The documentary, although formulaic, and punctuated by tacky sequences of Gomez narrating passages from her journal over performative images that feign depth, is, in its majority, an uninhibited look into the challenges of dealing with mental illness, which is obviously exacerbated by a life in the public eye.

A Bong Joon-ho film for the fans of 'Okja' and 'Snowpiercer'. Our generation's liveliest, most earnest director is back.

Olivia Wilde’s directorial debut bursts outward with neon electricity, encompassing, even if overcooking, the teenage tropes levied by similar films of the past, while also staying deeply rooted in the here and now.

If you stick with it, The Cellar performs a kind of alchemy on screen: turning from a staid haunted house movie into a haunted house movie with a real sense of ambition and fun. I just wish it had more interest in its female leads.

Directorial debuts are rarely this poised, devastating or dangerous.

Anna And The Apocalypse is an enthusiastic coming-of-age musical that cares just as much about bellowed heart and soul as it does keeping horror fans entertained.

The Hunt puts the "F-U" in midnight "fun" as no sides are safe in this middle-finger cultural roast that's as loudly defiant as it is proudly blood-soaked.

The Platform is a multi-tiered assembly of tension, terror and terrible imaginings that, in cake form, would be worth centerpiece window placement in any professional pâtisserie.

Jackpot! delivers a delicious deranged mix of dark comedy and thrill ride. While its silliness may not appeal to all, the film's clever premise, strong performances by Awkwafina and John Cena, and well-timed humor make for a great experience.

The film plays with form the way Enola plays with words: dazzlingly, whimsically and sarcastically. It's a breezy escape from a world that seems to be getting darker by the day.

Jujutsu Kaisen 0 is interesting, funny, and flashy by itself, manga and television aside. And there’s something in it for shonen fans of all sorts, replete with the tired trope of teenage boys giggling over their friends’ big boobs while standing right next to her.

All Quiet On The Western Front is nonetheless a near-flawless war movie that ticks all the boxes of what the genre demands, while maintaining the source material’s subversive anti-war approach. It’s visually stunning despite holding no punches in its portrayal of war’s violent, dirty, and gory nature. Above all, Berger delivers a chilling cinematic experience that should become mandatory viewing for everyone in today’s social climate.

If anything, Sometimes I Think About Dying is an ultimately optimistic film, which feels life affirming and poignant in parts. That it also affords Ridley one of the best roles she has had in recent memory, only makes this more of an intriguing proposition.

The obvious political agenda behind Before the Flood may turn off those who still maintain that climate change is a myth, but the evidence presented in the film should at least cause open-minded viewers to rethink their position on the issue.

The exorbitant running time may end up testing the patience of many, but 'John Wick: Chapter 4' does exactly what the franchise does best, but somehow on an even grander and more gripping scale.

Jurassic World: Fallen Kingdom is boggled insanity of the highest and most enthralling sci-fi order. As exciting and wondrous a summer blockbuster audiences could ask for. You must suspend reality (EVEN FURTHER) and enter a world where dinosaurs have existed for years in order to attain circumstantial nirvana, but if done correctly, an absolute wealth of ceremonious riches await

Terrifier 3 marks a significant evolution in the franchise. Director Damien Leone delivers the most vicious iteration of Art the Clown yet, while also maturing as a filmmaker and providing a solid foundation for future installments.

Funny, touching and insightful. Woody Harrelson is in top comedic form in this tonally unique comedy with a lot on its mind.

Elegant and entrapping, muddy and magnificent, Monos is a thrilling, if ambiguous endeavor of guerilla warfare, human nature, and adolescent anarchy.

A stunning debut from Jusu, 'Nanny' is brimming with incredible visuals, powerful performances, true suspense, and the power of Black feminine resilience.

Yes, the movie where a girl falls in love with a Tilt-A-Whirl says more about self-assurance, romantic wilds, and personal comforts than most human-on-human counterparts.

The best film DC has put out in a while, Blue Beetle offers fun, heartfelt action and comedy. Xolo Mariduena shines as Jaime Reyes, while director Angel Manuel Soto succeeds in delivering an ode to Latin American culture in a superhero outfit.

Guardians Of The Galaxy Vol. 2 is the deranged Marvel disco you’d expect from a filmmaker who wants to push the limits of an otherwise rigid and structured system.

The Fabelmans is a compelling family portrait, a love letter to filmmaking, and a revealing look inside the heart of one of America’s great directors. It’s well worth watching, just to see Spielberg at his most tender and personal.

Paterson, led by Adam Driver's skillfully restrained performance, is a brazing social commentary culminating in a harsh, yet beautiful truth.

Deepwater Horizon is effective, efficient and furiously paced.

The doc is a great showcase for the pair’s qualities.

Wilson’s work finds a foothold in cinema in a stunning debut by Malcolm Washington and the moving performances from all the actors.