Call of Cthulhu is horror comfort food. The equivalent of a dog-eared horror paperback found on some dusty used bookstore shelf. The game isn’t particularly daring or terrifying, but it is a well-written and crafted bit of low-stress spookiness. A handful of ill-conceived sequences drag Call of Cthulhu down a notch, but, thankfully, they aren’t enough to fully sink the game.

Daymare 1998 is meant to be a blast from the past but all it really does is destroy your old memories of those 90s horror games you played so long ago.

Go Vacation is an incredibly basic game, in addition to being a seven year old port. But somehow, despite my initial inklings that this was a shovelware game, I actually found myself really enjoying it.

Hyper Scape is a polished and pretty battle royale, but it is also bland and generic from start to finish. In a market already saturated by free to play shooters to try, Hyper Scape should be an afterthought. It doesn't have the confidence or the personality of its competitors, and it's come onto the scene far too late. There's a lot to like about Hyper Scape, but you probably won't find yourself playing it for long.

God of Rock has to be one of the worst attempts at combining rhythm games with other genres. While the game has a solid foundation, it really doesn't have much else as it fails as both a rhythm game and its fighting game aspects feel more like an overcomplication of something that already works well in other versus rhythm games.

Rise of Industry is fundamentally sound, but it goes from boom to bust too quickly. Poor tutorials make the game hard to get into, and once you do get the hang of things, you’ll find the magic is short-lived due to a lack of depth and polish. There is fun to be had with Rise of Industry, but budding tycoons concerned about value may want to invest elsewhere.

Destruction AllStars certainly has its charm. It exudes personality, thanks to a varied cast of characters that - despite having zero story - seem to have something about them that makes you want to learn more about them, such as their name. You’re here for the cars, and they are fun. The smashing, or destruction, of other cars, is a genuinely fun experience that's made all the better by each character having their own ability to mix things up. The game modes do keep things ticking over, though It needs to be said that the game needs to add more in the future to keep things fresh. This isn't a bad start for Destruction AllStars, but it's also one that needs to focus on the strengths and drop the weaknesses - particularly the abysmal on-foot gameplay - to make this game the online draw it could be.

Dream Cycle is doing a lot. And it does a lot of it well. But the parts that fall flat, bouncing off the strangeness of the game's own design, make it hard to recommend.

Vampire: The Masquerade – Bloodlines 2 is no classic, that's for sure. The game's side content is mediocre at best, and its technical optimization is among the worst seen recently. That said, the setting's atmosphere is intact, the combat is fun, and the main story is well-crafted. I recommend it to fans, but only at a lower price than the launch one.

Dangerous Driving is, at best, a rough early prototype of a proper Burnout successor. The basic mechanics and sense of speed are there, but they’re badly undermined by bland track design, infuriating AI, a lack of features, and a host of other issues. Those feeling nostalgic for Burnout would be best served taking the classics out for another spin, rather than taking a chance on this lemon.

American Fugitive is a fun romp through a colourful, top-down GTA-inspired open-world crime-fest. While the game has some issues, such as repetitive missions, as well as stability problems on the Switch, it doesn't stop it from being an all-around fun and engaging title when you're actually playing. The freedom to explore a world of a decent size where there's actually a fair bit of content to go through, including side-elements like finding stashes, doing stunt-jumps and time trials. Is this the next GTA? No, nor was it going to be. Is it a fun, engaging and altogether decent title at a very reasonable price? Most definitely.

Terminator: Resistance Enhanced is not a good game. It is a perfectly average title from a decade or two ago that is somehow being released now. Despite its relatively shiny graphics, there is nothing interesting beneath the chrome.

Disintegration is a somewhat fractured experience. The game’s quirky combination of shooter and strategy mechanics works, and multiplayer is a lot of frantic fun, but its single-player campaign suffers from some oversights, technical issues, and monotonous design. If Disintegration is a hit, I suspect it will be for its multiplayer, so while I’m being a bit conservative with my score now, the game will hopefully hover to new heights as PvP content is added. Whether you want to jump on your Gravcycle now is up to you.

Conan Unconquered isn't the most polished RTS to be released this year, but it is filled with unique ideas, challenging enemies and fun emergent moments.

