We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
  1. Girls Lost fills the magical realism, gender dysphoria, Swedish indie teen drama-shaped hole in your life. It's just a damn shame it all falls apart in the final act.
  2. Cult Of Chucky roots itself in nostalgia long enough to shock us all by flipping the Child's Play franchise on its head in an invigorated, inspiring, and oh-so-deadly way.
  3. The Birth Of A Nation is not without inherent power, but Parker struggles to evoke anything besides surface tellings of textbook atrocities.
  4. Spider-Man: Far From Home is the upbeat teenage "road trip" comedy antidote to post-Endgame doom and gloom that Marvel fans deserve.
  5. With Patriots Day, Peter Berg translates national tragedy to cinema screens with power and purpose for the second time this year – yet the question for many is with wounds still healing, do we really need to be subjected to recreations of a hateful act still fresh in our nation’s history?
  6. Rather than being the After Hours Scorsese homage it hinted at, Mona Lisa and the Blood Moon loses its way, and becomes little more than a pretty distraction.
  7. Filled with awe-inspiring imagery, and a heartbreaking real-life tragedy, 'The Deepest Breath' is powerful stuff.
  8. In the end, The Monster does more by way of thrilling tension and heartfelt admissions than it does through any scares, but that doesn’t make it a bad horror film. Bryan Bertino reveals a gushy soft side, only to tear out his heart and hoist it for all to see.
  9. Michael Moore points all 17 of his fingers in all directions during his latest ferocious, if scrambled film, surprisingly avoiding individual attacks and instead convincingly describing what role we all played in this globally-recognized disaster.
  10. Doff’s directorial debut bursts off the screen with eccentric energy and yet, retains a relentless sense of duty to the company its characters keep. It’s effectively touching as a display of camaraderie, equally ridiculous, and a great deal of fun.
  11. Cha Cha Real Smooth is perfect because it never set out to be anything close to a rom-com. Raiff focused instead on what it is that brings people together, which has more to do with attraction than anything else in cinema.
    • 69 Metascore
    • 80 Critic Score
    Dramatically satisfying with a plethora of engaging twists, 'Carry-On' sticks a firm landing with maximum turbulence.
  12. This bombastic Western debut heralds a new voice in cinema.
    • 68 Metascore
    • 80 Critic Score
    The documentary, although formulaic, and punctuated by tacky sequences of Gomez narrating passages from her journal over performative images that feign depth, is, in its majority, an uninhibited look into the challenges of dealing with mental illness, which is obviously exacerbated by a life in the public eye.
  13. Deepwater Horizon is effective, efficient and furiously paced.
    • 68 Metascore
    • 70 Critic Score
    Smile doesn't reinvent the wheel regarding horror, but it does offer up a smartly executed chiller bolstered by fine performances and plenty of jolting moments that is sure to please fans of the genre.
  14. A few images sear with the burning sensation of undead terror, but that only accounts for a few short minutes of an otherwise more-daunting-than-it-should-be cinematic exploration of death.
  15. The Blackcoat's Daughter aims for lofty satanic thrills, but gets lost in visuals that oversell a barbed but tangled nightmare.
  16. Professor Marston is a sweet, saucy biopic about unconventional love and iconic origins (plus bondage!).
  17. The Bleeder is a surface-value, party-first boxing dramedy that pulls its punches and goes too far into "charismatic sleazeball" territories.
  18. Despite its occasional oversteps and misfires, The Childhood of a Leader is a fascinating film, as moving and irresistible as it is terrifying.
  19. The Night House might not stick the landing, but it's an eerie supernatural chiller with an incredible lead performance from Rebecca Hall.
  20. It isn’t anything you haven’t seen a handful of times before, then, but that’s exactly why Hustle works so well. It’s a 117-minute blanket of comfort that delivers precisely what you want to see from an underdog sports story, and never tries too hard to be anything else.
  21. Avengers: Infinity War cares a bit too much about being "Part 1" and holding enough development for "Part 2," but MCU fans should see their 10-year buildup expectations met - not exceeded, but met.
  22. A Vigilante succeeds not by exploiting torture, but instead shifting focus to Olivia Wilde's painful, so very real performance.
  23. An Inconvenient Sequel: Truth To Power is an important and relevant worldwide look at the environmental crisis.
  24. If anything, Sometimes I Think About Dying is an ultimately optimistic film, which feels life affirming and poignant in parts. That it also affords Ridley one of the best roles she has had in recent memory, only makes this more of an intriguing proposition.
  25. The film plays with form the way Enola plays with words: dazzlingly, whimsically and sarcastically. It's a breezy escape from a world that seems to be getting darker by the day.
  26. A Quiet Place: Day One is a gripping prequel that balances emotional depth with thrilling suspense. Lupita Nyong'o's standout performance and the film's fresh take on the franchise make it a must-watch, despite some predictable plot points.
  27. As another era of James Bond is brought to close and speculation builds about the future of this franchise, this reinvention feels perfectly timed.

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