Is Th3 Plan worth playing? Even as a $15 budget title, it really isn't. From the inconsistent voice acting to the rudimentary visuals, the tedious gameplay, and the lack of replay value, you have better things with which to occupy your time.

After all is said and done, Toki is a labor of love taken on by Microids to refresh and rebrand a game that's been largely forgotten. We can see the effort expended in keeping the original intact, keeping the same types of enemies and levels, and even controls, while going to some lengths to update the visuals. However, the art style ends up looking a little amateur, and the overall controls, feel and gameplay end up seeming clunky. Sure, the redone music sounds good, and the cartoony aesthetic is snappy, but the bones of the game don't translate well in today's game market. Perhaps if this game had come out within a couple of years of its first announcement, the art issues wouldn't be so problematic, but as it stands today, Toki is a master class in a bygone era of video games rather than a fun time.

Dinox is as basic of a trivia game as you can get. Aside from the "Walking with Dinosaurs" clips that are thrown around before every question, there's no real flash to get those who aren't particularly interested or versed in the subject matter to give the game a shot.

Unless you know someone who wants to join up to play some online paintball, or if you have a high tolerance for buggy games, you'd probably be better served playing a different title.

I was exceptionally disappointed in Etrom. I wanted so desperately to love this game, as it seemed to have all the makings of a rich, rewarding play experience. (Post-apocalyptic dystopian future?? Sign me up!!) However, the ocean of poor design ideas slays all of the potential before it can even begin.

The gameplay is disappointing, though, and isn't even much fun in a mindless, repetitive sort-of way. The level design drags the whole event down even more, and the lack of a real save system makes playing the game that much more frustrating.

The whole nostalgia thing was nostalgic a few years ago. That’s a sad state of affairs, folks. Are we so void of new material, or can we spread our creative wings a little more than this?

Nothing in the game works right, the physics are embarrassing, the gameplay is repetitive and boring, and the only bright spot is the cut scenes, which are simply nice window dressing for a shockingly boring plot.

I tried so hard to like Card Fighters DS, but I feel it's a good card game stuck inside of a bad video game. The source material was there, and it had potential to be lots of fun, but the method of earning cards is repetitive, you are stuck in a static location throughout the game, and it is basically impossible to complete the game until SNK redistributes new cartridges.

A simple cash cow. Cheap concept, cheap marketing, cheap licensing, cheap development costs. Only a few unsuspecting souls need to waste their hard-earned dollars on this trash in order for Atari to turn a profit. And they probably will.

The developers are obviously fans of the tough-as-nails older PC RPGs and were trying to emulate that experience here, but their obvious inexperience with development has created a glitchy, cookie-cutter type of game that does not belong on anybody's hard drive.

Mediocre at best, and nail-bitingly frustrating at worst. A couple of interesting concepts lay mired beneath poorly executed game design.

The sound is mediocre, the graphics are the same, and the controls aren't as tight as they should be. Top it off with gameplay that is both boring and challenging due to lack of AI balance and bugs, and you have a recipe for sub-par gaming.

The game does an excellent job of being pretty, but pretty will only carry you so far in life, especially in an industry where pragmatism (read: gameplay) is king.

There's a pretty good RPG hiding in Warhammer 40,000: Rogue Trader. The story is interesting, the quests are plentiful, the characters are well rounded, and there's plenty of depth in the RPG systems. However, the graphical presentation is merely passable, while the performance varies so greatly that you need a ton of patience to get through all of the hitching and long load times. This is a game to be avoided for now, but if the promised patches improve the performance issues, then those who crave a really meaty RPG in the infamous grimdark sci-fi universe will have a very good time.

VK3 certainly stands out from the previous games, but it does so in all the wrong ways. Any improvements it made to the mechanics are overshadowed by everything else about the game.

In Nightmare is an experience that will leave players more frustrated than frightened. The story is decent enough, if predictable, but it quickly loses steam since you can guess what'll happen and the pantomimed scenes are too vague. The gameplay teeters between fine to unplayable due to technical issues and an overall design that favors trial and error and memorization versus crafting a more dynamic challenge. All of those things rob the game of a scare factor; there's nothing really horrifying about what you're up against. The ideas are sound, but unless you have to play every single horror game out there, you can safely skip In Nightmare and not miss a thing.

