Plan C is an emotional journey into American culture, focused solely on one hot topic.

Fresh takes, classic gags, and excellent performances from its leads elevate an occasionally clunky and very packed script into something well worth watching.

Dolan can officially be deemed as one of horror’s most intriguing and singular new talents, thanks to a debut that’s definitely worth seeking out for horror aficionados who prefer having something to think about and chew on once the lights come up, as opposed to the hollow adrenaline rush of splashy set pieces that don’t have anything to say, and find themselves forgotten in an instant.

She Said is a movie that checks all the marks regarding the treatment a matter of this kind warrants, despite a number of shortcomings that affect its cinematic value.

With great warmth, empathy, and delightful use of drawings and digital video clips, Inbetween Girl creates a coming-of-age story that anyone can relate to but with a refreshing perspective.

This is a very funny, perfectly scored...exciting, albeit overlong exercise in pushing MCU boundaries to their franchise breaking point.

Expanded from a short that Dack wrote and directed previously, this mini-budget indie effort slowly draws audiences in through vicarious observation.

Most Beautiful Island summons viewers into its seductive web, lashing out with teeth-grinding tension when you least expect it.

Fair Play is a taut two-hander featuring Phoebe Dynevor and Alden Ehrenreich on scenery-chewing form, and benefits from an understated Eddie Marsan as trading supremo Campbell.

Queen Of Katwe is pretty typical Disney magic, but dynamic performances add a little more oomph to Phiona Mutesi's amazing true story.

Its borderline-necessary messaging doesn't render it completely invulnerable, but should Pixar be up to it, they've earned an 'Inside Out 3'.

As a blockbuster, The Fall Guy flies. As an ode to stuntmen, it soars. But as a movie that simply loves being a movie, it towers quite magnificently above most.

Jordan’s clear vision for Creed III is hindered by a couple of melodramatic crutches that are typical of the genre, and constant, incredibly distracting and tacky product placements throughout. Small faults in what is otherwise a self-assured, confident, and refreshingly vulnerable sports epic. The actor and filmmaker is dead serious about his craft, and it’s great to watch.

A brightly colored extravaganza, 'Wicked' is a monumental feat in the stage-to-screen lineage, with stunning sets, sharp choreography, and delightful musical numbers. Cynthia Erivo and Ariana Grande gracefully lead the film to great heights, and Jon M. Chu's tasteful direction raises hopes for 'Part Two.'

Directorial debuts are rarely this poised, devastating or dangerous.

Its methods may be unconventional, but Joel Potrykus never loses grip of the slippery strangeness.

The Killing of a Sacred Deer envelops you in its strange, disturbing world with the manipulative skill of a true surrealist master.

Vapid and meaningless, the consumer-friendly 'Air' tells a revolutionary story in the blandest, slickest way possible.

John Wick: Chapter 3 – Parabellum is a gunsmoke hazy, bloody-knuckle ruthless, impossibly badass Wickian continuation.

The Platform is a multi-tiered assembly of tension, terror and terrible imaginings that, in cake form, would be worth centerpiece window placement in any professional pâtisserie.

Emergency fails to live up to its early promise, by squandering strong performances in a search for something more satirical.

It may not quite reach the heights of Raimi’s Spider-Man 2, but Spider-Man: Homecoming emerges as one of the character’s strongest films to date, granting him a clean slate and infinite room to grow.

The Last Wish is better than it has any right to be. From charming animation that combines digital and analog sensibilities and takes cues from fairytale books to performances that are pitch-perfect, it works! It would be a mistake to write it off as a late-in-the-game sequel or nostalgia cash-grab when it’s clear there’s true craftsmanship behind the work.

There is clearly a lot of ambition to The Loved Ones and the near-brilliant leading performances help make the film a unique and terrifying experience.

While it takes a few too many cues from similar coming-of-age tales, Honey Boy offers audiences an egoless dissection of Shia LaBeouf’s side of his own story.

While The Ivory Game's ambitiously broad look at the illegal ivory trade takes on a bit more than it needs to, it does shed some definite light on a growing global problem.

Julieta is a timeless and mature examination of femininity and guilt that marks a return to form for director Pedro Almodóvar.

The buck unfortunately stops at the inspired casting, reducing 'One of Them Days' to another destiny method comedy that might find viewers, but not an audience.