We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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    • 63 Metascore
    • 100 Critic Score
    Piece By Piece
    Piece by Piece, much like its decorated subject, blows right past refusing to play by the rules and straight up doesn't acknowledge them, and it's all the best for it.
  2. The Electrical Life of Louis Wain
    The Electrical Life of Louis Wain is a biopic every bit as off-kilter and bizarre as the protagonist, but despite all of the whimsy and eccentricities, it finds itself missing a spark.
  3. Denial
    Beneath this movie’s conventions are some interesting gender politics that perhaps could have been made more apparent, but to its credit, are pleasantly subtle.
  4. Buster's Mal Heart
    Despite its undoubted ambition and an excellent central performance from Rami Malek, Buster’s Mal Heart slips into the traps that so often face thrillers of its type.
  5. Atomic Blonde
    Atomic Blonde strikes a deafening blow thanks to enjoyable characters, furious fight-play and Charlize Theron’s brand of screen command. She’s always in control, whether toying with feminine wilds or slugging another glass of Stoli on the rocks.
  6. The Eyes of My Mother
    There’s a brooding tonal growth that Pesce is able to establish, as he unravels a film that becomes more horrific with each passing second.
    • 63 Metascore
    • 40 Critic Score
    Knock at the Cabin
    Only M. Night Shyamalan could make an apocalypse film that has audiences rooting for the end of the world, if only to bring the running time of 'Knock at the Cabin' to a merciful end.
  8. Before the Flood
    The obvious political agenda behind Before the Flood may turn off those who still maintain that climate change is a myth, but the evidence presented in the film should at least cause open-minded viewers to rethink their position on the issue.
  9. Unsane
    Never does Soderbergh’s projection strike me as B-movieness or popcorn entertainment. His mix of arthouse iPhone Hollywood and downplayed character accentuation (by way of misrepresented screen shrinkage) makes for a thriller that fails to spike excitement via a villain who’s always right where he has to be.
    • 63 Metascore
    • 80 Critic Score
    Triangle of Sadness
    Triangle of Sadness is a dark delight that has plenty to say on the state of the world we live in.
    • 63 Metascore
    • 90 Critic Score
    Maria
    Maria is a triumph and the culmination of a trilogy that has become a definitive and essential dissection of the celebrity biopic genre.
  12. Split
    Split is never as clever or poignant as it thinks it is, but James McAvoy won't let it be forgotten, either.
  13. Blue My Mind
    Blue My Mind is a provocative Swiss origin story about sex, drugs and trials no person can possibly be prepared for. Whether Mia’s transformation is true or a ruse, the proposition of underwater DNA is only bested by Lisa Brühlmann’s execution.
    • 63 Metascore
    • 60 Critic Score
    A Haunting in Venice
    Hercule Poirot comes out to play again in this horror-leaning murder mystery which, despite looking great, is held back by and underwhelming plot.
  15. The Matrix Resurrections
    It’s a film of maddening contradictions, missed opportunities and half-taken risks, but it’s destined to be one of the year’s most polarizing and talked-about releases regardless.
    • 63 Metascore
    • 60 Critic Score
    18½
    You can’t help but admire the ambition on display, even if it ultimately falls just a little short.
    • 63 Metascore
    • 80 Critic Score
    Thanksgiving
    Thanksgiving is a definitive passion project built on satisfyingly gory visuals, compelling storytelling, and inventive kills that provide a holiday treat for die-hard slasher fans.
  18. Mayhem
    Mayhem is a wonderfully violent middle finger to corporate culture, gleeful in its desire to redecorate cubicles with red blood splatters.
  19. Solo: A Star Wars Story
    How does a movie about the galaxy's most dashingly roguish outlaw end up being the safest Star Wars to date?
  20. Totally Killer
    The ambition often outweighs the execution, but Totally Killer is still a fun and bloody riff on several different genres at once.
  21. Dual
    This searing social satire on identity in contemporary culture features a career-best turn from Karen Gillian on powerhouse form.
  22. Junction 48
    Junction 48 is about a fusing of cultures, not a conflict between them. There are no easy solutions or simplistic answers, and the film doesn’t try to propose any.
    • 62 Metascore
    • 70 Critic Score
    Beetlejuice Beetlejuice
    Beetlejuice Beetlejuice is an exercise — or exorcise — in studio IP extension that is so strange and unusual as to be almost review-proof. It's messy and overstuffed, but its quirky charms may well win you over.
    • 62 Metascore
    • 60 Critic Score
    Red White & Royal Blue
    While the film never really finds its voice outside of the source material, lacking development and a finer tuning to its new medium, 'Red, White & Royal Blue' might still be the most deliciously fun and excitingly sexy romcom of the year.
  25. Kong: Skull Island
    Kong: Skull Island is a grand cinematic adventure powered by furry fury, as the horrors of war blend with chest-beating creature confidence.
  26. Terrifier 3
    Terrifier 3 marks a significant evolution in the franchise. Director Damien Leone delivers the most vicious iteration of Art the Clown yet, while also maturing as a filmmaker and providing a solid foundation for future installments.
  27. Bleed for This
    This is a boxing drama that scrappily battles for its recognition, determined to win you over at any cost.
    • 62 Metascore
    • 100 Critic Score
    Fall
    Everything from the acting to the camerawork and the imposing score makes Fall a memorable mark in transcending fiction, making our greatest fears come to life.
  29. The Void
    The Void is a portal back to the 80s, hinged on immersive practical effects work that picks up the slack of a slighter story.
  30. Not Okay
    Writer and director Quinn Shephard's Not Okay takes thing near to the knuckle, but the biting jet-black comedy never loses sight of its intentions, deftly balancing humor and bile with heart and hard-hitting themes.
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