Valhalla Knights fails in most significant areas, except for looking pretty and actually being well-coded.

With sub-working core gameplay, Diabolical Pitch ultimately becomes little more than an exceptionally creative example of the limitations of Kinect. On a more effective control medium, it could have been a beautiful, if small, take on Suda51's every gaming hallmark. Instead, it is an elegant symbol of the Kinect's weaknesses. Even big fans of Grasshopper Manufacture should wait until they've played the demo multiple times before buying, even at 800 Microsoft points ($10). In as many words, this was a swing and a miss.

It would have been perfectly fine as a web game played with a mouse on some online game portal, but as a $30 portable game played on a system with no shortage of top-quality puzzle games, Honeycomb Beat isn't a contender.

One of the worst camera systems to taint a simplistic 3D running and jumping game in recent memory.

This game is pretty much a train wreck from start to finish.

It doesn't have very many good qualities, the gameplay isn't very impressive, it isn't up to snuff on a technical level, and whatever charm it manages to muster runs out of steam in a hurry.

Not every shooter has to be a triple-A title of the first order, but there really isn't much to Code of Honor 2: Conspiracy Island's shooting-gallery action that hasn't been done better by today's discounted specials or even by the venerable classics.

Toon-Doku fails on all fronts, delivering a painfully unpleasant experience that I would not wish upon anyone without an iron constitution.

The new ideas they've had work surprisingly well - sure, the hero has a gun, but it's a gun that works fluidly and effectively. The only problem is that the rest of the game has been dressed up in an attitude that really doesn't fit the franchise in the least, and then further marred by graphical inadequacy and unpleasant sound.

If you want to play The Sims on the road, get the spin-off "The Urbz," which does absolutely everything The Sims 2 does, only better.

Warlords looks nice in demo form, but is a soul-sucking, horrific experience when you're actually playing it.

As a whole, Extinction is a game built around plenty of promising ideas, but the execution fails to live up to its promises on almost every single point. It's hard to shake the feeling that Iron Galaxy didn't provide the game with the resources it needed to come close to reaching the heights it was aiming for. That's a shame, since all we're left with is a massive skeleton of a game that could have held some real meat.

Lackluster design elements (poor textures, collision issues), repetitive gameplay, and tacked-on concepts all equate to one spy adventure best left classified.

The only major reason The Beginning of Destiny would ever be worth it for any fan of the series is those three exclusive cards, of which you would need three sets to use to any effect. Konami may eventually get these games to be as consistently solid as their Nintendo DS iterations. They just haven't done so yet.

Alas, it fails at everything it sets out to do, and it can't even manage to adequately imitate genre progenitors from nearly a decade before it, let alone do anything to surpass them.

The actual game parts are pretty uninspired, boring, and nothing that's going to retain the attention of anyone, regardless of age, for very long. If you really need to pick up a licensed title or two for the children in your life, there are quite a few out there that are actually decent. Unfortunately, Bratz: Super Babyz isn't one of them.

Aside from flight that's entertaining for about 10 minutes, ESV2 has few redeeming qualities. It's quite disheartening, too; just as I was beginning to think licensed games were experiencing a renaissance, ESV2 came along and lowered my expectations to an appropriate level.

You'll be better off finding something else — anything else — on which to spend your $20. The Island of Dr. Frankenstein isn't worth your time or attention, and aside from the original concept and story, it doesn't have any redeeming factors.

This is a game solely for those who want to waggle controllers for an hour and giggle; all other self-respecting gamers should just stay away.

There's nothing to recommend Quantum Error. No part of the game shines, and the ambition of a small team can't save it from the fact that ambition didn't pay off. The bad combat, incoherent story, awkward firefighting mechanics, and clumsy level design all come together to create a game I couldn't recommend at $10, let alone $60. There are too many games out there that do a much better job, and the unique ideas in Quantum Error are too poorly executed for anyone to enjoy.

