja Warriors: Return of the Warriors is for those who love classic arcade or console games. Those players are fine with titles being a bit short, since the replayability comes through in getting better with the game or replaying with friends in tow. It certainly helps that everything from the expanded move set to the character differences and presentation is top-tier, 16-bit stuff and rather straightforward, except for the final boss. As long as you're coming in with a mindset of defeating the game more than once, you'll have a great time with this low-key classic.