We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
  1. Michael Moore points all 17 of his fingers in all directions during his latest ferocious, if scrambled film, surprisingly avoiding individual attacks and instead convincingly describing what role we all played in this globally-recognized disaster.
    • 83 Metascore
    • 80 Critic Score
    In His Three Daughters, Azazel Jacobs provides the very unique joy of a simple, yet perfectly executed story about universal human experiences.
  2. The acting, craft, and tone of Sicario are so precise that the absurdity of this cartel yarn is both its greatest weakness, and maybe its entire point.
  3. In A Valley Of Violence is built on intense shootouts, vicious criminals, crooked lawmen and everything that makes Westerns exciting, but its entertainment value comes from a tonal brew of all the right tonally-combative spices.
  4. Furious 7 is an in-your-face assault of awesomeness under the guidance of James Wan, who saves a more lax story by orchestrating a metallic ballet of kick-ass proportions.
  5. This vibrant indie rom-com from director Raine Allen Miller dives into the cultural melting pot of a globally recognized city, yet showcases it through the eyes of Yas (Vivian Oparah) and Dom (David Jonsson). Slick, funny, and charming - 'Rye Lane' is one to watch.
  6. In a world where everything is hyperconnected, Pirates looks to revel in a simpler time when neighborhoods were worlds unto themselves. This reveling is something it achieves with flair and room to spare, as a fully-fledged writer-director steps up to make his mark.
  7. The Integrity of Joseph Chambers' is a staggering study of fractured masculinity.
  8. There is something undeniably romantic about film noir that that makes Neil LaBute’s Out Of The Blue one of his most alluring cinematic concoctions to date.
  9. Prisoners isn’t bringing much new to the tradition of crime thrillers and missing children horror stories, but it does speak mightily to how quality of craft separates an airplane page-turner from a minor triumph of pulp poetry.
  10. A surprisingly uplifting film about a very difficult topic, Youth In Oregon's remarkable ensemble cast elevate the story into something unique and profound.
    • 59 Metascore
    • 80 Critic Score
    The Little Mermaid is not just another useless, soulless remake from the Mouse House. Not only does it give the gift of Halle Bailey as Ariel, but it also fortifies its predecessor's story by adding much needed narrative context and emotional pull.
  11. Intellectually vibrant and emotionally complex, Things To Come is a luminous film drawn along by Huppert’s central performance and Hansen-Løve’s delicate script.
  12. Ari Aster continues on as filmmaking’s ringleader of grief in Midsommar, an unsettling, often shocking portrayal of cultic life that’s rich with both ambition and beauty.
    • 74 Metascore
    • 80 Critic Score
    Fresh takes, classic gags, and excellent performances from its leads elevate an occasionally clunky and very packed script into something well worth watching.
  13. Tom Cruise has only gone and done it again, with 'Mission: Impossible - Dead Reckoning Part One' delivering a stunning summer blockbuster that'll leave you wondering how it can possibly be topped next summer.
    • 63 Metascore
    • 80 Critic Score
    Thanksgiving is a definitive passion project built on satisfyingly gory visuals, compelling storytelling, and inventive kills that provide a holiday treat for die-hard slasher fans.
  14. Tom Holland breaks away from the Marvel Cinematic Universe in a career defining performance. Cherry melds arthouse invention with mainstream genre to give audiences something truly special.
  15. iBoy is a fully charged superhero tale that soon overcomes its admittedly ludicrous premise.
  16. It’s lean, mean, and boasts one hell of a lead performance, so fans of both sci-fi and the thriller in general will find a lot to love about Oxygen.
    • 76 Metascore
    • 80 Critic Score
    Lady Macbeth begins as a biting tale of female empowerment but slowly reveals itself to be something much crueler. Period pieces rarely feel this contemporary.
    • 60 Metascore
    • 80 Critic Score
    Blurring the line between a narrative movie and a documentary, Actor Martinez is a film experiment that’s difficult to unpack but hilarious to watch unfold.
  17. Expanded from a short that Dack wrote and directed previously, this mini-budget indie effort slowly draws audiences in through vicarious observation.
  18. Nicolas Cage brilliantly embraces, mocks, and subverts his own legacy in an ingeniously demented action comedy that celebrates one of Hollywood's most uniquely fascinating stars.
  19. Thrilling sci-fi exploration that ponders the melancholic state of self-worth, existence, and what it truly means to be alive.
  20. Visually, Moana shines like a diamond at night.
  21. Darkly comic, delicately tragic, and shot through with genuine pathos - 'Raymond and Ray' is a real treat.
    • 72 Metascore
    • 80 Critic Score
    M3GAN is a creepy, delightful new addition to the evil doll horror subgenre, complete with some killer dance moves.
  22. Before I Wake is a beautiful, meditative ghost story with one of the more rewarding horror payoffs I’ve seen in years.
  23. As a work of cinematic art, it defies codification. It begs for multiple viewings, if only to pick apart the concepts that it introduces, changes, and interacts with over the course of its run time.

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