This is a train wreck of a production, a demonstration of how not to handle a license, and a good example to developers on how not to rip off your own most popular works with any kind of success. I can't recommend this to anyone, at any price.

Crusty Demons is fun not because it's a good game, but because you get to use ragdoll physics to beat annoyingly stereotypical characters bloody by flinging them through the air at 130 MPH.

The game had the potential to be something great, since it was a unique combination of space combat, first-person shooting, and strategy, but in trying to incorporate all of these components, the quality of each was neglected.

25 to Life is the kind of hideous trash that damages gaming's reputation, resulting in the genesis of the Jack Thompsons of the world. I need to go play Pokemon or something, to get this awful taste out of my mouth.

This game should have been as good and as much of a departure as the upcoming Splinter Cell is; instead, its gameplay piddles around with everything the series has already established.

From interface to basic design, it's marred by numerous game design decisions that simply should not have made it to the finished product.

It was an incredible concept that intrigued me to no end, but the finished product leaves so much to be desired. Between the lackluster story, the poor presentation and the boring gameplay, Swashbucklers leaves you feeling cheated.

In spite of the awful gameplay, the instant-death mazes, the inventory items that are nearly invisible, and the useless filler of arcade "puzzles", I kept playing because I wanted to see how this game was going to fail at being dramatic this time.

The entire Wits & Wagers experience tries too hard and fails at nearly every turn.

To be blunt, Atlantis Quest is just too hard, and after a few levels, the entertainment gives way to frustration.

Brotherhood United is a game that you might want to play if you've run out of other run-and-gun shooters. The shooting may have been fine if the modern mechanics weren't thrown in, but the multitude of annoyances, from the bad pixel graphics to low customization and inability to easily convey vital stats to the player, combine to make for a terrible overall experience. Considering the vast library at your disposal, Brotherhood United is an easy pass.

Combined with the flaky presentation, there's no reason to give Red Siren a look unless you've absolutely raided the library of all other shooting games, have some spare Gold Points to burn, and have absolutely nothing else to do.

If you are a hardcore action shooter fan, you may be insulted by the total lack of challenge or variation in the gameplay, and if you are not, there is nothing here to attract you to this uninspired generic disappointment. This is one confession that should have stayed within the family.

Spy Drops is a game with a novel concept but bad execution. The idea of smaller missions for a bite-sized stealth experience is neat, and the game mostly nails the graphical aesthetic of a top-tier game from the original PlayStation's timeline. Everything else, especially the stealth mechanics, are so poorly done that the whole experience feels like an absolute chore to get through. Unless you're the forgiving type who's absolutely craving any kind of stealth experience, don't bother with Spy Drops unless it massively overhauls everything with patches.

Aliens: Colonial Marines is both disappointing and sad. The plot plays out like a bad fan-made film with unintentionally bad acting and ties to familiar things because it didn't have any original ideas. The gameplay feels dated and out of step with the evolution of the shooter. Bugs are rampant throughout the title, and the game lacks a level of polish that was expected during the first year of this console generation.

Itadaki Smash isn't exactly the worst beat-'em-up on the Switch, but it gets close. The graphics are drab, with some bad-looking character models and mediocre animations. The humor is tiresome, and the lack of moves reveals the game's shallowness. The game is short, but the cumbersome saving combined with the overall instability makes it difficult to like. The Switch has a plethora of very good beat-'em-ups, both old and new, so there's no need to check out this offering.

Sporting an uninspired story, severe clipping issues and boring gameplay, Hour of Victory is one to avoid, which is disappointing because they started out with such an incredible premise and just failed to make good on it.

It is difficult to recommend MX vs ATV Legends under any circumstances. The opening moments are punishingly slow to get through, and the whole process of going through the events lacks any polish. The races all suffer from a myriad of issues — including bad track design, wonky physics, constant stuttering, and a fiddly handling system against braindead AI. With the ability to power up all three of your vehicles after only three races, the drive to progress is barely there. This is a case where there are plenty of other motocross racing games that are worth your time, unless you're willing to wait a year or two to see if the team can throw enough patches to make this somewhat decent.

