We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
  1. As a timely testament to our willingness to validate and support rather than investigate, White Lie is both insightful and terrifying.
  2. A Vigilante succeeds not by exploiting torture, but instead shifting focus to Olivia Wilde's painful, so very real performance.
  3. As punishing as it is grotesquely poetic, Headshot is a healthy dose of breathtaking brutality that makes you hold on for dear life.
    • 60 Metascore
    • 80 Critic Score
    A brazen, subversive send-up of 007, Kingsman: The Secret Service also has the high-octane excitement to work as a spy film on its own merits.
  4. Feminist by nature rather than design and consistently visually dazzling, The Eagle Huntress is top flight documentary cinema.
  5. Something Else promises monsters but delivers more demons of the human experience variety, as this sweet and sincere creature feature is far more romantically heartfelt than expected.
    • 71 Metascore
    • 80 Critic Score
    Prey is a fresh, original, and exciting entry into a franchise that was in desperate need of new life.
  6. Robert Eggers' reimagining of the 1922 classic "Nosferatu" delivers a visually striking but uneven Gothic horror experience, elevated by Lily-Rose Depp's captivating performance and stunning second half.
  7. With skin-crawling scenes and a surprising discussion about the control of women's bodies, 'The First Omen' finds a new angle to explore the well-established franchise. The prequel doesn't always manage the tricky balance between reverence to the original and new ideas. Still, there's a lot to love, both for newcomers and returning fans.
  8. Fences is old-school Americana that's driven by dynamite performances all around, albeit a bit stuffy in nature.
  9. Ingrid Goes West is the kind of social media satire we need, even if a tone-shifting second act drives focus from mental health to less interesting criminal goofiness.
  10. Keaton’s hazy wading through Kroc’s McDonald’s takeover is a dynamic performance that drives moral emptiness, but remains so poisonously watchable.
  11. Slapface can often be a relentlessly bleak experience, but the thematic resonance and surprisingly effective character dynamics comfortably offset any minor flaws.
    • 67 Metascore
    • 70 Critic Score
    It is the fairytale you desperately desire and the real-life truth that you detest rolled into a fantasy-charged ride that crashes at the last moment, but doesn't burst your pipe dream of being in the driver seat.
  12. Officer Downe is a vicious, violent bit of midnight madness that shoots first, and then shoots again for good measure. No need to ask questions.
    • 90 Metascore
    • 70 Critic Score
    Slow, low-key and often beautifully observed, Blue Is the Warmest Colour won't blow your mind, but it will charm your socks off.
  13. Leigh Whannell does a damn fine job manifesting unnerved tension and sustaining Cecilia’s downfall right in front of everyone’s eyes.
    • 72 Metascore
    • 70 Critic Score
    The Outwaters is a movie that rewards patience and gives your mind the freedom to run away with its setup and follow it to the bitter end. There is certainly a lot happening here, and it doesn’t all make sense or have an explanation, but that’s the (terrifying) point.
  14. Buoyed by a strong cast, Wolves is a predictable yet powerful film that uses its multitude of sports movie and coming-of-age cliches to the best possible effect.
  15. Blink Twice is a stylish psychological thriller about sexism in the #MeToo era. While its plot may feel familiar, Zoë Kravitz's confident direction and Channing Tatum's surprising performance elevate the film above its occasionally on-the-nose script.
  16. Nine Days is a fascinating, thought-provoking and incredibly moving feature directorial debut from Edson Oda.
  17. Your Lucky Day finds Angus Cloud and the rest of the cast on sparkling form in a twisting, turning, and altogether unpredictably thrilling time.
  18. Most Beautiful Island summons viewers into its seductive web, lashing out with teeth-grinding tension when you least expect it.
  19. Brightburn doesn't ask if you want blood, but you've damn-well got it in this nastily gruesome superhero hack-n-slash that's a nightmare for parents everywhere.
  20. Roth’s solid performance and Franco’s confident direction dovetail neatly into a film that knows what it wants to communicate and how to achieve it.
  21. In hindsight, irrespective of the solid performances from Cuthbert as Andrea and the headliner, this film suffers from an overabundance of ideas. Leading in short order to a stylistically slick but confusingly over-packed genre mash up.
    • 72 Metascore
    • 70 Critic Score
    Piggy surprises and shocks all the way up to its ending. It’s fueled by teenage angst and revenge, keeping you in suspense and invested in this story of sweet, potential revenge. Ultimately, it’s at its best when it takes the time to understand Sara and stick with her no matter what. Come for the story of Sara’s revenge, and stay for the twists and turns along the way.
  22. King Cobra has the intensity, excitement and poison every thriller needs, and wild, engaging performances to boot.
    • 50 Metascore
    • 70 Critic Score
    Despite its shortcomings, 'Meet Cute' takes viewers on a journey through the harsh reality of relationships that they won't soon forget.
  23. Though it runs into a couple of bumps along the way, Between Us is a well observed and sensitive indie drama that'll be familiar to anyone struggling with the onset of maturity.

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