Overall, The Sisters: Party of the Year has some good ideas. The open world of the campaign works well not just because of the number of things to do and collect but also because it feels alive for what is essentially a small town. Including a story mode in the first place makes it stand out among its contemporaries. That said, from the mediocre minigames to the restrictive open world and presentation issues, there's not much to entice players to give it more than one playthrough, much less seek out ways to view the source material. You'd be better served checking out some of the stronger minigame compilations.

Perhaps one of the best compliments I can give to Sifu's essence is this: Playing and improving in this game actually seemed to make me better at other games. What's more kung-fu than that?

OlliOlli World is a delightfully charming little platformer. It has its own sense of style, and it's dripping with personality. The gameplay is a delightful mix that's easy to pick up and play but difficult to master. If you're looking for something that scratches the Tony Hawk bug, then OlliOlli World succeeds in spades. Just don't get frustrated when your near-perfect run is ruined by a stray cat sitting at the very end of the level.

Dying Light 2 is a good game that happens to be the long-awaited sequel to a great game. There's still a ton of fun to be had, and the exploration alone is worth the price of admission. At the same time, it's bigger without necessarily being better. I had a lot of fun with it, but I can't help but feel more positive toward the original. If you're looking for a fresh new world to smash zombies in and you're burned out on Harran, then Dying Light 2 will scratch that itch well.

At around $8, Jentrix feels like an easy purchase. Even with the lack of multiplayer, there's enough here for the solo player to enjoy, from the structured campaign to the endless Arcade mode. Loose physics system aside, the affair is adapted well to VR as opposed to something that can be done via more traditional means. For puzzle fans looking for something more traditional, Jentrix works just fine.

There's potential in Clid the Snail. The postapocalyptic setting feels fresher thanks to the new perspective, and the characters are charming, even if they fit expected tropes from stories about a ragtag bunch being forced to come together. A fascinating setting cannot overcome gameplay that feels repetitive due to unexciting shooting mechanics and enemies that fail to become intelligent until you reach a boss fight. It can be fun if you temper your expectations significantly, but for most people, Clid the Snail won't do it for them.

I found Tormented Souls to be just intriguing enough to be worth checking out if you have the time. It's a lesson in where survival-horror games have come from and what stories can still be told within the genre. With a little more modernization within the combat and cleaner visuals, this probably could have been an underground classic.

Uncharted: Legacy of Thieves Collection is a no-frills, straight-to-PS5 port that checks all of the required boxes, and that's about it. A couple of performance modes support up to 120fps, there's a rudimentary DualSense implementation, and the great loading times make experiencing these games more enjoyable than ever, but it's hardly a phenomenal upgrade even at the lower price point — both for those upgrading from a PS4 copy and those buying into the franchise for the first time. While the Uncharted gameplay formula has become slightly predictable, both Uncharted 4 and The Lost Legacy are enjoyable because of the stories they tell and their highly polished production values.

Once you start playing Rainbow Six: Extraction, it's difficult to stop. From the XP feed to the randomized nature of the levels and objectives, there's enough to keep players coming back for quite some time, especially with the constant opportunities to pull off nice saves amidst the chaos and tension. It is a great alternative for Rainbow Six fans who crave PvE after playing PvP for so long, but it also gives single-player fans a solid opportunity to experience some elements from Siege. It's still early in 2022, and a bevy of other co-op PvE games are still on the way, but Rainbow Six: Extraction provides enough variety that it needs to be played.

The parts that comprise God of War may not all be equally well-crafted, but they build a great cohesive experience and a noteworthy PC port. The soundtrack, visuals, story, combat, and the world come together so well that it amounts to something greater than the sum of its parts, and that is still true on PC almost four years removed from its original release on a last-gen console. That's all you need to know, so go and finally experience this gem for yourself.