Galaxy Warfighter is a better game if you're on iOS or Android. It wouldn't necessarily make it a masterpiece, but it is a more tolerable experience on devices that are made for your pocket. On the PC, however, the litany of issues plaguing the game design are too much to make this worthwhile when the platform has a near-limitless supply of better titles in the genre. Unless you really need Steam Achievements, pass on this one.

Sadly, even hardcore Ghost Rider fans will be immensely disappointed because after about a half hour of gameplay, you've experienced all there is to the game.

The few things the game does well (voice acting, the potion-brewing system, the item imbuing system) just cannot possibly hope to save what is, at best, a beta-release bundle of sloppy code.

"Lazy" is also how I'd sum up my feelings toward Ben 10: Alien Force for the Wii. Sure, it's a kid's licensed game, and I think at this point that most of us know not to expect a whole lot out of it. However, that's still a pretty lame excuse for not trying to do something with the given license.

Even fans will have a hard time enjoying Naruto Shippuden: Ninja Council 4 when compared to other Naruto franchise games or, for that matter, action-platforming titles in general.

Bad control, mediocre graphics, bad voice acting, bad sound, boring and extremely flawed gameplay, and worst of all, nearly criminal abuse of an intellectual property, make this one game that is most definitely not worth anybody's fifty dollars.

The most difficult thing about Street Outlaws: The List is trying to find a reason to play it. Depending on the event, the controls range from serviceable to terrible, with a physics system that doesn't make sense. The lack of real challenge is offset by the overall length of the game, which seems far too long for what's being offered. Between the underwhelming presentation, a clunky but bare-bones menu, and lack of gameplay variety, even superfans of the show will find it tough to stick with this game for a significant amount of time.

If you have a child who's a fan of horses, I don't think that Horse Life will really satiate any curiosity for them, so I'd suggest avoiding this one.

Jet Car Stunts had the potential to be something good, but there are too many issues to give it any sort of recommendation.

If you like racing games, play Forza, Burnout, or Gran Turismo. If you are someone who likes Hummer vehicles, go and play Mercenaries to see how it should handle.

If one word could be used to describe the experience with Yamaha Supercross, it would be "bland."

32 Secs might work fine as a mobile title, but it doesn't feel like much was done to ensure that it would be a good fit for the Nintendo Switch. From the lack of an overall objective to an intense amount of grind, it feels exactly like the mobile game but with a higher price tag to replace microtransactions. The Switch may not be the first platform for racing games, but racing fans should look elsewhere to get their fix.

BMX Challenge is not interested in style, quality, or progress. It feels like a lost project from the "me too" era of five years ago, when every other company was looking to break into the genre.

Last Rebellion is an example of a game that does nothing right. It is the worst RPG on the PlayStation 3, and it may be one of the worst RPGs to come out in the past few years.

Beastly certainly lives up to its name. It looks bad, sounds mediocre, and has controls that are better suited to another system.

Tedious and only worth trying out if you can laugh at a game with very few redeeming factors. It's too long, it's too uninspired, and it just isn't much fun.

L.A. Cops is a sloppy game. The controls lack finesse in almost all areas, and the shooting is randomized enough to feel unsatisfying.

Discounting versions that were developed for dedicated handheld systems, the 2023 version of Call of Duty: Modern Warfare III represents the series at a low. The campaign is painfully short, and while the open combat missions are a neat idea, they needed more time to feel substantial. Zombies are still fun enough, and the same can be said for multiplayer, but the absence of new maps feels wrong for a brand-new game. If the original plan to make this a DLC package were still in play and the price were reasonable, then one could see it being a recommendation for dedicated series fans. As a $70 full price game, however, what's available is pitiful to the point that gamers should stay away from this title and stick with the older stuff instead.

In short, LOL is not worth it. The complete lack of single-player gameplay in any form, of enough actual gameplay to make a full game out of it, or, well, anything of interest that you cannot do with Pictochat makes its premise essentially useless to pretty much all players.

There's no denying that Journey to the Center of the Earth is a bad game. It tried to do far too much, given the resources and hardware with which it had to work.