Bleeding Edge is an interesting combination of features taken from Overwatch, MOBAs and character action games, featuring a solid character roster, a good map selection and two modes that feel varied enough. The limited amount of content and the lack of a ranked mode, however, make it difficult to recommend the game as a stand-alone purchase as of now. As an Xbox Game Pass game, though, Bleeding Edge works much better, as players can keep playing while waiting for new content to drop without having to purchase the game right away.

The Starfield Shattered Space expansion leaves a lot to be desired. While it introduces a more focused and engaging story compared to the base game, the average map and quest design, along with the lack of new features, turn the adventure in Va'Ruun'kai into a bit of a slog rather quickly. Although the tighter focus is welcome, the Starfield experience as a whole needs something more substantial to reach its full potential.

The Station fails to captivate despite its interesting ideas and puzzles. The setting is nice, but the script and narrative couldn't quite deliver on the core concept.

The Good Life comes with excellent narrative elements, but the entire experience is damaged by some weird design choices that result in mediocre gameplay. While this is hardly surprising for a game directed by SWERY, some of the ideas featured in The Good Life, like the cat and dog transformation mechanics, deserved a much better execution, as they feel shallow and not particularly interesting. With such flawed gameplay, only die-hard fans of the Japanese director will truly love The Good Life.

FlatOut 4 is a frequently irritating game that's held down by incredible amounts of grind, it has some saving graces with a variety of game modes and track types, but they don't do enough to balance out against the negatives like AI, physics and more.

Kingdom Under Fire II is one of the most internally divisive games I've ever played. Some parts are genuinely fantastic while others are mind-numbingly horrible. The third-person character combat is up there as one of, if not the best I've ever encountered in an MMO. On top of that is a fun and engaging strategy element, one where you can seamlessly move between commanding your troops and yourself, to fighting on the front lines with them. However, the MMO part in-between the fighting and strategy is interminably boring, showing a dated sensibility and more time-wasting than could ever be reasonably expected. I genuinely thought I was going to hate it, going by the start, but I now genuinely, almost begrudgingly, like it and against all odds I will be playing more.

Urban Empire aims to offer an interesting mix of political intrigue with city-building creativity and management. However, it doesn't give anywhere near enough information or allow enough freedom to make it as compelling as the idea could have been.

Everything Torchlight III does, it does worse than one of its contemporaries. Primarily Diablo. While what is here looks good and plays fine, it's repetitive and lacks the magic of games it shares a genre with. But all of that could've been forgiven if it had at least allowed me to suffer through it with a friend in local multiplayer, but it couldn't even do that. If you get the urge to play Torchlight III, just play Diablo III instead.

Perish is a game that can accomplish its objectives but requires a lot more polishing. The game offers a great way for up to four players to enjoy a shooter experience in which you can face off against several hellish creatures cooperatively. While those are definite pluses, the aforementioned issues can take players away from the experience.

My concern with Predator: Hunting Grounds is a simple one. If Illfonic doesn't fix the issues with getting in a game and a few bugs like AI enemies glitching into the floor, as well as develop some content to actually liven it up, it'll become another Evolve. If the issues are fixed and a bit of content is made, I could genuinely see this having a decent following. I know I'd come back to it.

ClaDun Returns: This is Sengoku! Is a wonderful return to the Classic Dungeon series and an experience that rogue lite fans shouldn’t miss out on. With the PlayStation Vita version having some performance issues and lacking in online multiplayer, I would recommend the Playstation 4 version unless you’re sold on the portable experience. Either way, this rogue lite should be appreciated by fans of random adventures and Sengoku history buffs alike.

One of the best games based on the Cartoon Network show, thanks to the faithful representation of the series' charming world and characters. While quite derivative, with features lifted from The Legend of Zelda series in particular, the game developed by Climax Studios can be a fun experience, granted the player manages to overcome some frustration due to balancing and design issues.

Slitterhead is an experience that's fantastic in still shots or in story trailers but the actual gameplay becomes a muddled mess when the player is forced into repetitive chase and combat sequences.

With its engaging story, charming cast of characters, and solid RPG mechanics, Mato Anomalies is a game that all role-playing game fans will enjoy, especially fans of the Persona series, by which the game is greatly influenced. Lack of innovation, dull turn-based combat and a wonky English localization impact the experience, but not enough to make it unworthy of a look from fans of the genre.