Praey for the Gods is game that is inches away from being a new classic. It does many things very well, and it is an incredibly impressive achievement for a small team. It is dragged down a bit by trying to be too many things at once. I applaud the attempt to spice up the "in-between" time that Shadow had, but the result doesn't quite hit the mark. If you have a tolerance for tedium to reach some brief high points, then Praey delivers, but newcomers might be best served by starting off with Shadow of the Colossus.

Hot Wheels Unleashed is perhaps the best stand-alone game to use the license by far. It nails the feeling of racing with tiny die-cast cars and melds it with a presentation that looks far better than what you'd expect for a licensed title. The race variety is lacking, given the presence of only two race types, but the track variety greatly makes up for that shortcoming. It may have flown under everyone's radar, but Unleashed is worth everyone's attention.

I've struggled to properly rate Sherlock Holmes Chapter One. On the one hand, it does some great things in terms of the cases and the provided tools to solve those cases. I enjoyed that it never gave me an answer, and I had to arrive at my own conclusions given the evidence I'd found. On the other hand, the game is in a rough technical state with frequent frame rate issues on the PS5, basic animations that feel robotic, an empty open world, and voice acting that can pull you out of the experience at times. Fans of Sherlock Holmes or adventure games can check out Chapter One, simply for everything that it does right.

Nostalgia is going to play a heavy part in whether you'll like Zool Redimensioned. If you grew up with the Amiga as your main platform, you might be tickled to see Zool make a comeback even if the changes make it much easier than before. For those who didn't care too much about it back then, the improvements make it a better, shorter experience. For newcomers, the game is fun as a retro snack and worth checking out.

I thoroughly enjoyed After the Fall for what it is: a VR Left 4 Dead clone with satisfying gameplay and some cool social VR settings that lay a solid foundation for the future. However, we don't know what that future looks like yet since we don't know how much content Vertigo will release in the coming years — and at what price. The included content is the bare minimum, and the game has a few issues to iron out before I can recommend it. That said, if you've been itching for co-op fun with some friends in VR regardless of the platform, AtF is a good choice if you can see pasts its numerous minor shortcomings at launch.

It doesn't hit the highs of the SteamWorld series, but The Gunk is enjoyable. When you break things down, the game doesn't offer up a plethora of things to do, but it remains enjoyable thanks to how satisfying it is to clean up gunk. There's payoff for the curious in the form of extra materials to power up your arm faster, and even though it is familiar, the story remains satisfying. Its short length makes it perfect for the Game Pass service, but it is also a worthy purchase if you like brisk, uncomplicated adventures.

Captain ToonHead vs. The Punks from Outer Space is a fun time. The game may have some quirks (e.g., warping between spots requires reorientation), but the combat remains entertaining, especially since the game has a simpler approach. The upgrade flow can initially seem uneven, but the levels are never impossible, and the game's overall length makes up for the lack of post-campaign features. It may not be the best VR tower defense title, but it is enjoyable for those who are willing to jump in.

Between the bold and ever-contrasting color palette, the ambient music by indie rock band Japanese Breakfast, and the pure joy of climbing cliffs, ruins and dunes to your heart's content, Sable offers an immersive dive into the lives and traditions of its small, nomadic world. Beyond its artistic merits, the game is supremely fun to play. It's a title that adventure gamers and art lovers alike will happily explore for hours on end, and despite the occasional bug, it's a very well-made game. Sable is well worth adding to any adventure gamer's library, and I eagerly await Shedworks' next big title.

Tandem: A Tale of Shadows is good where it counts: the gameplay. It may not be a difficult game, but the puzzles are a fine challenge for the average player, while the relatively short playtime means that the title doesn't feel like a chore. Don't expect too much from the rest of the package, whether that's aesthetics, narrative, or a reason to replay it once the credits roll. Overall, it's good enough to check out if you're itching for a puzzle-platformer.

