This is a boxing drama that scrappily battles for its recognition, determined to win you over at any cost.

The film is sumptuously layered with a number of intersecting themes – the restrictions placed upon us by ourselves, and by society; the complexities of communicating with others; the nature of identity; the contrast of the social roles played by men and women; the vast difference between physical and emotional intimacy; the ebb and flow of the human experience.

Two Lovers and a Bear finds a blend of magic realism, romance and isolation that produces a tremendously moving result.

There’s a brooding tonal growth that Pesce is able to establish, as he unravels a film that becomes more horrific with each passing second.

With Glass Onion, Johnson and Craig have created a sequel that not only earns its keep but promises that subsequent installments in the franchise will deliver both reinvention and all the comfort and intrigue of the classic whodunit that filmmakers come back to time and time again for a reason. It’s pure fun, and it’s clear Johnson reveres the genre enough to cleverly break the rules.

Little Monsters is a must-see horror comedy that proves Lupita Nyong'o should be starring in far more horror movies than she's been offered at this point.

The Beguiled is a deliciously dangerous period thriller that refuses to let a man's privilege go unchecked like the Hollywood standard.

The best ensemble cast of the year live through Steve McQueen’s Widows, an entertaining, intelligent, but altogether familiar rendition of the heist film.

Spider-Man: No Way Home occasionally creaks under the weight of its own ambition, but it's a monumentally entertaining installment of MCU multiversal madness that fans are going to adore.

Jumanji: Welcome To The Jungle is both a fulfilling reinvention and adventurous video game quest that’s far funnier, and unexpectedly exciting, than you could hope for from an evolved reboot with explosive fantasy character.

The Collection is one of those horror films that really makes you sound like a deranged psychopath for recommending, but demands to be spread like a mind-controlling plague.

Despite uneven pacing and inconsistent acting, The Hunger Games: The Ballad of Songbirds & Snakes is a triumphant prequel and the most impressive depiction of Panem representative of a director firing on all cylinders.

As a blockbuster, The Fall Guy flies. As an ode to stuntmen, it soars. But as a movie that simply loves being a movie, it towers quite magnificently above most.

Kong: Skull Island is a grand cinematic adventure powered by furry fury, as the horrors of war blend with chest-beating creature confidence.

Wrath of Man is a slick action thriller from writer director Guy Ritchie, where retribution is only half the story.

Black Panther proves how representation can rejuvenate even the oldest superhero origin arcs, allowing Marvel a victory that still feels every bit a Ryan Coogler film.

A Ghost Story leads you down a path that allows for personal reflection, which will either sooth lost souls or scare them away.

Put simply, Old distils the human life cycle down into one unique cinematic experience. One that will cause arguments, promote debates and lead to further discussions. Something which confirms M. Night Shyamalan remains a force to be reckoned with.

I Don't Feel At Home In This World Anymore is a winning combination of anger, frustration and stinging social satire.

Spider is a heavy watch, and is guaranteed to haunt you long after you leave the theater.

Anyone who's ever wondered how Michael Shannon would fare as a smoldering romantic lead or how Imogen Poots might handle the role of a femme fatale has their answer in Matthew Ross' engaging psycho-thriller.

Triangle of Sadness is a dark delight that has plenty to say on the state of the world we live in.

Spider-Man: Across the Spider-Verse travels worlds to upend its own status quo, spinning a truly unique and sometimes devastating narrative that finally matches its visual ambitions.

Dramatically satisfying with a plethora of engaging twists, 'Carry-On' sticks a firm landing with maximum turbulence.

What Backcountry did for campfire creature attacks Killing Ground does for murderous bushmen in the same setting.

As Surrogate delves into murder mystery territory, the films palpable dread wanes. Yet, so strong is Willing’s handle of his material and Morassi’s compelling lead performance, that the after-effects are sure to haunt you long after the credits roll.

Yorgos Lanthimos' Kinds of Kindness is a unique, thought-provoking anthology exploring human kindness's dark side. With stellar performances, the film's surreal and unsettling narrative will captivate long-term fans but will alienate some viewers.

Ben Affleck anchors this surprisingly complex drama with a career best performance, which sees director George Clooney turn his attention to the importance of friendships in life.