I'd avoid this one even if you're a die-hard fan of the series.

Unfortunately, Omerta: City of Gangsters isn't worth playing. The concept is solid, as is the decision to split the game into two distinct game types, but the execution of both game types is subpar.

The game is much more frustrating than it is fun, and the very small glimmers of hope offered in the opening moments are quickly plowed under by the title's myriad flaws and lack of anything that might make it an even remotely compelling experience.

A terrible, awful game.

Has some ideas that could constitute a decent game but end up getting lost in a cornucopia of poor presentation, bad camera angles and lackluster game play.

In the market for a pulse-pounding, white-knuckle action game for the Nintendo DS? Walk into your preferred game store and grab a copy of Metroid Prime Hunters, making sure not to accidentally make eye contact with the dusty, twice-returned Greg Hastings Tournament Paintball MAX'D on the shelf above that has been doomed to helplessly watch the years ooze by.

Pokemon Rumble U is a major setback for the spin-off series in many ways.

Altogether, Deal or No Deal is a pretty poor adaptation of the TV show, but that's partially because you can't really do much with a show that's mostly about talking it out.

Not only is this game absolutely atrocious, but you generally don't want to give a machine a reason to hate you.

Iron Man for the PC is another casualty in the sad and lengthy history of failed movie-game tie-ins.

Guns 'n' Stories: Bulletproof VR is a disappointment. The guns feel worthless due to the "bullet sponge" nature of even the most common enemies. The game does a poor job of letting you know where enemies are, and getting through stages is difficult due to the fact that the game doles out foes in all directions at the same time without any indicators. The levels are also long enough that you'll grow tired of the shooting if you don't have an automatic weapon. Even with a decent but uninspiring presentation, there's not much reason to give this a look when other, better implemented VR shooting galleries exist on the platform.

Plays like the developers took all of the worst points of Grand Theft Auto - the frustrating, often counter-intuitive combat, the tricky camera, the ugly indoors settings – and made it into a game without including anything that made Grand Theft Auto a hit.

It’s infected with ‘consolitis’, it carries the malignancy that is the Starforce copy-restriction system, the code is unstable and slaps Windows with an illegal operation every time you exit the program, and has even gone so far as to render my system incapable of a standard shut down/restart.

I imagine that someone could find something to like in Double D Dodgeball if they really tried, and I'll admit that the title does play pretty much as promised. However, the lack of a solid single-player experience, coupled with the complete lack of online players, makes the title not worth checking out before the download even begins.

The controls are just too shoddy, the graphics and sound don't make up for it, and the basic concept has been explored all too many times as it is shown here, with no real evolution presented.

The touch-screen and scrolling controls are sloppy, the sound is almost nonexistent, and the graphics are decent but boring.

Unfortunately, Goodbye Deponia is a wasted effort by Daedalic because it's marred by a series of bad moral decisions, and the protagonist is the epitome of unlikeable.

Carnival Games for the NDS is a bust of a carnival. You're better off saving your cash and riding the teacups at the state fair with a friend. As lame as the teacups are, at least they bring people together and get you outside. That's much more than you can say for this DS title.

Overall, Naruto Shippuden: Dragon Blade Chronicles is a really poor excuse for a Naruto game and a video game in general.

R3KX, with its lack of real challenge, story, or presentation values, is just not in any way a memorable game. Koei is capable of much better, as "Dynasty Warriors" and their upcoming PC title "Uncharted Waters" attests to.

There is essentially nothing about Harry Potter and the Goblet of Fire that is any fun at all. I know this sounds harsh, but in my professional opinion, there is no excuse for a company like EA to have done such an uninspired and lackluster job with this franchise title.

I found Medieval Conquest completely unplayable, a confusing mess of a game that beat my sensibilities as a gamer to a pulp. It's entirely possible that someone else more in tune with the wavelength of this title will have a ball with it.

To sum up things, I didn't care for Mahjong Cub3D. I'm all for interesting ways to play established games, and while the developers were clearly trying to change up the formula, I don't feel like it worked.