It does a lot of things that I genuinely like: It has excellent boss fights, some creative levels, an absurdly huge amount of content, and the platforming mostly works well. That level of heartfelt dedication makes it all the more frustrating when you get caught up on the areas where it still needs polish. I enjoyed a lot of the game, but I remember the annoyances more than the enjoyment. If you're willing to work past that, there's a lot to play in Aeterna Noctis, but it's easy to imagine someone reaching a particularly annoying bit of platforming and moving on to something else, especially because the game's long length can make it feel more exhausting than exhilarating. Metroidvania fans should absolutely give it a shot, but don't expect something as easy to pick-up-and-play as some of the genre greats.

Eye of the Temple is a rare VR gem that caught me by surprise. Its natural and immersive room-scale movement system, rewarding puzzle sections, and overall scale are excellent. If you own a VR headset and have enough room to play, Eye of the Temple successfully proves the potential of VR.

There's plenty to like about Mayhem Brawler. The setting is unique among games in the genre, and the mechanics work well with the combat system thanks to its fluidity and diversity. The main campaign may be short and the unlockables list consists of one mode, but the three different endings and multiple campaign branches mean that there's more content to this game than originally believed. You'll have to rely on local friends for this one, but there's an absolutely good time to be had.

Lucky's Tale hasn't aged perfectly since its 2016 release, but that's its only offense. It was — and still is — an excellent introductory VR title that offers a relaxed environment to get accustomed to VR within a family-friendly format that oozes charm. It's a great title for all age brackets and gaming abilities, but some may be put off by its short length, dated game design, and simple VR integration. Lucky's Tale may feel generic, but the enjoyable, colorful VR title delivers short bursts of happiness.

I cannot currently recommend Grand Theft Auto: The Trilogy - The Definitive Edition on the PC, and a lot has to happen until I do. The truth is that I've had a decent amount of fun with this remaster; part of it is based on nostalgia, and part of it is based on some ridiculous, unavoidable bugs that weren't as frequent as I'd feared. Given all of these issues and the abysmal performance of the three games on the PC, I'd stay away from the trilogy until several major updates have been released. Even then, this remaster may not be for everyone.

No matter what your focus is, Halo Infinite is a blast. For multiplayer fans, the gameplay is rock solid. The back-to-basics approach works well to keep longtime fans engaged, and the game is easy to pick up and play to hook newer fans. Campaign fans will enjoy that mode despite a few issues, since the open-world setting allows for some breadth in approach while retaining the familiar mission structure and flow. Infinite should be on your Christmas list, despite the lack of other big features at launch, like co-op, Forge, and local play.

Chorus is a fun arcade-style space shooter. The open world isn't super engaging, and the plot can be a touch messy, but they're secondary to the fun of piloting your super ship as you spin, shoot lightning, and turn into lasers. If you're in the mood for an entertaining and punchy space shooter with some cool mechanics, then Chorus fits the bill. I wish the plot were better conveyed and there were more variety in side-quests, but that certainly doesn't mar the experience. At the end of the day, you're blowing up Cthulhus with your magic space anime powers, and isn't that all it needs to be?

Tetris Effect: Connected is excellent. For many, this is an audio/video experience that is a piece of art and easy to digest because the game is so easy to pick up and play. The various single-player experiences provide something to players who are looking for more than just high scores, and while the multiplayer isn't as frantic as Tetris 99, it is still something that one can return to countless times. Even if you aren't lucky enough to view this in VR, Tetris Effect is still well worth experiencing.

There's a good skeleton to Nickelodeon All-Stars Brawl. The fighting is fast and extremely deep, despite having only one more attack button over the Super Smash Bros. series. For pro-type players who always play without items and can quickly master the game's nuances, this is excellent. However, the presentation is as basic as the game's modes, and the lack of anything that provides more of a Nickelodeon "feel" (e.g., voices and music) makes the whole thing feel rather cheap. While the online performance can be good, it doesn't matter much if there's no community behind it. The game is a contender, but some serious effort in more than a few areas needs to be done if Nickelodeon All-Stars Brawl or a potential sequel wants to be taken more seriously.